A driving force behind the Black Arts Movement, the prolific Baraka retells his experiences from his participation in avant-garde literature after World War II and his role in Black nationalism after the assassination of Malcolm X to his conversion to Islam and his commitments to an international socialist vision. When The Autobiography of LeRoi Jones was first published in 1984, the publisher made substantial cuts in the copy. Under the careful direction of the author, the book has been restored to its original form. This is the first complete and unexpurgated version of Baraka’s life and work.

    He was good. Good enough to have been signed by the Boston Bruins. Just not quite good enough to play in the NHL.Until January 18 of that year. O'Ree was finally called up, and when he stepped out onto the ice against the Montreal Canadiens, not only did he fulfil the childhood dream he shared with so many other Canadian kids, he did something that had never been done before.He broke hockey's colour barrier. Just as his hero, Jackie Robinson, had done for baseball.In that pioneering first NHL game, O'Ree proved that no one could stop him from being a hockey player. But he soon learned that he could never be just a hockey player. He would always be a black player, with all that entails. There were ugly name-calling and stick-swinging incidents, and nights when the Bruins had to be escorted to their bus by the police.But O'Ree never backed down. When he retired in 1979, he had played hundreds of games as a pro, and scored hundreds of goals, his boyhood dreams more than accomplished.In 2018, O'Ree was inducted into the Hockey Hall of Fame in recognition not only of that legacy, but of the way he has built on it in the decades since. He has been, for twenty years now, an NHL Executive and has helped the NHL Diversity program expose more than 40,000 boys and girls of diverse backgrounds to unique hockey experiences.Inspiring, frank, and shot through with the kind of understated courage and decency required to change the world, Willie is a story for anyone willing to persevere for a dream.

    Fourteen-year-old Carolyn Maull was just a few feet away when the bomb exploded, killing four of her friends in the girls' rest room she had just exited. It was one of the seminal moments in the Civil Rights movement, a sad day in American history . . . and the turning point in a young girl's life. While the World Watched is a poignant and gripping eyewitness account of life in the Jim Crow South - from the bombings, riots and assassinations to the historic marches and triumphs that characterized the Civil Rights movement. A uniquely moving exploration of how racial relations have evolved over the past 5 decades, While the World Watched is an incredible testament to how far we've come and how far we have yet to go.

    Dispatches from the Edge, Cooper's memoir of "war, disasters and survival," is a brief but powerful chronicle of Cooper's ascent to stardom and his struggle with his own tragedies and demons. Cooper was 10 years old when his father, Wyatt Cooper, died during heart bypass surgery. He was 20 when his beloved older brother, Carter, committed suicide by jumping off his mother's penthouse balcony (his mother, by the way, being Gloria Vanderbilt). The losses profoundly affected Cooper, who fled home after college to work as a freelance journalist for Channel One, the classroom news service. Covering tragedies in far-flung places like Burma, Vietnam, and Somalia, Cooper quickly learned that "as a journalist, no matter ... how respectful you are, part of your brain remains focused on how to capture the horror you see, how to package it, present it to others." Cooper's description of these horrors, from war-ravaged Baghdad to famine-wracked Niger, is poignant but surprisingly unsentimental. In Niger, Cooper writes, he is chagrined, then resigned, when he catches himself looking for the "worst cases" to commit to film. "They die, I live. It's the way of the world," he writes. In the final section of Dispatches, Cooper describes covering Hurricane Katrina, the story that made him famous. The transcript of his showdown with Louisiana Sen. Mary Landrieu (in which Cooper tells Landrieu people in New Orleans are "ashamed of what is happening in this country right now") is worth the price of admission on its own. Cooper's memoir leaves some questions unanswered--there's frustratingly little about his personal life, for example--but remains a vivid, modest self-portrait by a man who is proving himself to be an admirable, courageous leader in a medium that could use more like him. --Erica C. Barnett

    Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery.In these pages, McCall chronicles his passage from the street to the prison yard--and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles--and the great hopes--of our nation. With a new afterword by the author

    He’s won the respect of his opponents for his political skill, and the trust and admiration of observers for his unwavering conviction and proven integrity. His personal story, how he rose from modest beginnings in a hard-working family to the threshold of forming government, is less well known.Now, in this fascinating autobiography, we discover the man behind the headlines, who he is, how he thinks, and how he comes by the values that shaped his character. Learn about his vision to empower Canadians to build a more prosperous, hopeful country, to reduce disparities, to protect our rights and freedoms, and to preserve our land and waters for future generations.

