This is one explanation for how Sheelu, a seventeen-year-old girl, ended up in jail after fleeing her service in the home of a powerful local legislator. In a region plagued by corruption, an incident like this might have gone unnoticed—except that it captured the attention of Sampat Pal, leader of India’s infamous Gulabi (Pink) Gang.Poor and illiterate, married off around the age of twelve, pregnant with her first child at fifteen, and prohibited from attending school, Sampat Pal has risen to become the courageous commander and chief of a women’s brigade numbering in the tens of thousands. Uniformed in pink saris and carrying pink batons, they aim to intervene wherever other women are victims of abuse or injustice. Joined in her struggle by Babuji, a sensitive man whose intellectualism complements her innate sense of justice, and by a host of passionate field commanders, Sampat Pal has confronted policemen and gangsters, officiated love marriages, and empowered women to become financially independent.In a country where women’s rights struggle to keep up with rapid modernization, the story of Sampat Pal and her Pink Gang illuminates the thrilling possibilities of female grassroots activism.

    But this soon changes. Every day a new dilemma arises, pulling her into the chaos, and as she gets to know her neighbors she discovers comedy, cruelty, and even tragedy. Do you know what’s going on in your neighborhood?

    It's all the things we all hold onto, all the things we let anchor onto us, and all the things that leave us vacant.

    Many were forbidden to speak their language and practice their own culture. The author portrays how the ongoing impact of the residential schools problem has been felt throughout generations and has contributed to social problems that continue to exist today.

    His adventures range across Utah, Arizona, New Mexico, and southwestern Colorado, and illuminate the mysteries of the Ancestral Puebloans and their contemporary neighbors the Mogollon and Fremont, as well as of the more recent Navajo and Comanche.

    But with no leads and faced with turmoil in her own life, there wasn't much Tammy could do.After a forbidden secret love affair and a catastrophic dispute with her father, Tammy eventually meets Steven, settles down and has his child, only to discover he is a heroin addict. Thrown into a life of drugs and violence, Tammy lives in fear of what Steven might be capable of and struggles alone to provide for her young son.What consequences might she face if she leaves Steven? Is she ever going to find her sister alive? Will she have enough courage to conquer the impossible challenges of her twisted world and still come out on top?Reckless Beginnings is a story of fiction based on true events.

    Coyote is one of North America’s most beguiling storytellers and the author of three story collections, including Loose End, which was shortlisted for the Ferro-Grumley Award for Fiction in 2006. Bow Grip, Coyote’s first novel, is a breathtaking story about love and loneliness; in it, a good-hearted, small-town mechanic struggles to deal with a wife who has left him for another woman until a used cello and an acquaintance’s suicide attempt compel him to make some changes in his life. With quiet authority, Bow Grip is about one man’s true rite of passage—trying to keep the ghosts of personal history at bay with a heart that’s as big as the endless prairie sky.

    The dramatic, brutally honest, and ultimately triumphant sequel to the bestselling American Book Award winner Lakota Woman, this book continues Mary Brave Bird's courageous story of life as a Native American in a white-dominated society.

    Jaleel Robeson, a gifted, eighteen year-old black man, falsely accused of murdering his father in a small Texas town, is on the run. He assumes a new identity in 1980s Los Angeles as a successful student on his way to college. Alexandra Baten, a restless sixteen year old white girl, lives in a privileged Toluca Lake family but feels trapped by her parents' values. One weekend, she rides her bike into a run down neighborhood, meeting a young black man selling lemonade. Thus begins a friendship between opposites, at least on the surface, but they learn they have more in common than they imagine. Told from each character's point of view in alternating chapters, we become involved in a gripping tale of two Americas where discontent and violence always lurk under the surface. When they erupt, no one is safe. Once Upon a Lie is both a family drama and a crime drama, as well as an exploration of interracial love, mother-daughter relationships, and redemption through courage.

    It is also home to a large number of stray cats. Now, what if by some strange twist of fate, the souls of the famous were reborn in the cats with their personalities intact? There's Maria Callas, a wilful and imperious diva, wailing late into the night. Earthy, bawdy chanteuse Edith Piaf is a foul-mouthed washerwoman. Oscar Wilde is hopelessly in love with Jim Morrison who sadly does not return his affections. Frederic Chopin is as melancholic and deeply contemplative as ever, and in honor of the tradition of leaving love letters at his tomb, he is now the cemetery's postmaster general. Last but not least, Marcel Proust is trying to solve the mystery behind some unusual thefts - someone has stolen Rossini's glass eye and Sarah Bernhardt's leg. Told in a series of amusing set pieces and intercepted letters, this is a delicious tale of intrigue, unrequited love, longstanding quarrels, character assassinations, petty spats, and sorcery that builds to a steady climax at the cats' annual Christmas pageant.

