The novels that followed established her as a master of Southern Gothic. "McCullers' gift," writes Joyce Carol Oates, "was to evoke, through an accumulation of images and musically repeated phrases, the singularity of experience, not to pass judgment on it." McCullers effortlessly conveyed the raw anguish of her characters and the weird beauty of their perceptions. Set in small Georgia towns that are at once precisely observed and mythically resonant, McCullers' novels explore the strange, sometimes grotesque inner lives of characters who are often marginal and misunderstood. Above all, McCullers possessed an unmatched ability to capture the bewilderment and fragile wonder of adolescence. In The Heart Is a Lonely Hunter, an enigmatic deaf-mute draws out the haunted confessions of an itinerant worker, a young girl, a black doctor, and the widowed owner of a small-town café. Two shorter works, Reflections in a Golden Eye (1941) and The Ballad of the Sad Café (1943), use melodramatic scenarios and freakish characters to explore the disfiguring violence of desire. The Member of the Wedding (1946), on which the play and film were based, tells of a young girl's fascination with her brother's wedding and is perhaps McCullers' most moving and accomplished novel. In Clock Without Hands (1960), the story of a terminally ill druggist, McCullers produces some of her most forceful and indignant social criticism. Edited by Carlos Dews.

    Foregoing photography's traditional role of romanticizing the Western landscape, Adams focused instead on the construction of tract and mobile homes, subdivisions, shopping centers and urban sprawl in the suburbs of Colorado Springs and the Denver area. Adams transmuted these zones with his minimalist vision of their austerity; as he has noted, "no place is boring, if you've had a good night's sleep and have a pocket full of unexposed film." Objective and direct, Adams' photographs, rendered in his signature middle-gray scale, unsentimentally depict a despoiled landscape washed in the intense Colorado sunlight. Today The New West stands alongside Walker Evans' American Photographs, Robert Frank's The Americans and Stephen Shore's Uncommon Places in the pantheon of landmark projects on American culture and society. This second reissue of the classic publication has been recreated from Adams' original prints, and will be released ahead of a major traveling exhibition that will launch in 2010. Foreword by John Szarkowski.

    Yet the songs Hank Williams left behind-including "I Saw the Light," "Cold Cold Heart," "Your Cheatin' Heart"-transformed him into a legend whose influence is felt as strongly today as ever. But for all that Hank Williams's music seems to reveal, his fans have been given remarkably little of the man himself. Now Colin Escott and Kira Florita present a previously undiscovered wealth of private family snapshots, letters, unpublished interviews, and other ephemera-including his final lyric, found in the backseat of the car where he died. Most extraordinary, though, are the previously unseen handwritten lyrics-almost thirty songs altogether. In paperback for the first time, this is a windfall of memorabilia for his fans everywhere."An amazing slice of music Americana....This haunting volume has the jarring effect of a train wreck: You simply can't look away. Country artist Marty Stuart provides a fascinating introduction." -Nashville Scene

    Like Holden Caulfield and Huck Finn, Shuggie Akins tells his story of a reluctant descent into the world of adults in this unforgettable and ultimately moving novel.