Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    The story is simple. An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price to pay.

    In boarding school and on trips with his mother into the countryside, Matthew navigates his budding sexuality and complicated new relationships with trepidation and hardship until he is forced to confront Finistère—lands end—where the brutal truths of the world can be found. Finistère was a profound achievement in the early years of the 1950's, and sold over 350,000 copies. This new edition, which returns this beautiful book to print, includes an appendix of historical materials about the book and author, as well as an introduction by Michael Bronski, author of such books as Culture Clash, The Pleasure Principle, and Pulp Friction.

    But to find the book, Colin must travel to the remote Western Isles and solve a centuries’ old murder.It should be nothing more than an academic exercise, so why is dour — and unreasonably sexy — Magister Septimus Marx doing his best to keep Colin from accepting this mission — even going so far as to seduce Colin on their train journey north?Septimus is not the only problem. Who is the strange fairy woman that keeps appearing at inconvenient times? And who is working behind the scenes with the sinister adventuress Irania Briggs? And why do Colin’s employers at the Museum of the Literary Occult keep accusing Colin of betraying them?As Colin digs deeper and deeper into the Long Island’s mysterious past, he begins to understand why Septimus is willing to stop him at any price — but by then, it’s too late to turn back.

    This summer-long basketball camp is his chance to improve his skills and escape his problems back home. But his summer plans take a turn in an unexpected direction when he meets Micah Youngblood, the guy who runs the carousel at the local mall and has a reputation for devouring straight boys’ heterosexuality for breakfast, alongside his chocolate chip pancakes. Ridge needs a way to avoid the guys at camp, whose only quest for the summer is to drown in beer and hook up with girls. So when Micah offers to explain how the ten unique horses on the carousel are significant to his tribe, Ridge takes him up on it. Still, Ridge can't decide if this is a bad thing or not. All he knows is that he hasn’t felt this alive since his dad fell from the sky, and as the horse adventures come to an end, Ridge finds himself falling as well – for Micah.

    While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by the football team, he learns how to catch a spiraling ball, how to point a gun, and how to hide his innermost secrets.Max already expects some of the raucous behavior of his new, American friends—like their insatiable hunger for the fried and cheesy, and their locker room talk about girls. But he doesn’t expect the comradery—or how quickly he would be welcomed into their world of basement beer drinking. In his new canvas pants and thickening muscles, Max feels like he’s “playing dress-up.” That is until he meets Pan, the school “witch,” in Physics class: “Pan in his all black. Pan with his goth choker and the gel that made his hair go straight up.” Suddenly, Max feels seen, and the pair embarks on a consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of the local church. The boys, however, aren’t sure whose past is darker, and what is more frightening—their true selves, or staying true in Alabama.Writing in verdant and visceral prose that builds to a shocking conclusion, Genevieve Hudson “brilliantly reinvents the Southern Gothic, mapping queer love in a land where God, guns, and football are king” (Leni Zumas, author of Red Clocks). Boys of Alabama becomes a nuanced portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

    But things start to look up when a new student breezes through the halls of his small-town high school. Sage Hendricks befriends Logan at a time when he no longer trusts or believes in people. Sage has been homeschooled for a number of years and her parents have forbidden her to date anyone, but she won't tell Logan why. One day, Logan acts on his growing feelings for Sage. Moments later, he wishes he never had. Sage finally discloses her big secret: she was born a boy. Enraged, frightened, and feeling betrayed, Logan lashes out at Sage and disowns her. But once Logan comes to terms with what happened, he reaches out to Sage in an attempt to understand her situation. But Logan has no idea how rocky the road back to friendship will be.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Caught in an emotional trap of his own devising, and with his ex-lover lying in a hospital dying of AIDS, the writer is forced to confront his own mortality in this brilliant novel of erotic obsession in the gay subculture of New York's East Village.

    It’s a road trip."Keisha Taylor lived a quiet life with her wife, Alice, until the day that Alice disappeared. After months of searching, presuming she was dead, Keisha held a funeral, mourned, and gradually tried to get on with her life. But that was before Keisha started to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead, and she is showing up at every major tragedy and accident in the country.Following a line of clues, Keisha takes a job as a long-haul truck driver and begins searching for Alice. She eventually stumbles on an otherworldly conflict being waged in the quiet corners of our nation’s highway system—uncovering a conspiracy that goes way beyond one missing woman.

    Not just bedazzling, but sewing, stitching, draping, pattern making—for creation. He's always chosen his art over everything—and everyone—else and is determined to make his mark at this year's biggest cosplay competition. If he can wow there, it could lead to sponsorship, then art school, and finally earning real respect for his work. There's only one small problem... Raffy's ex-boyfriend, Luca, is his main competition.Raffy tried to make it work with Luca. They almost made the perfect team last year after serendipitously meeting in the rhinestone aisle at the local craft store—or at least Raffy thought they did. But Luca's insecurities and Raffy's insistence on crafting perfection caused their relationship to crash and burn. Now, Raffy is after the perfect comeback, one that Luca can't ruin.But when Raffy is forced to partner with Luca on his most ambitious build yet, he'll have to juggle unresolved feelings for the boy who broke his heart, and his own intense self-doubt, to get everything he's ever wanted: choosing his art, his way.

    His SAT scores bombed, the old man he delivers meals to died, and when he came out to his religious zealot mother, she had him kidnapped and shipped off to a secluded island. His final destination: Nightlight Ministries, a conversion therapy camp that will be his new home until he “changes.” But Connor’s troubles are only beginning. At Nightlight, everyone has something to hide from the campers to the “converted” staff and cagey camp director, and it quickly becomes clear that no one is safe. Connor plans to escape and bring the other kidnapped teens with him. But first, he’s exposing the camp’s horrible truths for what they are—and taking this place down.

    He may be a talented artist, a sci-fi geek, and gay, but at his Texas high school, those traits would only bring him the worst kind of attention. In fact, the only place he feels free to express himself is at his drawing table, crafting a secret world through his own Renaissance art-inspired superhero, Graphite. But in real life, when a shocking hate crime flips his world upside down, Adrian must decide what kind of person he wants to be. Maybe it’s time to not be so invisible after all—no matter how dangerous the risk.

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.