She’s adjusting to high heels, scrambling to cook dinner for her family after a day at the office—and soaking in the dangerous attention of a very handsome, very married male colleague. Kellie’s neighbor Susan Barrett begins every day with fresh resolutions: she won’t eat any carbs. She’ll go to bed at a reasonable hour. And she’ll stop stalking her ex-husband and his new girlfriend. Gigi Kennedy seems to have it all together—except her teenage daughter has turned into a hostile stranger and her husband is running for Congress, which means her old skeletons are in danger of being brought into the light.Then a new family moves to this quiet, tree-lined cul-de-sac. Tessa Campbell seems friendly enough to the other mothers, if a bit reserved. Then the neighbors notice that no one is ever invited to Tessa’s house. And soon, it becomes clear Tessa is hiding the biggest secret of all.

    Irene fights her husband. She does not want to uproot her family and has deep misgivings about the move. Nevertheless, the family leaves, and they are just settling into their life in Oregon’s high desert when the unthinkable happens. Fifteen-year-old Shep is shot and killed during an apparent robbery in their home. The murderer, a young mechanic with a history of assault, robbery, and drug-related offenses, is caught and sentenced to death. Shep’s murder sends the Stanley family into a tailspin, with each member attempting to cope with the tragedy in his or her own way. Irene’s approach is to live, week after week, waiting for Daniel Robbin’s execution and the justice she feels she and her family deserve. Those weeks turn into months and then years. Ultimately, faced with a growing sense that Robbin’s death will not stop her pain, Irene takes the extraordinary and clandestine step of reaching out to her son’s killer. The two forge an unlikely connection that remains a secret from her family and friends. Years later, Irene receives the notice that she had craved for so long—Daniel Robbin has stopped his appeals and will be executed within a month. This announcement shakes the very core of the Stanley family. Irene, it turns out, isn’t the only one with a shocking secret to hide. As the execution date nears, the Stanleys must face difficult truths and find a way to come to terms with the past.Dramatic, wrenching, and ultimately uplifting, The Crying Tree is an unforgettable story of love and redemption, the unbreakable bonds of family, and the transformative power of forgiveness.

    Soon, their marriage will end, and Muneer will return to Saudi Arabia, while Saeedah remains in Cleveland with their daughter, Hanadi. Consumed by a growing fear of losing her daughter, Saeedah disappears with the little girl, leaving Muneer to desperately search for his daughter for years. The repercussions of the abduction ripple outward, not only changing the lives of Hanadi and her parents, but also their interwoven family and friends—those who must choose sides and hide their own deeply guarded secrets.And when Hanadi comes of age, she finds herself at the center of this conflict, torn between the world she grew up in and a family across the ocean. How can she exist between parents, between countries?Eman Quotah’s Bride of the Sea is a spellbinding debut of colliding cultures, immigration, religion, and family; an intimate portrait of loss and healing; and, ultimately, a testament to the ways we find ourselves inside love, distance, and heartbreak.

    In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie's vision be bulwark enough?Equally alive to the sacred and the profane, Matrix gathers currents of violence, sensuality, and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around. Lauren Groff's new novel, her first since Fates and Furies, is a defiant and timely exploration of the raw power of female creativity in a corrupted world.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Raised by her father, owner of New York City's glamorous Gregory Hotels, after her mother's death, Nina was taught that family, reputation, and legacy are what matter most. And her boyfriend Tim, thoughtful, kind, and honest, not to mention her best friend since childhood, feels the same. But after Nina's father passes away, she learns he may not have practiced what he preached. As her world falls apart, Nina begins to question everything she thought she knew and to see the men in her life--her father, her boyfriend, and unexpectedly, her handsome and attentive boss, Rafael--in a new light. Soon Nina finds herself caught between the world she knows and loves, and a passion that could upend everything.More than Words is a heartbreaking and romantic novel about grief, loss, love, and self-discovery, and how we choose which life we are meant to live.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Sleep. Death. The Stars. is a gripping examination of contemporary America through the prism of a family tragedy: when a powerful parent dies, each of his adult children reacts in startling and unexpected ways, and his grieving widow in the most surprising way of all.Stark and penetrating, Joyce Carol Oates’s latest novel is a vivid exploration of race, psychological trauma, class warfare, grief, and eventual healing, as well as an intimate family novel in the tradition of the author’s bestselling We Were the Mulvaneys.

    Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.

    A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved. But the biggest mystery is yet to come: one week after she was abducted, their daughter is returned. She has no memory of where she has been. And this, for her mother, is just the beginning of the nightmare.

    Darwin, 1942, and as Japanese bombs rain down, motherless Molly Hook, the gravedigger's daughter, turns once again to the sky for guidance. She carries a stone heart inside a duffel bag next to the map that leads to Longcoat Bob, the deep-country sorcerer who put a curse on her family. By her side are the most unlikely travelling companions: Greta, a razor-tongued actress and Yukio, a fallen Japanese fighter pilot. Run, Molly, run, says the daytime sky. Run to the vine forests. Run to northern Australia's wild and magical monsoon lands. Run to friendship. Run to love. Run. Because the graverobber's coming, Molly, and the night-time sky is coming with him. So run, Molly, run.All Our Shimmering Skies is a story about gifts that fall from the sky, curses we dig from the earth and the secrets we bury inside ourselves. It is an odyssey of true love and grave danger, of darkness and light, of bones and blue skies; a buoyant, beautiful and magical novel abrim with warmth, wit and wonder; and a love letter to Australia and the art of looking up.

    While they've been close as sisters ever since, Hannah can't help but feel envious of the little family Kate and her husband, David, have created—complete with two perfect little girls. She and Ben have been trying for years to have a baby, so when they receive the news that she will likely never get pregnant, Hannah's heartbreak is overwhelming. But just as they begin to tentatively explore the other options, it's Kate's turn to do the rescuing. Not only does she offer to be Hannah's surrogate, but Kate is willing to use her own eggs to do so. Full of renewed hope, excitement and gratitude, these two families embark on an incredible journey toward parenthood…until a devastating tragedy puts everything these women have worked toward at risk of falling apart. Poignant and refreshingly honest, The Choices We Make is a powerful tale of two mothers, one incredible friendship and the risks we take to make our dreams come true.

    For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again.Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can t she shake the feeling that someone might be watching her?The Shadow Year is a story of secrets, tragedy, lies and betrayal. It’s a tale that explores the light and dark of human relationships and the potential the past has to not only touch our present, but also to alter our future.

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?

    Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted,