If it weren’t for us, the world would suffer from a dismal lack of stories," writes Bruce Benderson in this brutally candid memoir.What astonishes and intrigues is Benderson’s way of recounting, in the sweetest possible voice, things that are considered shocking,” wrote Le Monde. What’s so shocking? It’s not just Benderson’s job translating Céline Dion’s saccharine autobiography, which he admits is driving him mad; but his passion for an impoverished Romanian in "cheap club-kid platforms with dollar signs in his squinting eyes,” whom he meets while on a journalism assignment in Eastern Europe.Rather than retreat, Benderson absorbs everything he can about Romanian culture and discovers an uncanny similarity between his own obsession for the Romanian (named Romulus) and the disastrous love affair of King Carol II, the last king of Romania (1893-1953). Throughout, Benderson— "absolutely free of bitterness, nastiness, or any desire to protect himself,” wrote Le Monde—is sustained by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.

    But when he realized he was gay, those hopes were called into question. The Bible, he’d been taught, condemned gay relationships. Feeling the tension between his understanding of the Bible and the reality of his same-sex orientation, Vines devoted years of intensive research into what the Bible says about homosexuality. With care and precision, Vines asked questions such as: • Do biblical teachings on the marriage covenant preclude same-sex marriage or not? • How should we apply the teachings of Jesus to the gay debate? • What does the story of Sodom and Gomorrah really say about human relationships? • Can celibacy be a calling when it is mandated, not chosen? • What did Paul have in mind when he warned against same-sex relations? Unique in its affirmation of both an orthodox faith and sexual diversity, God and the Gay Christian is likely to spark heated debate, sincere soul searching, even widespread cultural change. Not only is it a compelling interpretation of key biblical texts about same-sex relations, it is also the story of a young man navigating relationships with his family, his hometown church, and the Christian church at large as he expresses what it means to be a faithful gay Christian.

    It is the story of two nurses who witnessed the early years of the HIV/AIDS epidemic from the frontline. It focuses on their lives and their experiences. Some of the story is raw, sometimes graphic, but familiar for people with HIV infection, family members, friends, and other nurses and medical professionals such as Ellen and Valery. There were hundreds of nurses who went through what Ellen and Valery experienced. They want to tell this story to give a voice to a generation lost, encouraging the world to remember one simple thing: this history cannot be repeated.

    While some areas of the Unites States have made tremendous progress in securing rights for gay people, Bible Belt states lag behind. Not only do most Bible Belt gays lack domestic partner benefits, lesbians and gay men can still be fired from some places of employment in many regions of the Bible Belt for being a homosexual. In Pray the Gay Away, Bernadette Barton argues that conventions of small town life, rules which govern Southern manners, and the power wielded by Christian institutions serve as a foundation for both passive and active homophobia in the Bible Belt. She explores how conservative Christian ideology reproduces homophobic attitudes and shares how Bible Belt gays negotiate these attitudes in their daily lives. Drawing on the remarkable stories of Bible Belt gays, Barton brings to the fore their thoughts, experiences and hard-won insights to explore the front lines of our national culture war over marriage, family, hate crimes, and equal rights. Pray the Gay Away illuminates their lives as both foot soldiers and casualties in the battle for gay rights.

    The idea of “the heterosexual” was unprecedented. After all, men and women had been having sex, marrying, building families, and sometimes even falling in love for millennia without having any special name for their emotions or acts. Yet, within half a century, “heterosexual” had become a byword for “normal,” enshrined in law, medicine, psychiatry, and the media as a new gold standard for human experience. With an eclectic scope and fascinating detail, Straight tells the eye-opening story of a complex and often contradictory man-made creation that turns out to be anything but straight or narrow.

    An essential element of self-realization, it is the unabashed acceptance of one's "outlaw" standing in a predominantly heterosexual world.These accounts -- sometimes heart-wrenching, often exhilarating -- encompass a wide breadth of backgrounds and experiences. From a teenager institutionalized for her passion for women to the mother who must come out to her young sons at the risk of losing them -- from the cautious academic to the raucous liberated femme -- each woman represented here tells of forging a unique path toward the difficult but emancipating recognition of herself. Extending from the 1940s to the present day, these intensely personal stories in turn reflect a unique history of the changing social mores that affected each woman's ability to determine the shape of her own life. Together they form an ornate tapestry of lesbian and bisexual experience in the United States over the past half-century. This song is dedicated to the one I love / Bertha Harris --Widows / Judy Grahn --Mad for her / Jill Johnston --First love / Karla Jay --Novelties / Joan Nestle --The secret agent / Jane DeLynn --My debut / Blanche McCrary Boyd --Red light, green light / Beatrix Gates --A vision / Rebecca Brown --Richard Nixon and me / Heather Lewis --Cherry picker / Chrystos --Born queer / Judith Katz --What comes first / Holly Hughes --House of corals / Cheryl Boyce Taylor --Bride of Christ / Mary Beth Caschetta --The coming out of a gay pride child / Elizabeth Lorde-Rollins --Easter Weekend / Minnie Bruce Pratt --Pot luck / Cynthia Bond --A letter to some lesbians who've been out for a long time / Mariana Romo-Carmona --Waking up / Jacquie Bishop --Banditos / Eileen Myles --Coming out--or going more deeply in? / Margaret Randall --Sequins in the mud : a cover girl comes out! / Karin Cook --Mind and body / Wendy W. Fairey --Always coming / Letta Neely --This girl is different / Tristam Taormino --Picture this / Cecilia Tan --Layers of the onion, spokes of the wheel / Pat Calafia --Freedom rings / Kanani Kauka --Together alone / Eva Kollisch --Diary of a mad lesbian / Lesléa Newman.

