Many people think of them as "an awe-inspiring group of ascetic, fanatic, and inhuman supermen."Ernest R. Pope knew all too well how illusory this idea was. As senior correspondent for Reuters in Munich from 1936-1941, American Ernest Pope saw the cruel and outrageous behavior of Nazis in their native habitat. In Munich they ran wild, let their hair down, and indulged in every fantasy money and power could avail them. Pope has all the gossip...and the confirmed stories. HISTORY AS IT HAPPENED "I have seen the leading actors in the Nazi tragedy, playing their parts on the Bavarian stage. Long before the climax—the outbreak of the war—I knew what the denouement in Hitler's theater would be."Pope knew, saw, and/or interviewed all the top Nazis and dozens of lower-level officials, including some of Hitler's security. He saw the Nazis for what they were: a corrupt, debauched, all-to-human menace.Once back in the U.S., Pope let loose his frustration and ire at what he'd seen—but couldn't write about when he was reporting from Germany. With great humor and faced-paced prose, he writes of encounters with Hitler, Hess, Streicher, and many more.He was in Munich during the fated compromise with Chamberlain. He reported on the Nazi invasions of Austria and Czechoslovakia.He reported on Hitler's obsession with Dorothy van Bruck's "blitz-tease" and he knew Hitler's English girlfriend, Unity Mitford. AT THE CENTER OF ACTION Pope turns his savage wit and erudition on his former hosts. Fluent in Bavarian German dialect, Pope made many friends in Munich with citizens and officials alike. He heard jokes from Munichers that could get them thrown in a concentration camp and he poked fun at Nazis whenever he dared.On the Austrian border during Hitler's invasion of that country:Guard: “Heil Hitler! What are you doing here?” Pope: “Just enjoying the scenery.” Guard: “Why did you come to Kiefersfelden today?” Pope: “Well, I'll tell you. It's like this. I'm an American student, and I came to Munich when I read the fascinating travel prospectuses which invited me to ‘Visit the beautiful Alps.’ My friend and I have already seen the Alps at Garmisch, so we thought we might look at them today around Kufstein. They really are pretty, in spite of all the uniforms we didn't expect to find here. But I do think it is odd of you to ask me why I am here. For if I were walking in Central Park in New York, I would not expect a policeman to ask me why I wasn't feeding the pigeons in front of the Public Library.”You won't find another account like this of the Nazis in their favorite playground. INCLUDED CHAPTERS: DER FÜHRER AT PLAY MY FRIENDS THE GESTAPO PORTRAIT OF A NAZI GRAFTER HITLER DABBLES IN ART THE ONE-LEGGED BOSS OF BAVARIA CATHOLICISM IN THE NAZI CAPITAL LUNCH WITH JULIUS STREICHER And more Pope turns serious in the final chapters. As he left Germany, he knew he was saying goodbye to friends he would never see again.

    Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Pr?vert, Antonin Artaud, Ren? Clair, the Marx Brothers, Joan Mir?, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.

    One that involves intelligence agencies, politicians, international bestselling authors, and the world's leading scientists and industrialists. They believe that this conspiracy, centred upon the eternal mysteries of ancient Egypt, targets and threatens us all.

    

    of what Ladislav Klíma wrote and stood for.—Bohumil HrabalKlima's intense inner life and complex mental state are reflected in his peculiar writings. The eccentricity of style and occasional violence found in his prose were intended to convey the deep conflicts attending his thought processes, and this is perhaps best exemplified in the novella Glorious Nemesis, a balladic ghost story that explores the metaphysics of love and death, crime and reincarnation. Sider, a man of twenty-eight, is confronted in the Tyrol by a giant mountain named Stag's Head and an ancient hovel standing under a high, black cliff. Out one day on a hike, he encounters two women who will mark his fate: the elder Errata, dressed in red, and the younger Orea, dressed in blue (the two colors of the Virgin Mary). From this point on Sider is on a quest for the All, the Absolute, and to achieve eternity by atoning for the misdeeds of a past life. Willing to risk his entire fortune and sanity, he succumbs to his dreams and hallucinations as Orea, or her doppelgänger, becomes for him the apotheosis of the Feminine, a representation of the goddess Nemesis who initiates him into the mysteries of life and death through her attribute of divine retribution. Published posthumously in 1932, this is the first English translation.

