William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.

    Her stories of fiercely independent women, culminating in her masterpiece "The Awakening" (1899), challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin's novels and stories as never before in one authoritative volume. The explosive novel "At Fault" (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man's alcoholic wife. In the story collections "Bayou Folk" (1894) and "A Night in Acadie" (1897), Chopin transforms the local color sketch into taut, perfectly calibrated tales of post-Civil War bayou culture. In "The Awakening," the now-classic novel that scandalized many of her contemporaries and effectively ended her writing career, Chopin tells the story of a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. The volume also includes all the stories not collected by Chopin, including those meant for "A Vocation and a Voice," a projected volume that her publisher canceled in 1900, and three stories that were found in 1992 in a long-lost cache of Chopin's papers.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

    But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly. Jake's to be the top witness in a major case against organized crime -- if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify. The Man's hired Charlie "Little" Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. Savage Night is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind.

    What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

    First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    Left to her own devices, Grady turns up the heat on the secret affair she's been having with a Brooklyn-born Jewish war veteran who works as a parking lot attendant. As the season passes, the romance turns more serious and morally ambiguous, and Grady must eventually make a series of decisions that will forever affect her life and the lives of everyone around her.

    Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel.

    Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethem’s words, “wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.”This Library of America volume brings together four of Dick’s most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory “half-life,” pursues Dick’s theme of simulated realities and false perceptions to ever more disturbing conclusions, as time collapses on itself and characters stranded in past eras search desperately for the elusive, constantly shape-shifting panacea Ubik. As with most of Dick’s novels, no plot summary can suggest the mesmerizing and constantly surprising texture of these astonishing books.Posing the questions “What is human?” and “What is real?” in a multitude of fascinating ways, Dick produced works—fantastic and weird, yet developed with precise logic, marked by wild humor and soaring flights of religious speculation—that are startlingly prescient imaginative anticipations of 21st-century quandaries.

    Generations of fans have longed to plumb that first romance, hinted at so captivatingly on the pages of "Little Women," Alcott's autobiographical classic. Now, after nearly one hundred fifty years spent among archived family documents, Louisa May Alcott's debut novel finally reaches its eager public. Set in an English country manor, the story follows the turbulent fortunes of Edith Adelon, an impoverished Italian orphan whose loyalty and beauty win her the patronage of wealthy friends until a jealous rival contrives to rob her of her position. In the locket around her neck, she carries a deep secret about her natural birthright. But an even greater truth lies hidden in Edith's heart - her deep reverence for the kind and noble Lord Percy, the only friend who can save her from the deceitful, envious machinations of Lady Ida. Reminiscent of Jane Austen in its charms, this chaste but stirringly passionate novel affirms the conquering power of both love and courtesy.Written by Louisa in 1849, when she was only 17, this book demonstrates virtue and values in a beautiful way.

    But then he meets Allison, a mental hospital escapee making a new life for herself in a greenhouse. The Second Coming is by turns touching and zany, tragic and comic, as Will sets out in search of God's existence and winds up finding much more.