    Serano shares her experiences and observations—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole.Serano's well-honed arguments stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. She exposes how deep-rooted the cultural belief is that femininity is frivolous, weak, and passive, and how this “feminine” weakness exists only to attract and appease male desire.In addition to debunking popular misconceptions about transsexuality, Serano makes the case that today's feminists and transgender activist must work to embrace and empower femininity—in all of its wondrous forms.

    In a small town in the west of Ireland, a beautiful baby boy is born. He enjoys an idyllic country childhood: privileged, carefree, surrounded by love - and pet sheep.Eleven years later, the Pope visits Ireland, and things will never be the same again. At the Pontiff's mass in Knock, the little boy has an epiphany that will set him on the road to become the biggest, boldest, and most opinionated drag queen Ireland has ever known.This is the story of Rory O'Neill's journey from the fields to becoming Panti Bliss, the voice of a brave new nation embracing diversity, all the colours of the rainbow and, most of all, a glamorous attitude.It's also the story of a misfit who turned his difference into a triumphant art form; of coming to terms with HIV; of political activism; and of 'Pantigate', and the speech that touched a million lives.Welcome to the world of Panti - adored, fun drunk aunt to the world - and her creator Rory, in their own inimitable words.

    Betrayed once again by another woman’s marriage plans, she knew her romantic youth was over. So many of her female friends had married and settled. Anne cast around forlornly for the life-companion she had so long sought. She held melancholy spirits at bay by reading new geology and new gardening books in Shibden’s well-stocked library.
 Then a chance re-acquaintance with neighbouring heiress Ann Walker changed all that. Anne Lister is best known to us as a lesbian diarist. Nature’s Domain tracks her intense courtship of Ann Walker, vividly and candidly recorded in Anne’s daily journals - and partly written in her own secret code. This influential Anne Lister book also documents how she began redesigning the Shibden landscape and playing a powerful new role in the local political tumult after the passing of the great Reform Bill. This dramatic story, hitherto unknown and never before unpublished, unfolds to New Year’s Eve 1832. It records how Anne Lister’s indomitable will enabled her to mould nature to her own powerful desires. “Nature’s Domain gives a compelling overview of a key time in Anne Lister’s remarkable life. Jill Liddington guides us knowledgeably through the diaries of 1832, offering crucial insight into Anne’s private and candour observations about love, sex, money and politics.” Laura Johansen, Cultural Destinations Manager, Halifax. Jill Liddington is co-author of One Hand Tied Behind Us (1978) which became a suffrage classic. She is author of Presenting the Past: Anne Lister of Halifax 1791-1840 (1994) and of Female Fortune: the Anne Lister diaries 1833-36 (1998). She is an Honorary Research Fellow at the University of Leeds, and lives in Mytholmroyd near Halifax. Sally Wainwright’s BBC1 drama series, Gentleman Jack was inspired by Female Fortune and Nature’s Domain

    Never one to be shy of the spotlight, Dusty broke the mould as the first female entertainer to publicly admit she was bisexual, and was famously deported from South Africa for refusing to play to segregated audiences during apartheid in 1964, just a year after the launch of her solo career. Combining brand-new material, meticulous research and frank interviews with friends, lovers, employees and confidants, journalist Karen Bartlett reveals sensational new details about the soul diva’s unconventional upbringing, tumultuous relationships and unbridled addictions, including a lifelong struggle to come to terms with her sexuality. Named one of the Sunday Times’s best musical biographies of 2014, this is the intimate portrait of an immensely complicated and talented woman – the definitive account of one of music’s most legendary figures.

    Powerful and passionate, Care Work is a crucial and necessary call to arms.

    From pronouns to politics to pop culture, people are finally finding a new freedom in the fluidity of identity. Now more than ever, it's important to understand, embrace, and intelligently discuss the many sides of gender.She/He/They/Me is a unique and engagingly creative take on an increasingly complex concept. A nontraditional, nonlinear structure allows readers to choose their own path, from a patriarchal culture to a scenario where sex doesn't even exist, and beyond. This method of individual exploration will help readers gain the understanding and confidence they need to engage in meaningful conversations about gender.

    When ex-G.I. George Jorgensen went to Copenhagen in the early 1950s to consult experts in sexual deviance, he was afraid they'd simply proclaim him a fairy. A full battery of hormonal and psychological tests revealed that, while he was drawn to men, he was no garden-variety homophile; he was a lady. Keeping the secret from his family, Jorgensen endured a groundbreaking series of operations, finally emerging in November 1952 as a delicately beautiful young woman. "I merely wanted to correct what I considered a misjudgment of Nature," wrote Jorgensen, who died in 1989. No one seeing the photographs included here (many of them new to this edition) can doubt the success of Jorgensen's transformation or wonder too long at the fascination she engendered back home, where a newspaper bought her story for $20,000 and she was proclaimed New York City's Woman of the Year. A stage and screen career soon followed. As Susan Stryker points out in a new introduction, Jorgensen offers a somewhat flattering and selectively abridged account of herself in the autobiography, but no more so than any plucky girl smiling her way through what must have been, at times, a harrowing and lonely journey, but one that she conducted with remarkable dignity. --Regina Marler

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    In this idyllic haven, Lisicky searches for love and connection and comes into his own as he finds a sense of belonging. At the same time, the center of this community is consumed by the AIDS crisis, and the very structure of town life is being rewired out of necessity: What might this utopia look like during a time of dystopia? Later dramatizes a spectacular yet ravaged place and a unique era when more fully becoming one’s self collided with the realization that ongoingness couldn’t be taken for granted, and staying alive from moment to moment exacted absolute attention. Following the success of his acclaimed memoir, The Narrow Door, Lisicky fearlessly explores the body, queerness, love, illness, community, and belonging in this masterful, ingenious new book.