For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.A twenty-first-century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others.A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry enough to spit, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.

    . . Living on the streets with her destitute mother, selling knickknacks and trinkets just to survive, Sasha Porter dreams of someday having a normal life, with a real house and family. But she never dreamed a devastating tragedy would bring her those very things: on a stormy night by a rainspattered highway, a speeding car veers out of control, striking and killing her mother and badly injuring Sasha. . . . is anywhere truly safe? In the hospital, Sasha is whisked off to a fancy private suite at the request of wealthy Mrs. Jordan March, a complete stranger who keeps watch by Sasha’s bedside and insists she come live at her family’s sprawling, luxurious mansion. Sasha soon learns Mrs. March never recovered from the loss of her daughter Alena, and with nowhere else to go, Sasha agrees to use Alena’s room, sleep in her bed, and wear her clothes. But someone will make sure that Sasha never takes Alena’s place: a jealous sister dead set on making Sasha’s life a living hell.

    Her greatest concerns, though, are the health problems of her young daughter, Kylie. Symptoms point to a compromised immune system, but every doctor they’ve seen has a different theory. Then comes hope for some clarity.It’s possible that Kylie’s illness is genetic, but Ally is adopted. A DNA test opens up an entirely new path. And where it leads is a surprise: to an aunt Ally never knew existed. She’s a little wild, very welcoming, and ready to share more of the family history than Ally ever imagined.Coping with a skeptical soon-to-be-ex husband, weathering the cautions of her own resistant mother, and getting maddeningly close to the healing Kylie needs, Ally is determined to regain control of her life. This is her chance to embrace uncertainty and the beauty of family—both the one she was born into and the one she chose.

    But always in the background there's Hayden Paris, the boy next door, the bane of Aurora's life. Smart, funny, and always around to see her at her worst, he 'gets' her like no-one else ... and that's what makes him so infuriating. When Aurora and Hayden are coerced into the lead roles in the school production of Much Ado About Nothing, things can only get worse. How is Aurora going to save her first kiss for the secret admirer who wooed her with poetry and a spectacular bunch of flowers on Valentine's Day if she doesn't know who he is and she's obligated to lock lips with Hayden in the play's final dramatic clinch?

    Brooke and her family became social pariahs, broken and unable to console one another. Brooke’s only solace remains the ice-skating rink, where she works but no longer lets herself dream about a future skating professionally.When Brooke encounters Calvin’s younger brother, Heath, on the side of the road and offers him a ride, everything changes. She needs someone to talk to…and so does Heath. No one else understands what it’s like. Her brother, alive but gone; his brother, dead but everywhere. Soon, they’re meeting in secret, despite knowing that both families would be horrified if they found out. In the place of his anger and her guilt, something frighteningly tender begins to develop, drawing them ever closer together.But when a new secret comes out about the murder, Brooke has to choose whose pain she’s willing to live with—her family’s or Heath’s. Because she can’t heal one without hurting the other.

    The next morning, things take a sharp turn as she’s led from work to the emergency room. By the end of the week, a neurologist delivers a devastating prognosis: Sarah suffered a traumatic brain injury that has caused her IQ to plummet, with no hope of recovery. Her brain has irrevocably changed.Afraid of judgment and deemed no longer fit for work, Sarah isolates herself from the outside world. She spends months at home, with her dogs as her only source of companionship, battling a personality she no longer recognizes and her shock and rage over losing simple functions she’d taken for granted. Her life is consumed by fear and shame until a chance encounter gives Sarah hope that her brain can heal. That conversation lights a small flame of determination, and Sarah begins to push back, painstakingly reteaching herself to read and write, and eventually reentering the workforce and a new, if unpredictable, life.In this highly intimate account of devastation and renewal, Sarah pulls back the curtain on life with traumatic brain injury, an affliction where the wounds are invisible and the lasting effects are often misunderstood. Over years of frustrating setbacks and uncertain triumphs, Sarah comes to terms with her disability and finds love with a woman who helps her embrace a new, accepting sense of self.

    Being a virgin is getting in the way of holding on to a boyfriend. So who better to get it over with than her best guy friend, Jamie? They've known each other forever. It's pressure-free. But doing the deed changes everything. Jamie falls for Marit! Not only does he ruin her chances with the guy she had in her sights, now she's in danger of losing her friends too. If only there was a way to un-do it! Aury Wallington, a writer for Sex and the City and Veronica Mars, paints an entertaining and thoughtful portrait of the mess we make when we divorce sex from love.

