Its sprawling, encyclopedic narrative, and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    His nightmarish visions, shaped by cool artistic calculation, reveal some of the dark possibilities of human experience. His enormous popularity and his continuing influence of literature depend less on legend or vision than on his stylistic and formal accomplishments as a writer of fiction and a great lyric poet.In this complete and uniquely authoritative Library of America collection, well-known tales of “mystery and imagination” and his best-known verse are collected with early poems, rarely published stories and humorous sketches, and the ecstatic prose poem Eureka.But his enormous popularity and his continuing influence on literature depend less on legend or vision than on his stylistic and formal accomplishments as a writer of fiction and as a great lyric poet (“always for all lands,” as Yeats said), famous for the sensuous musicality of “To Helen,” “The City in the Sea,” and “Annabel Lee” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.”“The Fall of the House of Usher” and “The Cask of Amontillado” show Poe’s mastery of Gothic horror; his “The Pit and the Pendulum” is a classic of terror and suspense. He invented the modern detective story, as in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon.Poe was also adept at the humorous sketch of playful jeu d’esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “ratiocination.”Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and "The Duc De L’Omelette), his only attempt at drama, "Politian"—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development as a writer, his oeuvre culminates in his vision of an indeterminate universe, Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand.A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world’s most disturbing, powerful, and inventive writers published in “the first truly dependable collection of Poe’s poetry and tales.”

    It is Wolfe's first novel, and is considered a highly autobiographical American Bildungsroman. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel covers the span of time from Gant's birth to the age of 19. The setting is the fictional town and state of Altamont, Catawba, a fictionalization of his home town, Asheville, North Carolina. Playwright Ketti Frings wrote a theatrical adaptation of Wolfe's work in a 1957 play of the same title.

    Cain's first novel - the subject of an obscenity trial in Boston and the inspiration for Camus's The Stranger - is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder.

    Burroughs from St. Louis, stabbed a man named David Kammerer with a Boy Scout knife and threw his body in the Hudson River. For eight years, Kammerer had fawned over the younger Carr, but that night something happened: either Carr had had enough or he was forced to defend himself.The next day, his clothes stained with blood, Carr went to his friends Bill Burroughs and Jack Kerouac for help. Doing so, he involved them in the crime. A few months later, they were caught up in the crime in a different way. Something about the murder captivated the Beats, especially Kerouac and Burroughs, who decided to collaborate on a novel about the events of the previous summer. At the time, the two authors were still unknown, yet to write anything of note. Narrating alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and violence, with scenes and characters drawn from their own lives.They submitted their manuscript—called And the Hippos Were Boiled in Their Tanks after an absurd line from a radio bulletin about a circus fire—to publishers, but it was rejected and confined to a filing cabinet for decades. Finally published, at long last, And the Hippos Were Boiled in Their Tanks tells the story of Ramsay Allen and the object of his fixation, the charismatic, idealistic young Phillip Tourian. Phillip and his friends drink and dream in the bars and apartments of the West Village, until, with his friend Mike Ryko (Kerouac's narrator), he hatches a plan to ship out as a merchant marine. They'll catch a boat for France and jump ship, then make their way through the front to Paris. And the Hippos Were Boiled in Their Tanks is an engaging, fast-paced read that shows the two authors' developing styles. It is also an incomparable artifact, a legendary novel from the dawn of the Beat movement by two hugely influential writers.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    The book quickly won a respected readership and later an audience for the movie with the same name starring Paul Newman and Jackie Gleason. The Hustler is about the victories and losses of one "Fast" Eddie Felson, a poolroom hustler who travels from town to town conning strangers into thinking they could beat him at the game when in fact, he is a skillful player who has never lost a game. Until he meets his match in Minnesota Fats, the true king of the poolroom, causing his life to change drastically. This is a classic tale of a man's struggle with his soul and his self-esteem.

    During the years when her husband F. Scott Fitzgerald was working on Tender is the Night—which many critics consider his masterpiece—Zelda Fitzgerald was preparing her own story. The novel strangely parallels events from her husband’s life, throwing a fascinating light on Scott Fitzgerald and his work. In its own right, it is a vivid and moving story—centered upon the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina—that captures the spirit of an era.

    It remains as fresh as when it was first published.

    But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

    It tells of an ordinary American family overtaken by the devastating epidemic of the Spanish influenza of 1918. The book begins on the day before the armistice in a small midwestern town, and the events are seen from the perspective, in turn, of eight-year-old Peter Morison--called Bunny; of his older brother, Robert; and of their father. They are witnesses to a domestic tragedy that is written with beauty and a quite magnificent tenderness. William Maxwell has been described by The Washington Post as "one of America's most distinguished and distinctive stylists." John Updike has said that "Maxwell's voice is one of the wisest in American fiction; it is, as well, one of the kindest." The Times Literary Supplement declares that "Maxwell offers us scrupulously executed, moving landscapes of America's twentieth century, and they do not fade." The Saturday Review said,"They Came Like Swallows is one of those rare tales in which child-hood is reflected in the simplicity and intensity of its own experience."

    Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.