    Working from government reports, manuscripts, and the diaries and letters of those persons—both white and Indian—who knew him, Margaret Coel has developed an unusually readable, interesting, and closely documented account of his life and the life of his tribe during the fateful years of the mid-1800s.It was in these years that thousands of gold-seekers on their way to California and Oregon burst across the plains, first to traverse the territory consigned to the Indians and then, with the discovery of gold in 1858 on Little Dry Creek (formerly the site of the Southern Arapaho winter campground  and presently Denver, Colorado), to settle.Chief Left Hand was one of the first of his people to acknowledge the inevitability of the white man’s presence on the plain, and thereafter to espouse a policy of adamant peacefulness —if not, finally, friendship—toward the newcomers.Chief Left Hand is not only a consuming story—popular history at its best—but an important work of original scholarship. In it the author:Clearly establishes the separate identities of the original Left Hand, the subject of her book, and the man by the same name who succeeded Little Raven in 1889 as the principal chief of the Southern Arapahos in Oklahoma—a longtime source of confusion to students of western history;Lays to rest, with a series of previously unpublished letters by George Bent, a century-long dispute among historians as to Left Hand’s fate at Sand Creek;Examines the role of John A. Evans, first governor of Colorado, in the Sand Creek Massacre. Colonel Chivington, commander of the Colorado Volunteers, has always (and justly) been held responsible for the surprise attack. But Governor Evans, who afterwards claimed ignorance and innocence of the colonel’s intentions, was also deeply involved. His letters, on file in the Colorado State Archives, have somehow escaped the scrutiny of historians and remain, for the most part, unpublished. These Coel has used extensively, allowing the governor to tell, in his own words, his real role in the massacre. The author also examines Evans’s motivations for coming to Colorado, his involvement with the building of the transcontinental railroad, and his intention of clearing the Southern Arapahos from the plains —an intention that abetted Chivington’s ambitions and led to their ruthless slaughter at Sand Creek.

    It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk.The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors. Noticing the red ochre they used as protection against mosquitoes, the sailors called them "Red-skins," a name that was to affect an entire continent. As a people, they were never understood.Until now. By adding his novelist's imagination to his knowledge as an anthropologist and a historian, Bernard Assiniwi has written a convincing account of the Beothuk people through the ages. To do so he has given us a mirror image of the history rendered by Europeans. For example, we know from the Norse Sagas that four slaves escaped from the Viking settlement at L'Anse aux Meadows. What happened to them? Bernard Assiniwi supplies a plausible answer, just as he perhaps solves the mystery of the Portuguese ships that sailed west in 1501 to catch more Beothuk, and disappeared from the paper records forever.The story of the Beothuk people is told in three parts. "The Initiate" tells of Anin, who made a voyage by canoe around the entire island a thousand years ago, encountering the strange Vikings with their "cutting sticks" and their hair "the colour of dried grass." His encounters with whales, bears, raiding Inuit and other dangers, and his survival skills on this epic journey make for fascinating reading, as does his eventual return to his home where, with the help of his strong and active wives, he becomes a legendary chief, the father of his people.

    In 12 lessons, Matthew C. MacWilliams' On Fascism exposes the divisive rhetoric, strongman tactics, violent othering, and authoritarian attitudes that course through American history and compete with our egalitarian, democratic aspirations. Trumpism isn’t new, but rooted in our refusal to come to terms with this historical reality.The United States of Lyncherdom, as Mark Twain labeled America. Lincoln versus Douglas. The Chinese Exclusion Act. The Trail of Tears. The internment of Japanese-Americans. The Palmer Raids. McCarthyism. The Surveillance State. At turning points throughout history, as we aspired toward great things, we also witnessed the authoritarian impulse drive policy and win public support. Only by confronting and reconciling this past, can America move forward into a future rooted in the motto of our Republic since 1782: e pluribus unum (out of many, one).But this book isn’t simply an indictment. It is also a celebration of our spirit, perseverance, and commitment to the values at the heart of the American project. Along the way, we learn about many American heroes – like Ida B. Wells, who dedicated her life to documenting the horrors of lynching throughout the nation, or the young Jewish-American who took a beating for protesting a Nazi rally in New York City in 1939. Men and women who embodied the soaring, revolutionary proclamations set forth in the Declaration of Independence and the Preamble to the Constitution.On Fascism is both an honest reckoning and a call for reconciliation. Denial and division will not save the Republic, but coming to terms with our history might.

    Now at last Lisa McGirr dismantles this cherished myth to reveal a much more significant history. Prohibition was the seedbed for a pivotal expansion of the federal government, the genesis of our contemporary penal state. Her deeply researched, eye-opening account uncovers patterns of enforcement still familiar today: the war on alcohol was waged disproportionately in African American, immigrant, and poor white communities. Alongside Jim Crow and other discriminatory laws, Prohibition brought coercion into everyday life and even into private homes. Its targets coalesced into an electoral base of urban, working-class voters that propelled FDR to the White House.This outstanding history also reveals a new genome for the activist American state, one that shows the DNA of the right as well as the left. It was Herbert Hoover who built the extensive penal apparatus used by the federal government to combat the crime spawned by Prohibition. The subsequent federal wars on crime, on drugs, and on terror all display the inheritances of the war on alcohol. McGirr shows the powerful American state to be a bipartisan creation, a legacy not only of the New Deal and the Great Society but also of Prohibition and its progeny.The War on Alcohol is history at its best—original, authoritative, and illuminating of our past and its continuing presence today.

    It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied—from Cant to Lingua Franca to dancers’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (“Oh hello Mr Horne, how bona to vada your dolly old eek!”). Paul Baker recounts the story of Polari with skill, humor, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely reemergence in the twenty-first century.