    Mirabel is the smartest person anyone knows, and no one doubts it just because she can’t speak. Monday is the town’s purveyor of books now that the library’s closed―tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her sock drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.Three unforgettable narrators join together here to tell a spellbinding story with wit, wonder, and deep affection. As she did in This Is How It Always Is, Laurie Frankel has written a laugh-out-loud-on-one-page-grab-a-tissue-the-next novel, as only she can, about how expanding our notions of normal makes the world a better place for everyone and how when days are darkest, it’s our daughters who will save us all.

     Though she leads a life of privilege, being a Grove is far from easy. Her mother hides her drinking but her alcoholism is hardly a secret. Her father, who spends long hours at work, is distant and inaccessible. For as long as she can remember, she’s been raised by Maizelle, the nanny, and Nathaniel, the handyman. To Bezellia, Maizelle and Nathaniel are cherished family members. To her parents, they will never be more than servants.    Relationships are complicated in 1960s Nashville, where society remains neatly ordered by class, status and skin color. Black servants aren’t supposed to eat at the same table as their white employers. Black boys aren’t supposed to make conversation with white girls. And they certainly aren’t supposed to fall in love. When Bezellia has a clandestine affair with Nathaniel’s son, Samuel, their romance is met with anger and fear from both families. In a time and place where rebelling against the rules carries a steep price, Bezellia Grove must decide which of her names will be the one that defines her.

    . . Set in Old Hollywood, Starstruck follows the lives of three teen girls as they live, love, and claw their way to the top in a world where being a star is all that matters.

    She was forty-four years old, with a devoted husband and three young children, and she had only one year of health remaining.Susan decided to live that year with joy.She quit her job as a journalist and spent time with her family. She built an outdoor meeting space for friends in her backyard. And she took seven trips with the seven most important people in her life. As her health declined, Susan journeyed to the Yukon, Hungary, the Bahamas, and Cyprus. She took her sons to swim with dolphins, and her teenage daughter, Marina, to Kleinfeld's bridal shop in New York City to see her for the first and last time in a wedding dress.She also wrote this book. No longer able to walk or even to lift her arms, she tapped it out letter by letter on her iPhone using only her right thumb, the last finger still working.However, Until I Say Good-Bye is not angry or bitter. It is sad in parts--how could it not be?--but it is filled with Susan's optimism, joie de vivre, and sense of humor. It is a book about life, not death. One that, like Susan, will make everyone smile.From the Burger King parking lot where she cried after her diagnosis to a snowy hot spring near the Arctic Circle, from a hilarious family Christmas disaster to the decrepit monastery in eastern Cyprus where she rediscovered her heritage, Until I Say Good-Bye is not only Susan Spencer-Wendel's unforgettable gift to her loved ones--a heartfelt record of their final experiences together--but an offering to all of us: a reminder that "every day is better when it is lived with joy."

    Her sweet baby, Grace, was a dream come true. Then Vanessa made a highly uncommon gesture: when Grace’s biological parents became homeless, Vanessa invited them to stay.Without a blueprint for navigating the practical basics of an open adoption or any discussion of expectations or boundaries, the unusual living arrangement became a bottomless well of conflicting emotions and increasingly difficult decisions complicated by missed opportunities, regret, social chaos, and broken hearts.Written with wit, candor, and compassion, Rock Needs River is, ultimately, Vanessa’s love letter to her daughter, one that illuminates the universal need for connection and the heroine’s journey to find her tribe.

    Her parents are numb, her friends are moving on, and the awkward start to her freshman year proves she'll never live up to her sister's memory. Until Zoë's former boyfriend Marc shows up with Zoë's diary.At first Echo's not interested, doubting there's anything in there she doesn't already know. But when curiosity prevails, she starts reading, becoming so immersed in her sister's secret world, their lives begin to blur, forcing Echo to uncover the truth behind Zoë's life so that she can start to rebuild her own.Prepare to laugh your heart out and cry your eyes out in this highly addictive tale as Alyson Noël tackles the complicated relationship between two sisters and shows how the bond can endure long after one of them is gone.

    Aggie's got bigger things to worry about, like whether or not her ex-boyfriend wants to get back together and whether her mom will survive cancer. But like it or not, Aggie soon finds herself in the middle of an unfolding prom scandal, largely because her mom, who is the school's principal, is rumored to have burned prom ballots so Sylvia won't be elected queen. Aggie's own investigation makes her wonder if the election could be dirty on both sides.

    Sure, it's community service, but he likes his work. Especially if it means getting to see Mallory.Mallory spends a lot of time keeping her head down. When you're sixteen and homeless, nothing matters more than being anonymous. But Spencer's charm makes her want to be noticed.Then sinister things start happening at the library. Mysterious symbols and terrifying warnings begin to appear, and management grows suspicious. Spencer and Mallory know a homeless teenager makes an easy target, and if they can't find the real culprit soon, they could lose more than just their safe haven…