    Adam Weishaupt, professor of Canon law in the university of Ingolstadt, and abolished in 1786 by the Elector of Bavaria, but revived immediately after, under another name, and in different form, all over Germany. It was again detected, and seemingly broken up; but it had by this time taken so deep a root that it still subsists without being detected, and has spread into all countries of Europe." His examination of this order, born of freemasonry, has induced him ." to lay before the public a short abstract of the information which [he hopes] sufficient for establishing the fact, that this detestable association exists, and its emissaries are busy among [us].

    Nor is it a collection of bizarre facts, though the Angel of the Bizarre might well find himself at home in it. It is not a scientific contribution, a vehicle for an exotic teaching, a testament, a document, a fable. It is simply an account - at times figurative, at times factual - of a first excursion into some as yet scarcely explored realms of consciousness. The Morning of the Magicians is a classic of radical literature, a book that has challenged assumptions and conventional knowledge for decades. It has shaken the foundations of beliefs all over the world and may be the most influential book published in the twentieth century. Louis Pauwels and Jacques Bergier spent years searching "through all the regions of consciousness, to the frontiers of science and tradition" and opened their minds to any fact or theory that went beyond the frontier of current theories. The result is this remarkable work, and the stream of possibilities that it contains: Do mutants exist, are they a future form of man? Does extrasensory perception reveal that human consciousness has advanced beyond its currently accepted limits? What connects the ancient art of alchemy and modern atomic physics?

    His prose is fast-moving, readable & hard-hitting. He tells how the beautiful S. American “Queen of Cocaine” seduced the CIA into protecting her from prosecution as she sold drugs to Americans; how CIA-sponsored paramilitary ousted, tortured & killed members of a pro-DEA Bolivian ruling party; & how the CIA created La Corporacion, the “General Motors of cocaine,” which led directly to the current cocaine/crack epidemic. As a 25-year veteran agent for the DEA, Michael Levine worked deep-cover cases from Bangkok to Buenos Aires & witnessed 1sthand scandalous violations of drug laws by U.S. officials.Author's NoteIntroductionPrologue1 The Cocaine Coup2 Operation Hun3 Sonia's SecretEpilogueIndex

    Scientific evidence, exciting new research, and the breakthrough discovery of an amazing Egyptian map prove without a doubt that this lost continent did exist...and reveal where its ruins can be found.But the fascinating truth about Atlantis also leads to a chilling conclusion about the environmental catastrophe that destroyed it. Now you can find out how the forces that shattered the first great civilization on Earth can happen again, bringing the end of the world to us all!

    Strange Days Indeed tells the story of the decade when a distinctive “paranoid style” emerged and seemed to infect all areas of both private and public life, from high politics to pop culture. The sense of paranoia that had long fuelled the conspiracy theories of fringe political groups then somehow became the norm for millions of ordinary people. And to make it even trickier, a certain amount of that paranoia was justified. Watergate showed that the governments really were doing illegal things and then trying to cover them up. Though Nixon may have been foremost among deluded world leaders he wasn’t the only one swept up in the tide of late night terrors. UK Prime Minister Harold Wilson was convinced that the security services were plotting his overthrow, while many of them were convinced he was a Soviet agent. Idi Amin and his alleged cannibalism, the CIA’s role in the Chilean coup, the Jonestown cult, the Indian state of emergency from ’75 to ’77 and more are here turned into a delicious carnival of the deranged—and an eye-opening take on an oft-derided decade—by a brilliant writer with an acute sense of the absurd.

     In this classic story of the early days of detection, Joan Lock tells the fascinating story of the creation of the CID, the scandal which preceded it, and the successes and failures of the new organization, including early cases such as the four murders by Ernest Southey, the ferocious outbreak of dockland killings in 1869 and the more familiar Bravo, Neill Cream and Jack the Ripper crimes. She describes Scotland Yard's gradual, if sometimes tardy, acceptance of identification and communication aids such as photography, the telegraph, telephone, Bertillon's anthropometric measurements and the fingerprint system. First World War spy and Dear John jealousy murders were followed by Roaring Twenties' swindles and the arrival of motor car bandits — which in turn led to the formation of the Flying Squad and the adoption of mobile wireless telegraphy. The introduction of women detectives is also discussed and the difficulties they experienced in establishing their place in a male dominated force. Joan Lock closes the gap between the academic police historian and the writer of popular true crime, making this book a fascinating read for crime experts and the general reader alike. Praise for Scotland Yard Casebook ‘Everyone with an interest in police history will know that Joan Lock has written a series of books notable for their perspicacity. and immaculate research. Scotland Yard Casebook is a new peak in her career, a fascinating account of the great and not-so-great detectives of a golden age. She has examined the official case files and put together a history told through the careers of policemen and giving a professional view of such dramatic events as the Turf Fraud Scandal, the Dynamite Campaign, the Jack the Ripper murders and the Anarchist outrages — side by side with stories previously ignored by historians, yet often crucial to the development of the CID. With a style that is authoritative, dispassionate and witty, Joan Lock has delivered a book of lasting importance.’ - Peter Lovesey A former nurse and policewoman, Joan Lock is the author of eleven non-fiction police/crime books, including three on Scotland Yard's First detectives. As well as writing short stories and radio plays she is also an authority on the history of the British women police officers.

