Michael Bray delivers twelve tales of mind-bending terror from the dark reaches of the human psyche.

    Roskin, heir to the throne of a remote, peaceful kingdom of dwarves, craves excitement and adventure. Outside his own kingdom, in search of fortune and glory, he finds a much different world, one divided by racial strife and overrun by war. The orcs to the south want to conquer all dwarves and sell them as slaves. The humans to the east want to control the world's resources. Caught in the middle, Roskin finds himself chased by slave traders and soldiers alike as he discovers that friendship is the best fortune of all. Just when he thinks he has triumphed, an act of betrayal sends him into bondage. His only hope of escape is the faltering courage of a disgraced warrior whose best days are behind him...

    But when tragedy strikes after graduation, Nora is left to deal with the horrifying aftermath alone as the other three girls leave home and don't look back.Fourteen years later, Nora is living a quiet, single life working in the local library. She is content to focus on her collection of "first lines" (her favorite opening lines from novels) and her dog, Alice Walker, when out-of-the-blue Ozzie calls her on her thirty-second birthday. But after all these years, Ozzie hasn't called her to wish a happy birthday. Instead, she tells Nora that Grace attempted suicide and is pleading for The Invisibles to convene again. Nora is torn: she is thrilled at the thought of being in touch with her friends, and yet she is hesitant at seeing these women after such a long and silent period of time. Bolstered by her friends at the library, Nora joins The Invisibles in Chicago for a reunion that sets off an extraordinary chain of events that will change each of their lives forever.The Invisibles is an unforgettable novel that asks the questions: How much of our pasts define our present selves? And what does it take to let go of some of our most painful wounds and move on?

    When Hannah inherits a defunct bakery in East Tennessee, her first thought is to sell it and settle her substantial debt. Then the townsfolk welcome her warmly and she's taken with the joyful spirit of the place, where stores employ holiday themes and residents have surnames like Christmas and Claus. After a handsome lawman comes to her aid dressed as Santa, Hannah learns he's more than a hot guy in a red suit and shiny black boots. Sheriff Carter Livingston has joined in the cause of rejuvenating the town, and he's encouraging her to do her part. Hannah's great-grandmother, Lena, sold special holiday cookies that brought hope and renewal to the people of Christmas Town. Yet Hannah has plans elsewhere and isn't looking to stay. Can she possibly reopen the shop known for kindling romance--without sacrificing her heart?

    It is a roller coaster ride of observations, commentary, emotions, tragedy and even humor - in a way that only Rose could find in a devastated wasteland. They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair. And stories about refrigerators. With photographs by British photojournalist Charlie Varley, 1 Dead in Attic freeze frames New Orleans caught between an old era and a new, New Orleans in its most desperate time, as it struggled out of floodwaters and willed itself back to life in the autumn and early winter of 2005.

    . .Antonia prefers a quiet Christmas. She's happy to spend it on her own, watching Hallmark holiday movies in her pyjamas, eating what she wants, when she wants.Antonia's friend Jules, on the other hand, loves a big Christmas celebration and plans on travelling to the Yorkshire Dales for a festive break. But when Jules breaks her leg, she persuades Antonia to make the trip on her behalf. Arriving at the little cottage, Antonia meets the handsome property agent Oliver. But she can't escape the weird locals--or avoid embarrassing situations like mistaking a cow for a burglar.As Christmas approaches, the attraction between Oliver and Antonia grows. She could choose to return to the bustling city and spend it alone. Or she could choose love and have a not so quiet Christmas . . .

    Now, mostly estranged from one another, the remaining five reluctantly gather at that same house on the eve of what would have been Bea’s fortieth birthday.But along with the return of the friends come old grudges, unrequited feelings, and buried secrets. Catherine, the CEO of a domestic empire, and Owen, a stay-at-home dad, were picture-perfect college sweethearts—but now teeter on the brink of disaster. Lindy, a well-known musician, is pushing middle age in an industry that’s all about youth and slowly self-destructing as she grapples with her own identity. Behind his smile, handsome plastic surgeon Colin harbors the heartbreaking truth about his own history with Bea. And Annie carefully curates her life on Instagram and Facebook, keeping up appearances so she doesn’t have to face the truth about her own empty reality.Reunited in the place where so many dreams began, and bolstered by the hope of healing, each of them is forced to confront the past.

