Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva.Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to a diverse group of individuals who suddenly felt themselves trapped in a ‘red madhouse.’

    The central character in this work is a Grand Inquisitor who arrests Jesus. A Grand Inquisitor, or Inquisitor Generalis in German is the individual who leads an Inquisition, just like Spanish Dominican Tomas de Torquemada who was the official in charge of the Spanish Inquisition.

    

    Rainer Maria Rilke was staying at Duino Castle, on a rocky headland of the Adriatic Sea near Trieste. One morning he walked out onto the battlements and climbed down to where the cliffs dropped sharply to the sea. From out of the fierce wind, Rilke seemed to hear a voice: Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? (If I cried out, who would hear me up there, among the angelic orders?). He wrote these words, the opening of the first Duino Elegy, in his notebook, then went inside to continue what was to be his major opus—completely only after another ten, tormented years of effort—and one of the literary masterpieces of the century. Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator David Young, “to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.”

    Chevengur is a massive series of satirical scenes from Soviet life during the New Economic Policy instituted by Lenin in the 1920s, the story of the efforts of provincial builders of Communism, but in their grotesque Utopia, Cheka murders are the only thing efficiently organized.

    This is the book that her many fans have been anxiously awaiting - the definitive, complete collection of poetry by the Nobel Prize-winning poet, including 164 poems in all, as well as the full text of her Nobel acceptance speech of December 7, 1996, in Stockholm. Beautifully translated by Stanislaw Bara«nczak and Clare Cavanagh, who won a 1996 PEN Translation Prize for their work, this volume is a must-have for all readers of poetry.

    He fell into the habit of sending Elsa several letters a day, a situation she accepted under one condition: he was forbidden to write about love. Zoo, or Letters Not about Love is an epistolary novel born of this constraint, and although the brilliant and playful letters contained here cover everything from observations about contemporary German and Russian life to theories of art and literature, nonetheless every one of them is indirectly dedicated to the one topic they are all required to avoid: their author's own unrequited love.

    Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences--Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Bunuel--stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin.

    On April 4, 1942, Maresyev's Polikarpov I-16 was shot down near Staraya Russa, then occupied by Nazi Germany. Maresyev survives the crash but is badly wounded. Despite his injuries, and after a grueling 18-day struggle to return to Soviet-controlled territory, he is rescued and cared for by villagers from a collective farm before being transferred to a hospital. Eventually both his legs are amputated below the knee. Desperate to return to his career as a fighter pilot, Maresyev undergoes nearly a year of therapy and exercise to master the control of his prosthetic devices, and returns to flying in June 1943. During his recovery, he is inspired by the thought of his girlfriend and the support of his fellow patients. By the war's end, Maresyev had completed 86 combat flights and shot down 11 German warplanes. In 1943 he was awarded the Golden Star of the Hero of the Soviet Union, the highest military decoration of the USSR. In 1944, Maresyev joined the Communist Party and two years later retired from the army. Eventually he became a member of Supreme Soviet. On a side note, the book was made into an opera by the Russian composer Sergei Prokofiev and premiered in Leningrad (now Saint Petersburg) on December 3, 1948.

    He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state—or refuse and accept transfer to the Siberian Gulag camps . . . and almost certain death.First written between 1955 and 1958, In the First Circle is Solzhenitsyn's fiction masterpiece. In order to pass through Soviet censors, many essential scenes—including nine full chapters—were cut or altered before it was published in a hastily translated English edition in 1968. Now with the help of the author's most trusted translator, Harry T. Willetts, here for the first time is the complete, definitive English edition of Solzhenitsyn's powerful and magnificent classic.

    Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

    Translated by Susan Brownsberger.

    Reissue.