One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them—both then and now—fuels the kind of passion one comes to expect of love songs and rivalries.Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed.There is conflict here between longtime buddies, between husbands and wives — told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too — not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again — and the kind of steely faith and love returning requires.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    . . Meet Rachel Grossman.She’ll stop at nothing to protect her daughter, Aviva, even if it ends up costing her everything. Meet Jane Young.She’s disrupting a quiet life with her daughter, Ruby, to seek political office for the first time. Meet Ruby Young.She thinks her mom has a secret. She’s right. Meet Embeth Levin.She’s made a career of cleaning up her congressman husband’s messes. Meet Aviva Grossman.The Internet won’t let her or anyone else forget her past transgressions. This is the story of five women . . .. . . and the sex sexist scandal that binds them together. From Gabrielle Zevin, the bestselling author of The Storied Life of A. J. Fikry, comes another story with unforgettable characters that is particularly suited to the times we live in now . . .

    The regal old woman came from wealthy and bluest-blood New England stock, but that didn’t protect her from life’s cruelest blows: the disappearance of Genevieve’s young son, followed by the premature death of her husband. But Genevieve rose from those ashes of grief and built a fashion empire that was respected the world over, even when it meant neglecting her other son.When Emma’s own mother died, her father abandoned her on his mother’s doorstep. Genevieve took Emma in and reluctantly raised her–until Emma got pregnant her senior year of high school. Genevieve kicked her out with nothing but the clothes on her back…but Emma took with her the most important London possession: the strength not just to survive but to thrive. And indeed, Emma has built a wonderful life for herself and her teenage daughter, Riley. So what is Emma to do when Genevieve does the one thing Emma never expected of her and, after not speaking to her for nearly two decades, calls and asks for help?SEE LESS

    Katie’s world is shattered by the news that her headstrong and bohemian younger sister, Mia, has been found dead at the bottom of a cliff in Bali. The authorities say that Mia jumped—that her death was a suicide. Although they’d hardly spoken to each other since Mia suddenly left on an around-the-world trip six months earlier, Katie refuses to accept that her sister would have taken her own life. Distraught that they never made peace, Katie leaves her orderly, sheltered life in London behind and embarks on a journey to find out the truth. With only the entries in Mia’s travel journal as her guide, Katie retraces the last few months of her sister’s life and—page by page, country by country—begins to uncover the mystery surrounding her death. . . . Weaving together the exotic settings and suspenseful twists of Alex Garland’s The Beach with a powerful tale of familial love in the spirit of Rosamund Lupton’s Sister, Swimming at Night is a fast-paced, accomplished, and gripping debut novel of secrets, loss, and forgiveness.

    Each day, while she waits to be picked up after school, Caitlin visits the local aquarium to study the fish. Gazing at the creatures within the watery depths, Caitlin accesses a shimmering universe beyond her own. When she befriends an old man at the tanks one day, who seems as enamored of the fish as she, Caitlin cracks open a dark family secret and propels her once-blissful relationship with her mother toward a precipice of terrifying consequence.In crystalline, chiseled yet graceful prose, Aquarium takes us into the heart of a brave young girl whose longing for love and capacity for forgiveness transforms the damaged people around her.

    Ted is a successful novelist and Grace, his wife of twenty years, is beautiful, stylish, carefree, and a wonderful homemaker.But what no one sees, what is churning under the surface, is Ted’s rages. His mood swings. And the precarious house of cards that their lifestyle is built upon. When Ted’s longtime assistant and mainstay leaves, the house of cards begins to crumble and Grace, with dark secrets in her past, is most vulnerable. She finds herself in need of help but with no one to turn to…until the perfect new assistant shows up out of the blue. To the rescue comes Beth, a competent young woman who can handle Ted and has the calm efficiency to weather the storms that threaten to engulf the Chapman household. Soon, though, it’s clear to Grace that Beth might be too good to be true. This new interloper might be the biggest threat of all, one that could cost Grace her marriage, her reputation, and even her sanity. With everything at stake and no one to confide in, Grace must find a way to save herself before it is too late.Powerful and riveting, Jane Green's Saving Grace will have you on the edge of your seat as you follow Grace on her harrowing journey to rock bottom and back.

    When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the Web site's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they e-mail, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman—because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell—to ourselves, to others, for good, and for ill.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    Simultaneously hilarious and heartbreaking, this sensational debut will appeal to fans of David Nicholls, Nick Hornby, Nora Ephron and Lorrie MooreGraham Cavanaugh’s second wife, Audra, is everything his first wife was not. She considers herself privileged to live in the age of the hair towel, talks non-stop through her epidural, labour and delivery, invites the doorman to move in and the eccentric members of their son’s Origami Club to Thanksgiving. She is charming and spontaneous and fun but life with her can be exhausting.In the midst of the day-to-day difficulties and delights of marriage and raising a child with Asperger’s, his first wife, Elspeth, reenters Graham’s life. Former spouses are hard to categorize – are they friends, enemies, old flames, or just people who know you really, really well? Graham starts to wonder: How can anyone love two such different women? Did he make the right choice? Is there a right choice?

    She is staring down the barrel at a future of people asking if she wants to come to their yoga class, and book clubs, where everyone is wearing statement scarves and they are all ‘tiddly’ after a glass of Pinot Grigio. But Mummy does not want to go quietly into that good night of women with sensible haircuts who ‘live for their children’, boasting about Boy Child and Girl Child’s achievements. Instead, she clutches a large glass of wine, muttering FML over and over, and then remembers the gem of an idea she’s had…

    But sometimes it can also mean entry to a new kind of life, a bigger world. Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women’s movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer—madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can’t quite place—feels her inner world light up. And then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she’d always imagined. Charming and wise, knowing and witty, Meg Wolitzer delivers a novel about power and influence, ego and loyalty, womanhood and ambition. At its heart, The Female Persuasion is about the flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time. It’s a story about the people who guide and the people who follow (and how those roles evolve over time), and the desire within all of us to be pulled into the light.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"

    Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.On the day Adam walks out the door, everything that makes Maggie secure goes with him. Only then does she realize that while she’s been busy caring for everyone else, she’s become invisible to the world—and to herself.Maggie cautiously begins to rebuild her life with a trip to Rome, a new career, and even a rebound romance. But when a fresh crisis strikes and an uncertain future looms, she must decide: How much will she risk to remain the woman she’s just become?