    I hope you buy it—and not just because each purchase gets me one step closer to buying the leather pants of my dreams.I hope you buy Fat Girl Walking because I want to start a conversation. Or continue a conversation, one I inadvertently started a while ago when I took my clothes off on a stage in front of 700 people. A lot of people thought I was awesome for doing that. A lot of others thought a size 18 woman had absolutely no business showing off her body. Unfortunately for them, I've made it my personal mission on my blog, in social media, on television, and now in this amazing book you're holding, to destroy the ridiculous myth that every woman who is overweight hates her body and herself. I, Brittany Gibbons, and the Curvy Girls I speak to every day on the internet, beg to differ. We love our bodies. We love fashion. We are in loving relationships, having lots of sex. We aren't just a fetish, we're normal women. Sure, sometimes we doubt ourselves, we're not robots, but not anymore than EVERY OTHER WOMAN ON THE PLANET. See, Fat Girls aren't freaks of nature. We're just like you. Maybe we are you.Fat Girl Walking is a collection of stories from my life, my thoughts about the issues that I have faced as a woman, wife, mom, daughter, daughter-in-law, and internet personality in regards to my weight. I have tried to be as honest as I possibly could—apologies in advance to my husband and parents, but hopefully any discomfort you feel is quickly replaced by laughter. The insecure texts to my husband and summer camp hijinks are hilarious if I do say so myself. And I also ask some tough questions, things like "What if my husband weighs less than I do?" and "Is my body hate ruining my daughter's life?" Read Fat Girl Walking and let's start having these conversations. No pressure, but we may just save all of womankind.Love,Brittany

    It washes away the pains of the day and wraps you in the warmness of the womb where nothing hurts and every dream is possible. Yet soon enough, this warm state of bliss becomes a cold shiver, the ecstasy and dreams become nightmares, yet we can't stop listening to the lullaby. We crave to hear the siren song as it rips us apart.Six stories: three novellas, three novelettes, written by a powerful list of talent, all featuring the insidious nature of addiction--damaged humans craving for highs and wholeness but finding something more tragic and horrific on the other side.FEATURING:Caroline Kepnes author of You and Hidden BodiesKealan Patrick Burke, author of Sour Candy and KinMercedes M. Yardley, author of Pretty Little Dead GirlsJohn F.D. Taff, author of The FearingMark Matthews, author of Milk-BloodGabino Iglesias, author of Coyote Songs

    Women need this kind of honest excavation of the process of living.” —Meryl StreepAn astonishingly frank, funny, poignant book for any woman who wishes they had someone who would say to them, “This happened to me, learn from my mistakes and my successes. Because you don’t get smarter as you get older, you get braver.”Sheila Nevins is the best friend you never knew you had. She is your discreet confidante you can tell any secret to, your sage mentor at work who helps you navigate the often uneven playing field, your wise sister who has “been there, done that,” your hysterical girlfriend whose stories about men will make laugh until you cry. Sheila Nevins is the one person who always tells it like it is. In You Don’t Look Your Age, the famed documentary producer (as President of HBO Documentary Films for over 30 years, Nevins has rightfully been credited with creating the documentary rebirth) finally steps out from behind the camera and takes her place front and center.In these pages you will read about the real life challenges of being a woman in a man's world, what it means to be a working mother, what it’s like to be an older woman in a youth-obsessed culture, the sometimes changing, often sweet truth about marriages, what being a feminist really means, and that you are in good company if your adult children don’t return your phone calls.So come, sit down, make yourself comfortable, (and for some of you, don’t forget the damn reading glasses). You’re in for a treat.