    PSYCHOLOGICALLY POWERFUL COVERT MIND CONTROL METHODS REVEALED: This innovative book teaches radically Potent Covert Seduction Secrets on how to attract and seduce women or men with subliminal mind control techniques.

    Their revealing correspondence leaves no aspect of their lives untouched: daily dramas, bits of gossip, the strains and pleasures of writing, and always the same joy in each other’s company. This volume, which features over 500 letters spanning 19 years, includes the writings of both of these literary icons.DeSalvo and Leaska established the chronological order of the letters and placed them in sequence, and they have also included relevant diary entries and letters Vita and Virginia wrote to other friends where they add context and illumination to the narrative. Annotations throughout the text identify peripheral characters, clarify allusions, and provide background. As the New York Times noted, "the result is a volume that reads like a book, not just a gathering of marvelous scraps."In his introduction Mitchell A. Leaska observes, "Rarely can a collection of correspondence have cast into more dramatic relief two personalities more individual or more complex; and rarely can an enterprise of the heart have been carried out so near the verge of archetypal feeling."

    The small, poignant touches are riveting." -"Kirkus Discoveries""I think about what I want and what makes me happy, But orderly and quietly to myself. Because my thoughts tear down fortresses and walls, My thoughts are free. -German folk song, author unknown"The beautiful, safe, joyful places in young Tilli's imagination were her only refuge from the bombing that tore through the sky above her during World War II. Her thoughts were her only freedom from Hitler's Nazi tyranny, and they were her strength to survive after the war ended, when Russians invaded her tiny farming village in eastern Germany; forced her into months of hiding in a dark attic crawlspace; and took her innocence, her childhood, and nearly her life.Tilli's dreams-of a time when she could think and act freely, and travel, work, write, worship, and live however she wished-were what fueled the sixteen-year-old to courageously and single-handedly escape the terror of Stalin's harsh Communist rule and create her own happy ending in a free America.This true tale of sorrow and terror, hope and triumph, is Tilli's story-but it's also the story of the unthinkable suffering and untold bravery of countless innocent children who have lived through a war and its aftermath.

    It is lit with notable characters. The reforming heroes are the Whig aristocrats led by Lord Grey, members of the richest and most landed cabinet in history yet determined to bring liberty, which would whittle away their own power, to the country. The all-too-conservative opposition was headed by the Duke of Wellington, supported by the intransigent Queen Adelaide, with hereditary memories of the French Revolution. Finally, there were revolutionaries, like William Cobbett, the author of Rural Rides, the radical tailor Francis Place, and Thomas Attwood of Birmingham, the charismatic orator. The contest often grew violent. There were urban riots put down by soldiers and agricultural riots led by the mythical Captain Swing. The underlying grievance was the fate of the many disfranchised people. They were ignored by a medieval system of electoral representation that gave, for example, no votes to those who lived in the new industrial cities of Manchester, Leeds, Sheffield, and Birmingham, while allocating two parliamentary representatives to a village long since fallen into the sea and, most notoriously, Old Sarum, a green mound in a field. Lord John Russell, a Whig minister, said long afterwards that it was the only period when he genuinely felt popular revolution threatened the country. The Duke of Wellington declared intractably in November 1830 that “The beginning of reform is the beginning of revolution.” So it seemed that disaster must fall on the British Parliament, or the monarchy, or both.The question was: Could a rotten system reform itself in time? On June 7, 1832, the date of the extremely reluctant royal assent by William IV to the Great Reform Bill, it did. These events led to a total change in the way Britain was governed, and set the stage for its growth as the world's most successful industrial power; admired, among other things, for its traditions of good governance—a two-year revolution that Antonia Fraser brings to vivid dramatic life.