Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    We follow her story from the perspective of five different characters, who also talk about themselves, as well as the troubled Slovenian times before and during World War II; times that swallowed, like a Moloch, not only the people of various beliefs involved in historical events, but also those who lived on the fringes of tumultuous events, which they did not even fully comprehend—they only wanted to live. But “only” to live was an illusion: it was a time when, even under the seemingly safe and idyllic shelter of a manor house in Slovenia, it was impossible to avoid the rushing train of violence.

    He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    They have only one desire: to make a fortune by exploiting the mineral wealths of the country. They work during the day in mining concession and, as soon as night falls, they go out to get drunk, dance, eat and abandon themselves in Tram 83, the only night-club of the city, the den of all the outlaws: ex children-soldiers, prostitutes, blank students, unmarried mothers, sorcerers' apprentices …Lucien, a professional writer, fleeing the exactions and the censorship, finds refuge in the city thanks to Requiem, a youth friend. Requiem lives mainly on theft and on swindle while Lucien only thinks of writing and living honestly. Around them gravitate gangsters and young girls, retired or runaway men, profit-seeking tourists and federal agents of a non-existent State.Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as, sometimes, comic and colorfully exotic. It's an observation of human relationships in a world that has become a global village. It could be described as an African-rap or rhapsody novel or puzzle-novel hammered by rhythms of jazz.

    One of the late Shusaku Endo’s finest works, The Samurai tells of the journey of some of the first Japanese to set foot on European soil and the resulting clash of cultures and politics.

    Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

    Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development – the shadows of the slum’s inhabitants have started to ‘rise’ – leaves the reader to make up their own mind as to the nature of this shape-shifting tale. Hwang’s spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed for such issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world.

    She has since established herself as one of the most exciting young novelists in Europe today. Writings from an Unbound Europe is proud to publish the first translation of her work in English. All This Belongs to Me chronicles the lives of three generations of women in a Mongolian family. Told from the point of view of a mother, three sisters, and the daughter of one of the sisters, this story of secrets and betrayals takes us from the daily rhythms of nomadic life on the steppe to the harsh realities of urban alcoholism and prostitution in the capital, Ulaanbaatar. All This Belongs to Me is a sweeping family saga that showcases Hulová's genius.

    His aim in Wizard of the Crow is, in his own words,nothing less than “to sum up Africa of the twentieth century in the context of two thousand years of world history.”Commencing in “our times” and set in the “Free Republic of Aburĩria,” the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburĩrian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity.Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiong’o’s career thus far.

    It propelled its author, Gjergj Fishta, to universal recognition as the national poet of Albania until the Communists took power in 1944. On its first public recital in post-Communist Albania, 45 years later, many in the audience still knew parts by heart. Robert Elsie's masterful new translation, the first to appear in English, captures the spirit of the original and, accompanied by a new critical introduction, will introduce the poem to a new generation of admirers.

    Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.

    Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis. Incisive and intelligent, the entire volume represents an urgent call to examine the past in order to insure a future.

    At age nineteen, an innocent prank cuts the young Croatian's budding medical career short and lands him in a notorious labor camp. Released on the eve of civil war, Ivan is drafted into the wrong army, becoming a pawn in an absurd conflict in which the rules and loyalties shift abruptly and without warning. But even in a world gone mad, one course of action remains eminently sane: survival.Told with bitingly dark humor and a deep tenderness, April Fool's Day is both a devastating political satire and a razor-sharp parody of war.