One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric.From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

    

     She came from a tiny village in Kentucky. The State moved her as a child into a foster home in a town so small it had one stoplight. New to her own beauty and a little awkward, Katie had the biggest smile on her high school cheerleading squad. In September 2002, she matriculated as a freshman at Western Kentucky University in Bowling Green. She majored in the dental program, but as it was for many college students her age, partying was of equal priority. She worked days at the smoothie shop, nights at the local strip club, and fell in love with a football player who wouldn't date her. Five feet two in heels and without a bad word to say about anyone, Katie Autry was sweet, kind, and utterly naïve. She was making the clumsy strides of a newborn colt, discovering what the world was like and learning to be her own person. And on the morning of May 4, 2003, Katie Autry was raped, stabbed, sprayed with hairspray, and set on fire in her own dormitory room. In telling the true story of this shocking crime, Bluegrass describes the devastation of not one but three families. Two young men, whose lives seem preordained to intertwine, are jailed for the crime: DNA evidence places Stephen Soules, an unemployed, mixed-race high school dropout, atthe scene, and Lucas Goodrum, a twenty-one-year-old pot dealer with an ex-wife, a girlfriend still in high school, and an inauspicious history of domestic abuse, is held by an ever-changing confession. The friends of the suspects and the foster and birth families of the victim form complex and warring social nets that are cast across town. And a small southern community, populated by eccentrics of every socioeconomic class, from dirt-poor to millionaire, responds to the horror. Like Midnight in the Garden of Good and Evil, this tale is redolent with atmosphere, dark tension, and lush landscapes. With the keen eye of a talented young journalist returning to his southern roots, Van Meter paints a vivid portrait of the town, the characters who fill it, and the simmering class conflicts that made an injustice like this not only possible, but inevitable.

    Genteel Alain swears he'll turn the spitfire into a lady, but instead, his passion makes a woman of her. Steamboat captain Tom, l'américain, offers Simone an unexpected refuge, an unprecedented partnership-- and his heart.Yet the beautiful Simone will belong to no one, unless he truly loves her for herself -- and forever.

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    She's been living in stifling old Gentry since the day she was born and trapped in a sham of a marriage to PeeWee LeBlanc since she was only seventeen. In short, she's fed up, restless, and ready for an adventure. Sissy just never imagined temptation would come into her life that breathless summer day as she sat smoking on her porch swing. For although she may have been fixated on the taut muscles of the lineman shimmying down the telephone pole across the street, she hadn't allowed herself to imagine that he'd be none other than her high school sweetheart, Parker Davidson, who left town fourteen years before without so much as a wave good-bye. But suddenly, here he is, leaning in for a kiss that will stir up more excitement than Sissy could ever have imagined...

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    Sanchez transforms the unspoken and sometimes violent betrayals of our lives into a liberating vision of connection in emotional redemption, compassion, and self-fulfillment.

    We all had.When all else fails, turn to the divine taste of hummingbird cake.In the South you always say “yes, ma’am” and “no, ma’am.” You know everybody’s business. Football is a lifestyle not a pastime. Food—especially dessert— is almost a religious experience. And you protect your friends as fiercely as you protect your family— even if the threat is something you cannot see.In this spot-on Southern novel brimming with wit and authenticity, you’ll laugh alongside lifelong friends, navigate the sometimes rocky path of marriage, and roll through the outrageous curveballs that life sometimes throws . . . from devastating pain to absolute joy. And if you’re lucky, you just may discover the secret to hummingbird cake along the way.

    Nearly fourteen years ago Sirowitz began turning his mother's advice into poetry--never showing her exactly what came of her ranting and raving about a ketchup jar: Deformed FingerDon't stick your finger in the ketchup bottle, Mother said. It might get stuck, &then you'll have to wait for your father to get home to pull it out. Hewon't be happy to find a dirty fingernailsquirming in the ketchup that he's going to useon his hamburger.He'll yank it out so hardthat for the rest of your life you won'tbe able to wear a ring on that finger.And if you ever get a girlfriend, & you hold hands, she's bound to ask youwhy one of your fingers is deformed, & you'll be obligated to tell her how you didn't listen to your mother, & insisted on playing with the ketchup bottle, & she'll get to thinking, he probably won'tlisten to me either, & she'll push your hand away. Since then Sirowitz has become a regular in New York City's downtown poetry scene, was awarded a residency at the MacDowell artists colony, performed live on MTV's "The Spoken Word: Unplugged," appeared on Public Television's "United States of Poetry" series, and received a grant from the National Endowment of the Arts to continue writing about his mother.No one, not even Estelle Sirowitz, could have predicted the incredibleallure and success of his dead-pan delivery and dead-on depictions of a mother's words of doom: from A Bum's LifeYou're going to be a bum, Mother said, if you're not one already, but you'llsoon find out that even a bumhas to work hard convincing peoplethat he's really poor. When it rainsyou can't stand out there holdingan umbrella, & ask for money, butyou have to get wet, because the moreyou drip, the more sympathy you'll get.... Like nursery rhymes for adults, the poems included in Mother Said are addictive. Read them once and you'll have to read them twice.Hear Sirowitz read them, and you'll find yourself reciting them to your friends--mimicking as best you can his Queens accent and his dry delivery. Who knows, you may even find yourself reciting them to your own mother."

    Fannie’s New Orleans house is like no place Ibby has ever been—and Fannie, who has a tendency to end up in the local asylum—is like no one she has ever met. Fortunately, Fannie’s black cook, Queenie, and her smart-mouthed daughter, Dollbaby, take it upon themselves to initiate Ibby into the ways of the South, both its grand traditions and its darkest secrets. For Fannie’s own family history is fraught with tragedy, hidden behind the closed rooms in her ornate Uptown mansion. It will take Ibby’s arrival to begin to unlock the mysteries there. And it will take Queenie and Dollbaby’s hard-won wisdom to show Ibby that family can sometimes be found in the least expected places. For fans of Saving CeeCee Honeycutt and The Help, Dollbaby brings to life the charm and unrest of 1960s New Orleans through the eyes of a young girl learning to understand race for the first time. By turns uplifting and funny, poignant and full of verve, Dollbaby is a novel readers will take to their hearts.A Top Ten Finalist for Best Historical Novel, Goodreads Choice Awards, and a LibraryReads and Okra PickA big-hearted coming-of-age debut set in civil rights-era New Orleans—a novel of Southern eccentricity and secrets

    Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

    Yum! I hope you like it.

    Each carries private wounds and powerful secrets as they head for Texas, following dangerous roads rife with ruthless vigilantes and soldiers still fighting a war lost a decade before. For Lavinia and Juneau Jane, the journey is one of inheritance and financial desperation, but for Hannie, torn from her mother and eight siblings before slavery's end, the pilgrimage westward reignites an agonizing question: Could her long-lost family still be out there? Beyond the swamps lie the seemingly limitless frontiers of Texas and, improbably, hope.Louisiana, 1987 For first-year teacher Benedetta Silva, a subsidized job at a poor rural school seems like the ticket to canceling her hefty student debt--until she lands in a tiny, out-of-step Mississippi River town. Augustine, Louisiana, seems suspicious of new ideas and new people, and Benny can scarcely comprehend the lives of her poverty-stricken students. But amid the gnarled oaks and run-down plantation homes lies the century-old history of three young women, a long-ago journey, and a hidden book that could change everything.