Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.

    Now the critically acclaimed Michael Pye reveals the cultural transformation sparked by those men and women: the ideas, technology, science, law, and moral codes that helped create our modern world. This is the magnificent lost history of a thousand years. It was on the shores of the North Sea where experimental science was born, where women first had the right to choose whom they married; there was the beginning of contemporary business transactions and the advent of the printed book. In The Edge of the World, Michael Pye draws on an astounding breadth of original source material to illuminate this fascinating region during a pivotal era in world history.

    Memory was the psychological faculty valued above all others in the period stretching from late antiquity through the Renaissance. The prominence given to memory has profound implications for the contemporary understanding of all creative activity, and the social role of literature and art. Drawing on a range of fascinating examples from Dante, Chaucer, and Aquinas to the symbolism of illuminated manuscripts, this unusually wide-ranging book offers new insights into the medieval world.

    In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    His broad, detailed and graphic account of the conduct of war in the Anglo-Saxon world in the unstable, violent centuries before the Norman Conquest will be illuminating reading for anyone who wants to learn about this key stage of medieval history.The role of violence and war in Anglo-Saxon society is explored, in particular the parts played by the king and the noblemen, and the means by which, in times of danger, the men of the fyrd were summoned to fight. The controversial subject of the Anglo-Saxon use of cavalry is also explored. Land and naval warfare are central sections of Paul Hill’s book, but he also covers the politics and diplomacy of warfare – the conduct of negotiations, the taking of hostages and the use of treachery.The weapons and armor of the Anglo-Saxons are described – the spears, the scramsaxes, axes, bows, swords, helmets, shields and mail that were employed in the close-quarter fighting of the day. Among the most valuable sections of the study are those dealing, in vivid detail, with actual experience of battle and siege – with the brutal reality of combat as it is revealed by campaigns against the Danes, in the battles of Ashdown, Maldon and Stamford Bridge, and sieges at Reading and Rochester.

    Dramatic incidents of his reign, such as his quarrel with Archbishop Becket and his troubled relations with his wife, Eleanor of Aquitaine, and his sons, have attracted the attention of historical novelists, playwrights, and filmmakers, but with no unanimity of interpretation. That he was a great king there can be no doubt. Yet his motives and intentions are not easy to divine, and it is Professor Warren's contention that concentration on the great crises of the reign can lead to distortion. This book is therefore a comprehensive reappraisal of the reign based, with rare understanding, on contemporary sources; it provides a coherent and persuasive revaluation of the man and the king, and is, in itself an eloquent and impressive achievement.

    This is an OCR edition with typos. Excerpt from book: Gayeties in Paris. Poverty of the court. Chapter IIL Matrimonial Projects. r I EERE is nothing so successful as sue J- cess." The young king returned to Paris from his coronation and his brief campaign a hero and a conqueror. The courage he had displayed won universal admiration. The excitable populace were half frenzied with enthusiasm. The city resounded with shouts of gladness, and the streets were resplendent with the display of gorgeous pageants. The few nobles who still rallied around the court endeavored to compensate by the magnificence of their equipages, the elegance of their attire, and the splendor of their festivities, for their diminished numbers. There were balls and tournaments, where the dress and customs of the by-gone ages of chivalry were revived. Ladies of illustrious birth, glit tering in jewels, and proud in conscious beauty, contributed to the gorgeousness of the spectacle. Still, in the midst of all this splendor, the impoverished court was greatly embarrassed by straitened circumstances. Death of the Archbishop of Paris. Murmnringfl. Cardinal Mazarin, eager to retain his hold upon the king, did every thing he could to gratify the love of pleasure which his royal master developed, and strove to multiply seductive amusements to engross his time and thoughts. But a few days after Cardinal de Retz had been conducted a prisoner to Yincennes, his uncle, the Archbishop of Paris, died. The cardinal could legally claim the succession. The metropolitan clergy, who had been almost roused to rebellion by his arrest, were now still more deeply moved, since he had become their archbishop. They regarded his captivity as political martyrdom, and their murmurs were deep and prolonged. The pope also addressed several letters to the court, soliciting the ...

    A member of the bourgeoisie rather than an aristocrat, she was physically too cold for the carnal Bourbon king, and had so many enemies that she could not travel publicly without risking a pelting of mud and stones. History has loved her little better. Nancy Mitford's delightfully candid biography recreates the spirit of 18th-century Versailles with its love of pleasure and treachery. We learn and see France increasingly overcome with class conflict. With a fiction writer's felicity, Mitford restores the royal mistress and celebrates her as a survivor, unsurpassed in "the art of living," who reigned as the most powerful woman in France for nearly twenty years

    Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

    Here, too, are the stories of the extraordinary emperors and generals who brought the empire into being and ultimately presided over its demise. We witness the glittering city of Constantinople from its rise to greatness through its deadly conclusion. Though Byzantium has faded away, its everlasting contributions to our world today are revealed in this fascinating history.

    Torrential rainfall saturated the soil, and faulty engineering created conditions that soon drowned Parisian streets, homes, businesses, and museums, thrusting the City of Light into a battle with the elements. Given the Parisians' history of deep-seated social, religious, and political strife, many worried that they wouldn't be able to collaborate to confront the crisis. Yet while the sewers, Métro, and electricity failed around them, Parisians of all backgrounds rallied to save the city and one another. Improvising techniques to keep Paris functioning and braving the dangers of collapsing infrastructure and looters, leaders and residents alike answered the call to action.In breathtaking detail, Jeffrey Jackson captures here for the first time the epic story of the great flood. As the waters rise, so does the tension, but ultimately, the Parisians' love of their city leads them to triumph over nature against all odds.

    After a desperate six weeks, the beleaguered citadel surrendered to the Mamluks, bringing an end to Christendom's two-hundred year adventure in the Middle East.In The Accursed Tower, Roger Crowley delivers a lively narrative of the lead-up to the siege and a vivid, blow-by-blow account of the climactic battle. Drawing on extant Arabic sources as well as untranslated Latin documents, he argues that Acre is notable for technical advances in military planning and siege warfare, and extraordinary for its individual heroism and savage slaughter. A gripping depiction of the crusader era told through its dramatic last moments, The Accursed Tower offers an essential new view on a crucial turning point in world history.

    Now, the richly illustrated Medieval Warfare illuminates this era, examining over seven hundred years of European conflict, from the time of Charlemagne to the end of the middle ages (1500). Twelve scholars examine medieval warfare in two sections. The first section explores the experience of war chronologically, with essays on the Viking age, on the wars and expansion of the eleventh and twelfth centuries, on the Crusades, and on the great Hundred Years War between England and France. The second section traces developments in the art of warfare: fortification and siege craft, the role of armored cavalrymen, the use of mercenary forces, the birth of gunpowder artillery, and the new skills in navigation and shipbuilding.

    There he would be incarcerated in a cell next door to the Man with the Iron Mask. . .From a glittering zenith as the King’s first minister, builder of the chateau of Vaux-le-Vicomte, collector of books, patron of the arts and lover of beautiful women, Fouquet had fallen like Icarus. Charged with embezzlement, he was convicted and sentenced to banishment until the King intervened to change his sentence to life imprisonment.Charles Drazin’s riveting account brings to life the rich and hazardous world in which Foucquet lived. But it is in his downfall and incarceration, which he bore with great fortitude, courage and humour, that Fouquet’s strength of character and grace emerge. The richness and contrasts of his remarkable story are done full justice in this compelling book.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.