Here the first of these volumes is presented in a new and lively translation. Pantagruel recounts the life a popular giant. From his portentous birth and colorful childhood, to his visit to Paris and his travels through Utopia, and not withstanding his enormous appetite, Pantagruel’s history is told with a breathtaking degree of gaiety and wit. Ingeniously coining new expressions, and with an unashamed obsession with bodily functions, Rabelais blends prose and poetry, the sacred and profound, to offer a heady satire of the religious society of his day. The result is a bawdy and brilliant celebration of life.

    The most dynamic modernist French poet and the champion of the Cubist painters, he is remembered as much for his more traditional lyric poems as for the typographical experiments of his `calligrammes'. Subtle and complex, yet often direct, his poetry is still fresh and memorable. Guillaume Apollinaire was born in Rome in 1880. Educated in Monaco and Nice, he became a French citizen only in 1916, after service in the artillery and infantry. He was badly wounded in the head in 1916, and died during the Paris flu epidemic in 1918. As prose writer and art critic as well as poet, Apollinaire was the moving spirit of French modernism. Oliver Bernard, born in 1925, has worked as an advisory teacher of drama, and was a director of the Speak a Poem Competition from its inception. He has lived in Norfolk for over thirty years.

    At first, intoxicated by their beauty and athletic energy, he finds it difficult to choose between them. But gradually he finds himself drawn to the beautiful Albertine, without guessing how much she is to mean to him in the future.

    At the Cafe Chez Francis, a group of promoters plot to tear up Paris in order to unearth the oil which a prospector believes he has located in the neighborhood. These grandiose plans come to the attention of The Madwoman of Chaillot who is ostensibly not normal in her mind but who is soon shown to be the very essence of practical worldly goodness and common sense. She sees through the crookedness of the prospector and insists that the world is being turned into an unhappy place by the thieves and those who are greedy for worldly goods and power. At a tea party attended by other "mad" women of Paris, she has brought together representatives of the despoilers of the earth and wreckers of its happiness, and has them tried and condemned to extermination. In a scene which mounts into the realms of high poetic comedy, she sends the culprits one by one, lured by the scent of oil and undreamed-of riches, into a bottomless pit which opens out of her cellar. The exodus of the wicked is accompanied by another and more beautiful miracle: Joy, justice and love return to the world again. "

    Bataille's poetry is definitely the poetry of a philosopher, but it is also a poetry with an obsessively erotic, often scatological edge to it, frequently pushing the boundary of what is or isn't obscene. Bataille believed that everything relates to the workings of desire and death in sexuality, but he also believed that poetry was the product of ""hate"" (and other extreme emotions), just as much as erotic pleasure accedes to self-annihilation. But Bataille was interested in actual action, not just disengaged hypothesis concerning the sexual act. Dufour Editions is pleased to bring Bataille's poetry to print in English. ""This is the audacious, frightful side of surrealism.""-Library Journal "Bataille produced some of the most transcendent, pointedly filthy literature of the century, and these poems, together in English for the first time, are no exception." - Publishers Weekly

    The Book of QuestionsII. The Book of Yukel III. Return to the Book

    Trondheim’s typically graceful, confident cartooning shows him wrestling with his own demons (sometimes, in dream sequences, literally) and an often malevolent world, while trying to maintain his rising career as one of Europe’s most beloved cartoonists.Approximate Continuum finally brings American readers the first portion of the “Trondheim autobio trilogy” that also comprises the Eisner nominated “At Loose Ends” meditation serialized in Mome (which will be released as a graphic novel in 2012) and the ongoing “Little Nothings” series of short slice-of-life stories (three to date from NBM Publishing).This volume contains the first three chapters serialized in the Nimrod comic book, the last three (never-before-translated) chapters, and a hilarious “rebuttal” section in which Trondheim’s family and cartoonist friends (including Epileptic creator David B. and Trondheim’s mom) dispute (or ruefully agree with) Trondheim’s depictions.

     An outstanding book about the changing perception and significance of the devil in Western culture. Robert Muchembled is a well-known historian and an expert on witchcraft, whose work has already been translated into many languages. The author highlights the way that the changing notion of evil is connected to other changes in society at large. Draws on a wealth of examples, from the witch-hunts of the 15th and 16th centuries, to the films of Stanley Kubrick.

    A reasonable scientist is transformed - through the agency of science itself - into the living embodiment of unreason. Like the vampire and the werewolf, the sundered personae of Dr. Jekyll and Mr. Hyde have worked their way into our collective unconscious, expressing both our ambivalence with science and our deepest questions about what is knowable in human nature.

    

    and U.S.S.R. are negotiating a treaty while their espionage armies are locked in the ultimate struggle. What the Cardinal knows could change the course of history. what a maverick CIA man named Ryan must do is out-duel the KGB — and bring the Cardinal out alive! CLEAR AND PRESENT DANGER The U.S. ambassador to Colombia has been murdered by druglords. Enemy covert agents filter into the jungles of Central America, which ready to explode. CIA man Jack Ryan is the eye of a storm — and for the U.S., the stakes have never been higher. THE SUM OF ALL FEARS Peace may finally be at hand in the Middle East — as Jack Ryan lays the groundwork for a plan that could end centuries of conflict. But ruthless terrorists have a final, desperate card to play; with one terrible act, distrust mounts, forces collide, and the floundering U.S. president seems unable to cope with the crisis.

    Written with a flawless literature coupled with a magnanimous storytelling, it has a particular style that is unique only to the author. Chapter after chapter Dertogada takes you on a voyage overflowing with suspense. It does not stick to a single theme; rather it is a sum of many complicated stories. Action and breathtaking speed follows along, as we turn each page. It manifests all the characteristics of a science fiction, a romantic, an underground action, and a historical novel. In this sense, the novel has shown us intricate events with such interconnectedness as we have never realized before. It is a magnificent novel, which successfully bonded the past with the future. Aha! About this last point, here lies only one of the ideas, the book included. It is about the battle between achieving material or intellectual wealth. Moreover, it is a book about nationalism... about who will give away... what or who, for the sake of one's own advantages? And who shall fight, 'Until the last drop of blood,' for the sake of his/her identity? And etc... The rest is left for the reader to contemplate...

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    Finally in the late twenty- second century, mankind slowly begins to struggle back from the edge of extinction. When a huge “virtual life” facility is restored from a hibernation type of storage and slowly brought back online, a new hope materializes. But this system is haunted by the long lost past. System ghosts intermingle with mysterious factions that place two young technicians into a cyberspace trap, with little hope for survival.

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.