    From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.--Off Our Backs

    But when her family moved to New York during the radical sixties, she became intoxicated by the promise of social change. By the time she turned twenty-one, Alice had a new name -- Afeni Shakur, derived from the Yoruba term for "lover of people" -- and a new vision for the future. The rest is history. In 1969, Afeni was arrested along with other members of the Black Panther party on 189 felony charges that included 30 counts of conspiracy. Though she was eventually acquitted of the charges, Afeni spent eleven months in jail before being released. Once on bail, she became pregnant with a son: Tupac Amaru Shakur, a rap megastar until his tragic death in 1996. In this searing work, renowned actress and Afeni's trusted friend Jasmine Guy reveals the evolution of a woman through a series of intimate conversations on themes such as love, death, race, drugs, politics, music, and of course her son. Filled with startling revelations and heartbreaking truths, Afeni's memoir is a powerful testament to the human spirit and the perseverance of the African American people.

    This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.In this memoir translated from the original Japanese, Ishikawa candidly recounts his tumultuous upbringing and the brutal thirty-six years he spent living under a crushing totalitarian regime, as well as the challenges he faced repatriating to Japan after barely escaping North Korea with his life. A River in Darkness is not only a shocking portrait of life inside the country but a testament to the dignity—and indomitable nature—of the human spirit

    In the words of Seale the book "...continues to have a universal apppeal as an account of an oppressed people's struggle for human liberation."

    Bailey saw his hero, his eldest brother, taken away in handcuffs, not to return from prison for thirty-two years. Bailey tells the story of their relationship and of his experience living in a family suffering guilt and shame. Drawing on sociological research as well as his expertise as a journalist, he seeks to answerthe crucial question of why Moochie and many other young black men--including half of the ten boys in his own family--end up in the criminal justice system. What role did poverty, race, and faith play? What effect did living in the South, in the Bible Belt, have? And why is their experience understood as a trope for black men, while white people who commit crimes are never seen in this generalized way?My Brother Moochie provides a wide-ranging yet intensely intimateview of crime and incarceration in the United States, and the devastatingeffects on the incarcerated, their loved ones, their victims, andsociety as a whole.

    He was also a notorious philanderer with an insatiable appetite for women and fast cars, a man who challenged intellectual and emotional limits, and a man of excess who oftentimes fell victim to his own anxiety. Jenniemae Harrington was an uneducated, illiterate African American maid from Alabama who began working for the Newman family in 1948—and who, despite her devout Christianity, played the illegal, underground lottery called “policy,” which she won with astonishing frequency. Though highly implausible, these two dissimilar individuals developed a deep and loyal friendship, largely because of their common love of numbers and their quick wits.Theirs was a friendship that endured even during an era when segregation still prevailed. For James, Jenniemae provided a particular ease and shared sense of irreverent humor that he found difficult to duplicate with his beautiful, intelligent, and artistic wife, Ruth. And when the Newman home was darkened by the tensions of the political climate during the Cold War, or by James’s affairs, or by Ruth’s bouts of depression, it was Jenniemae who maintained the point of gravity, caring for the family’s children when their parents were often lost in their own worlds. From Jenniemae’s perspective, James offered more than just a steady income. He became an unlikely and loyal friend. He taught her to read, and he drove her to and from his upscale suburban house and her home in the impoverished section of Washington, D.C. (and sometimes, much to her chagrin, in his Rolls-Royce), after she had been raped by a white bus driver. Intrigued by her uncanny wins at the lottery, James even installed a second telephone line in the house so that Jenniemae could keep track of her bets—a decision that raised a few eyebrows at the time.It is this extraordinary relationship that the Newmans’ daughter, Brooke, reveals in Jenniemae & James, as she elegantly weaves together the story of two very distinct and different people who each had a significant impact on her upbringing. In doing so, she also paints a vivid political and cultural picture of the time—when the world was terrified by the possibility of nuclear war; when America was reeling from the McCarthy hearings; when technological advances like televisions, satellites, and interstate highways were changing the country; when America was just beginning to venture into Vietnam; and when African Americans were still considered second-class citizens with limited rights, before the explosion of racial tensions in the early 1960s. Jenniemae & James is an inspiring, heartwarming memoir about friendship and love across the racial barrier.