Beneath a bruise-dark monsoon sky, Villanelle paces the streets of Shanghai. Her task, to eliminate the leader of an elite team of Chinese hackers, who are stealing vital data from the West. Beautiful and sexually predatory, a psychopath who has been trained to kill without hesitation, Villanelle is the ultimate assassin. But hard on her heels is the brilliant and fiercely determined Eve Polastri of MI6, who has sworn to hunt Villanelle down, whatever the personal cost. The stage is set for erotic intrigue and bloody violence, played out against the glittering backdrop of Asia's most decadent city. "What I enjoy about Villanelle is that she is robotic and ruthless and kills to order, but you don’t in any way dislike her. Her effortless cool and glamour and cleverness ensure that. Villanelle is a professional killing machine and she does her job, never stopping to query the ethics or the rights and wrongs of her work. Actually, neither did I, very much. A gripping story. Well written. Fast paced. Two great female characters. What’s not to love?" Christine's Book Reviews (on Villanelle: Hollowpoint) "Fast and furious… We can't wait for the next one. And by the way, someone get a copy of this story to Jennifer Lawrence. If she’s looking for her next franchise after “The Hunger Games,” this may be it." Howard Polskin – Thin Reads (on Codename Villanelle). LUKE JENNINGS is the author of Blood Knots, short-listed for the Samuel Johnson and William Hill prizes, and of several novels, including the Booker Prize-nominated Atlantic. As a journalist he has written for The Observer, Vanity Fair, the New Yorker and Time.

    imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran's poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.

    The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.

    These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet's personal and family histories as mental health patients and practitioners. Ultimately, Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax's innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred—amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, "For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say." And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.

    Money isn’t who I am, so when I finally use a dating app, I make up a fake “me” with no strings attached. But when I meet Jacob, the spark between us is real.He’s the only man I want, but the closer we grow, the higher the risk he’ll find out I’m not the man he’s falling in love with. Worse, Jacob would never date a rich guy, and with good reason—but that doesn’t change who I am. And who I am could tear us apart when he finds out.He can’t fall in love with a lie.JACOB:I don’t date rich, and I don’t date risky.Another wealthy guy in my life is the last thing I need. My affluent boss used his power to harass me, and now I’m knees-deep in a lawsuit. But when a friend signs me up for the dating app Matched, I don’t exactly back out, and before I know it, I’m matched with Ben.Our date lasts until sunrise, and I know I’ve got to see Ben again. Feelings form fast, and I can’t keep my mind off him—or what he might be hiding from me. I can’t shake this bad feeling, and the more Ben hides, the more I’m worried there’s a dark secret that could pull us apart.Who am I really falling in love with?

    Provincetown, eccentric, physically remote, and heartbreakingly beautiful, has been amenable and intriguing to outsiders for as long as it has existed. "It is the only small town I know of where those who live unconventionally seem to outnumber those who live within the prescribed bounds of home and licensed marriage, respectable job, and biological children," says Cunningham. "It is one of the places in the world you can disappear into. It is the Morocco of North America, the New Orleans of the north."He first came to the place more than twenty years ago, falling in love with the haunted beauty of its seascape and the rambunctious charm of its denizens. Although Provincetown is primarily known as a summer mecca of stunning beaches, quirky shops, and wild nightlife, as well as a popular destination for gay men and lesbians, it is also a place of deep and enduring history, artistic and otherwise. Few towns have attracted such an impressive array of artists and writers—from Tennessee Williams to Eugene O'Neill, Mark Rothko to Robert Motherwell—who, like Cunningham, were attracted to this finger of land because it was . . . different, nonjudgmental, the perfect place to escape to; to be rescued, healed, reborn, or simply to live in peace. As we follow Cunningham on his various excursions through Provincetown and its surrounding landscape, we are drawn into its history, its mysteries, its peculiarities—places you won't read about in any conventional travel guide.

    Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting." He also felt redemption and fulfillment in his ordeal, realizing that his hardship had filled the soul with the fruit of experience, however bitter it tasted at the time.

    Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People The last three novels of Armistead Maupin’s bestselling, critically-acclaimed Tales of the City are now available for the first time as an omnibus edition. The epic series, published between 1978 and 2014, spans the decade before the AIDS crisis through the era of marriage equality following an unforgettable set of characters, whose diverse sexual identities helped set the social stage for the ongoing sexual revolution.Goodbye Barbary Lane—comprised of Michael Tolliver Lives (2007), Mary Ann in Autumn (2010), and The Days of Anna Madrigal (2014)—brings closure to the lives and legacies of the characters through which generations have found connection to America’s larger cultural struggles over the past four decades.Joining two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, Goodbye Barbary Lane presents all of “Mr. Maupin’s adeptness at fluid dialogue, his flair for shaping characters who thread the needle between pop archetypes and singular human beings, and his great gift for intricate if occasionally preposterous plotting”(New York Times).

    While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    With influences from pop culture, the Bible, tech, and Hong-Kongese history, these pieces reflect and reveal how the stories of immigrants in Canada hold both universal truths and singular distinctions. From boybands that show the way to become “the kind of girl a girl could love” to “rich flavours that are just a few generations of poverty away,” they invite the reader to meditate on spirituality, food, and the shapes love takes.

    Snatched abruptly from his homeland and enslaved into the Antebellum South, grand homes and majestic oak trees meant little to him. Now he is considered the property of other men, but his spirit would not be broken. The awkward Benjamin Nathanael Lee lives a privileged life. His father owns the largest tobacco plantation south of the Mason Dixon line. Ben wants little to do with the harsh realities of running a plantation—that is, until he meets Tobias, the one person that changes everything for him. Wealth, greed, and power brought them together. The same now threatens to separate them forever. The two men are on the verge of losing the one thing that matters: their love for one another. Against the odds, they steal off and embark on a journey to find freedom: the freedom to love one another and to live a life without the chains of slavery. Come to the Oaks is the tale of a forbidden romance—a love forged by two young men as they journey through a land that is tearing itself apart.