    Bob Dylan sings about a journey ‘all the way from New Orleans to Jerusalem…’ as way of apotheizing, scrutinizing, and recognizing the world we live in. Laura Scott is on the way.”—Alan Cheuse“A story as hot, sticky, and dangerous as Midnight in the Garden of Good and Evil, seen through an imagination as kaleidoscopic as Kelly Link's.”—Steve Himmer, The Bee-Loud Glade“Something hazy is happening in Fat City. Laura Ellen Scott dials up loads of laughs amid the local color and NOLA cuisine in this madcap romp of a novel where last wishes come true, Elvis is back under newly orange clouds, coffee cups are bottomless, and street punks wear capes.”—Richard Peabody, editor Gargoyle MagazineWhat if your most fervent wish could come true, and all you had to do was…die first. Recovering from a bitter divorce, middle-aged Victor Swaim wants nothing more than to live a carefree, drunken existence in New Orleans, making capes and corsets, and lusting for Pebbles, the girl who lives across the street.But, after a series of deathbed wishes come true—including the curing of cancer, the elimination of cats, the return of Elvis (1967 vintage), the clouds turning orange, mothers growing third eyes and cups of coffee becoming bottomless—the hysteria that grows around “Death Wishing” forces Victor into action. Along with his entrepreneurial son Val and his libertine friend Martine, Victor must battle the apocalyptics who have seduced Pebbles away from her true vocation of singing the blues (very badly) while at the same time confronting his mortal identity: just what would he wish for the world without him in it?

    So when he sees the alluring Miss Pippa Welby from across a crowded ballroom, he vows to make her his. But the bold and spirited Pippa has sworn never to marry into the haute ton. Now Lucas must win her the only way he knows how—one wicked kiss at a time.The daughter of a wealthy tradesman, Pippa has been sneered at by the upper echelons her entire life. So when the duke arrives on her doorstep with an invitation to her own engagement ball—to him—in ten days, Pippa hatches a daring plan. She must lose the duke before the ball, or risk losing her own heart.

    Now, after celebrating a decade together, everyone thinks they're about to get engaged. A romantic escape to Dubai is the perfect moment, but instead of the proposal Lizzy hopes for, Ian reveals he's not sure he even wants her anymore.Lizzy is heartbroken. But through the tears, she realises this is her chance to seize the opportunities she missed as Ian's other half. But what does she want? How much of her is really Lizzy, and how much was Ian's influence? Determined to discover who she is at heart, Lizzy sets out to rediscover the girl she was before - and in the meantime, have a little fun . . .

    Accepting a dream offer at the prestigious Manhattan law firm of Klasko & Fitch, she promises her sweet and supportive longtime boyfriend that the job won’t change her. Yet Alex is seduced by the firm’s money and energy . . . and by her cocksure male colleagues, who quickly take notice of the new girl. She’s never felt so confident and powerful—even the innuendo-laced banter with clients feels fun. In the firm’s most profitable and competitive division, Mergers and Acquisitions, Alex works around the clock, racking up billable hours and entertaining clients late into the evening. While the job is punishing, it has its perks, like a weekend trip to Miami, a ride in a client’s private jet, and more expense-account meals than she can count. But as her clients’ expectations and demands on her increase, and Alex finds herself magnetically drawn to a handsome coworker despite her loving relationship at home, she begins to question everything—including herself. She knows the corporate world isn’t black and white, and that to reach the top means playing by different rules. But who made those rules? And what if the system rigged so that women can’t win, anyway? When something happens that reveals the dark reality of the firm, Alex comes to understand the ways women like her are told—explicitly and implicitly—how they need to behave to succeed in the workplace. Now, she can no longer stand by silently—even if doing what’s right means putting everything on the line to expose the shocking truth.

    Hot & Heavy rejects the idea that being thin is best, instead embracing the many fabulous aspects of being fat—building fat-positive spaces, putting together fat-friendly wardrobes, turning society’s rules into personal politics, and creating supportive, inclusive communities. Writers, activists, performers, and poets—including April Flores, Alysia Angel, Charlotte Cooper, Jessica Judd, Emily Anderson, Genne Murphy, and Tigress Osborn—cover everything from fat go-go dancing to queer dating to urban gardening in their essays, exploring their experiences with the word "fat," pinpointing particular moments that have impacted the way they think and feel about their bodies, and telling the story of how they each became fat revolutionaries.Ground-breaking and long overdue, Hot & Heavy is a fierce, sassy, thoughtful, authentic, and joyous collection of stories about unapologetically—and unconditionally—loving the body you’re in.