The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this compilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre. A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

    Includes the following stories: Head and Shoulders, Bernice Bobs Her Hair, Dalyrimple Goes Wrong, The Curious Case of Benjamin Button, and The Diamond as Big as the Ritz.

    Cornwell's Thomas of Hookton Three-Book For a limited time get three of Bernard Cornwell's works of historical fiction in one easy-to-order package, including Cornwell's latest, Heretic.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    One of the first -- and still one of the best -- dissections of the wildly destructive rock-and-roll lifestyle, Spider Kiss isn't about giant cockroaches that attack Detroit or space invaders that smell like chicken soup. Instead, it's the story of Luther Sellers, a poor kid from Louisville with a voice like an angel who's renamed Stag Preston by a ruthless promoter. Preston's meteoric rise on the music scene is matched only by the rise in his enormous appetites -- and not just for home cooking -- and soon the invisible monkey named Success is riding him straight to hell. This raucous early novel reinforces Ellison's reputation as one of America's most dynamic writers.

    If you're cute and female, look me up, my address is in wizard-run TunFaire, where the paranormal plays daily. Look at my partner. Someone stuck a knife in him centuries ago, and hes been sedentary ever since. Dead, but not dumb, if you get my drift. And there's all these supernatural races clogging the streets-elves, trolls, pixies, ogres, dwarves, and some of the strangest are among my friends. Even they bring trouble, and when trouble comes knocking, don't open the door.You think Id learn. Maybe that's why I got roped into the case in Angry Lead Skies. My bulky friend Playmate talked me into protecting Kip Prose, an annoying kid touched by brilliance and a bit of paranormal ability, whom he claimed was being threatened by skinny gray creatures with bulgy black eyes. According to Kip, the attackers weren't after him at all-just trying to get to his friends Lastyr and Noodiss. But before I could get him to explain who they were, Kip was abducted, and the chase began....In Whispering Nickel Idols, trouble came from two sources: a streetwise priestess and her bucket of kittens, part of the ancient prophecy of the cult of A-Lat (curse this god-plagued city!). And a message from Harvester Temisk, mouthpiece of Chodo Contague, kingpin of kingpins, who slumbered in coma-land while his beautiful, psychotic daughter ran the Outfit. Temisk believed someone was deliberately keeping the Boss helpless and wanted me to snoop around. Then Chodo up and vanished. Add to that a mysterious plague of burning deaths and the fact that suddenly everyone was trying to kill me, I had plenty to figure out....

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.

    He is hard at work on his autobiography, The Fermata, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work.Hilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

    With The Testaments, the wait is over. Margaret Atwood's sequel picks up the story more than 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead. The Handmaid's Tale: Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

    This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity. Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

    It is God without men.- Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

    It is presented as an authentic document, and examines the subject in all its grim, gory detail, with plenty of new information and secrets revealed along the way.

    The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

    Updike, when asked to described his method of reading aloud, said "I try to picture the things describes, and to speak the words distinctly, and to let the emotion come through on its own."The method works beautifully.

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.