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    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    He eventually lands a job in real estate as a "Social Media Manager," a role that requires the mindless pursuit of likes, tweets, and hits.After a death in the family and a surprise inheritance, Jake quits his job and meanders through lonely hotel rooms, quiet beach towns, and then, in a dramatic shift, stations himself in West Hollywood where disillusioned twenty-somethings lose themselves in the madness of drugs and sex. It is here that the only proof of memories is found in filtered photographs posted online from the night before.Miller captures the angst, restlessness, and spirit of the Millennial Generation — a group mindlessly charging through the recession during a time when the line between existence in the physical and digital world is blurred. The novel provides a fascinating, grim, and often times humorous portrayal of the lifestyle that represents our contemporary youth.

    She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.It’s also very, very funny.

    A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll. Here, struggling to survive cancer, Noah evaluates his chequered past life, and as a picture builds of a brave and foolish man, gradually it becomes clear that he's a modern-day hero.

    Mortimer, a creature of the casinos who looks like the dead country singer Conway Twitty, is a killer who has turned mean and sick.

    I should have swooned. Instead, I walked toward him quite calmly, or I thought I was calm. Yet I do remember wondering if I had combed my hair that morning. I do remember being glad I had worn a bra and wishing it were not so plain and businesslike. And I remember thinking of one more thing to add to my 'before I die' list - not the list I'd written out of things a person can actually arrange on purpose, but the mental list of things I would most likely die without: passion. It is a measure of how dazzled I was that I completely failed to see any significance in such a thought at that particular moment." And so begins The Falconer, a stunning love story set in the Sierra Nevada mountains, about two ordinary people whose lives are transformed by love. India Blake realizes that she has let her life pass in dutiful commitments, without living fully, without achieving her dream of adventure and love. And then she meets Rhodri, a master falconer who teaches her how to fly falcons - and with whom she discovers the passion and deep connection she has been missing.

    Johns River in Jacksonville, Florida, is tormented by the thought that maybe his aunt is lying to him about how his mother died. To find the truth he has to overcome his fears: the local bully, the large dark shapes that he imagines in the middle of the dock at night, and the thought that maybe his brother is right, he's just a warped kid who thinks too much. Will he find the courage to stand and fight? Q&A with Lawton Paul Q: What sparked this novel? A: Two things. One: I wanted my kids to know where I came from. The very southern setting—North Florida on the St. Johns river, is where I grew up. And I wanted to give them a feel for that time and place. Watching the sunrise on a stinky crab boat in the St. Johns—what could be better? And the second thing: When I'm not writing, I'm teaching kids. I see a lot of young people who have such promise but for some reason or another, give up right before they're about to make headway. I see my own kids struggling at certain points in their lives. And one thought keeps coming back: don't give up. So I wanted Jesse (main character in Seagull) to really have some heavy issues to navigate through: the death of his mother, Johnny the bully, and of course, the girl, Hailey. You'll have to read the book (savvy marketing ploy alert!) to find out how it all turned out for Jesse. Q: Why should readers give this novel a try? A: If I've done my job well, you'll enjoy the ride and maybe even get that little happy-glow feeling at the end like you just watched Rocky again, or someone said your hair looks nice, or you got an “A” on a pre-calc test. (Another genius bit of marketing there.) Q: What kind of book is Seagull? A: It's a coming of age southern novel with a young main character that should appeal to fiction readers of all ages. Younger readers will sympathize with our teen heroes Jesse and Matty and adult readers will be taken back to earlier days. My style has a literary feel, but the story is plot-driven and suspenseful, especially at the end. And even has a hint of romance. Thanks for giving Seagull a try. Please let me know what you thought of it. —Lawton Paul

    A thoughtful, funny, and penetrating portrait of a modern American family that explores the breaches and bonds between husbands and wives, parents and children--and introduces one of the most incorrigible and affecting teenagers since Holden Caulfield.

    It's 1959 and the school bristles with bullies and sadistic staff. Tommy, a quirky loner, obsessed with cowboys and Indians, needs all the bravery he can summon.Salvation comes when his glamorous actress sister is swept off to Hollywood by one of his heroes, TV cowboy Ray Montane. But with the Cold War looming, the sinister side of Tinseltown seeps through and Tommy and Diane soon find themselves in jeopardy. Forty years on, Tommy has to confront his boyhood ghosts when his own son finds himself charged with murder.

    A dazzling fourth novel by the author of The Recognitions, Carpenter’s Gothic, and JR uses his considerable powers of observation and satirical sensibilities to take on the American legal system.

    Now, thirty years later, the one card missing from his collection is the legendary card 19 from the 1967 Mission Impossible television series, of which only one exists.One day a mysterious grey-haired man drops a playing card in a deserted alley. Riley picks it up. Is it a secret sign? Before long, he is finding all kinds of bubble gum and cigarette cards on the street, each one apparently containing a further hidden clue to a coded message. Will Riley rise to the challenge and discover the secret of the cards? And will he ever find illusive card 19?Exquisitely written, extremely funny, and visually stunning, The Card is the utterly unforgettable story of a man who views the world - and everything in it - just a little bit differently from the rest of us.

    As a memorial, Edwin's bestfriend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.

    Days are filled from dawn to sunset with last-minute chores, while the women struggle to find time to prepare their special dishes in hopes of winning a coveted blue ribbon at the annual County Fair. As opening day of the fair draws near, folks have plenty to occupy their minds as well. Much to the chagrin of Father James, he has been chosen to help judge the apple pie contest; Matthew Metcalf worries about how to keep his girlfriend and pay for college at the same time; the Petersons welcome a long-awaited and newly adopted baby; and Hudson, Marion Holmes’s butler, hopes to give his beloved employer a new reason to live by researching the parentage of a young boy who has just arrived in town along with the fair. The boy is a carbon copy of Marion’s deceased son, William. Could he be the product of an old love affair between William and a girl whose uncle once owned a carnival? Before this mystery can be solved, however, the sheriff and the FBI must figure out—before it’s too late—that the owner of the fair is planning to risk the lives of the fairgoers in order to hide a major drug deal he is taking part in.THE COUNTY FAIR is a wonderful continuation of the Dorsetville series, where good friends are never farther away than a handshake and God’s intervention is as close as a prayer.

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.