She has since become one of our most respected authors of verse.Schnackenberg's first three books, collected in Supernatural Love, show the thrilling evolution of a unique voice in today's letters. From an early mastery in which precision and heartbreak are inseparable, her poetry accelerates book by book through the searching, dense, and metaphysical imagery--as well as the cascading syntax--which have become her signature. Whether we are witnessing her classic portrait of Darwin in his last year or discovering the vertiginous brillance of her elegy for the Byzantine monuments of Ravenna, we find in Schnackenberg gemlike poems offered as visionary documents, unmistakable in their glittering range and passion--and never the same twice.

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    Everything you need to hear, but already know.

    Written in Lallan Scots, it is a most exciting piece of poetic drama.

    No Lions team had ever defeated the All Blacks in a Test series. Since 1904, six Lions sides had travelled to New Zealand and all had returned home with their tails between their legs. But in 1971 a tour party led by John Dawes set out to carve their names into the annals of the sport with their assault on the great bastion of world rugby. Lying in wait were team after team of hardened rugby warriors and an All Blacks side filled with legends of the game. But as the Lions began to sweep their way across the length and breadth of the country, displaying ferocity and magic in equal measure, it became clear that a Test series of epic proportions was set to unfold. When Lions Roared delves into the very heart of that famous summer as Lions, All Blacks and provincial players recount their memories to bring to life one of the most celebrated tours in rugby history - one that changed the game forever and continues to resonate powerfully to this day.

    Previously published in Anvil New Poets 2, a selection chosen by Carol Ann Duffy, and winner of the 1994 Eric Gregory Award, Oswald already clearly demonstrates a distinct voice. The poems here are extraordinarily beautiful: intensely musical, strewn with emotion, and full of energy and warmth. Influenced by Gerard Manley Hopkins and George Herbert, they speak passionately of nature and love. They have a religious sense of mystery, and try to express the intangible in marvellously vivid language. The second part of the book features an entertaining long poem titled The Men of Gotham, a comical folk-legend about the three men who went to sea to try to catch the moon in a net. Taken together, this is a wonderful first collection by an exceptionally talented young poet.

    Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

    It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors who compete for Penelope's hand in marriage. In this Book you will also find 7 Bonus works for your enjoymentThe complete interactive table of content includes:THE ODYSSEYBonus book: THE ILIAD OF HOMERMore free Bonuses PARADISE LOST-by John MiltonTHE GOLDEN ASS-by Lucius Apuleius "Africanus"PLAYS OF SOPHOCLES•OEDIPUS THE KING • OEDIPUS AT COLONUS • ANTIGONETHE AENEID-by VirgilAll in one book elegantly formatted for ease of use and enjoyment on your Kindle device. Enjoy!

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    She knows God handed her a life of hardship, especially when her Dad gives her away in marriage to a man she doesn't know. However, she proves to be a true mountain girl with spirit, determination, feistiness and fiery spunk. Laine's unabashed account of events, before and during the first months of her marriage, draws the reader spellbound into a story that will linger like mists shrouding distant mountains.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    

    But here I was, on the last day of the year, staring into the eyes of a man who held all my nerves hostage.This was wrong.But I wasn’t looking to be right. Especially not to a husband who doesn’t deserve my loyalty.Still, I should be miles away from here on a yacht circling the Potomac river. My body should’ve been pressed into my husband’s hard chest while his arms held me close as we counted down the last ten seconds of the year. It should’ve been him staring at me like a snack, his eyes slowly undressing me. But it wasn’t my husband, Keith, staring at me.It was this stranger.How could I be so reckless?If anyone saw me walking hand in hand with a man who was not my husband, I could lose more than just a husband. I could lose my opportunity to enact change to New York City’s criminal justice system as a district attorney. Yet, I swatted the red flags away and continued following this stranger into the penthouse suite.Why was I willing to risk it all for a man I didn’t even know?>b>Nicolai:I had one rule. One rule only. Never bring a woman near my home. Yet, here I was, breaking another rule tonight all in the name of the beautiful woman sitting all alone in the grand room of Camilla’s Cuisine.Sixty million dollars was riding on this meeting; yet, my eyes kept roaming over to her. I was supposed to be studying the man sitting across from me—calculating his every move, screening for any deception. Yet, my eyes remained on her, following every graceful move she made.She hadn’t noticed me at first. Hell, I hadn’t realized how long I’d been staring at her until her dark brown eyes rose from her plate to stare into mine. Unlike most women I encountered, she wasn’t intimidated by me openly staring at her. She stared back; yet offered no flirty smile or invitation for me to come over to her. The more I stared at her, the more intrigued I became.Why was she staring back at me?As the acting boss of the Balducci crime family, I’ve spent the past two years restoring order from the chaos left behind when the former Don walked away from the life and family we’d been born and bred into.La Cosa Nostra, this thing of ours, was a matrimony that could never be intercepted or broken. Everything was second to the La Cosa Nostra. It was an oath that my father prepared me to take. It was an oath that authored all decisions that I made.Organizing crime to become a multi-billion-dollar corporate industry, I played every move with careful configurations. Nothing stood in the way. Not a pretty face, friend, foe, or family. Yet, tonight, I ended my meeting before it even started, just so that I could stop her from leaving Camilla’s Cuisine.What was it about her?AUTHOR’S NOTE: This novel is part of the Balducci Family Saga. There are events and characters mentioned in this novel that appeared in previous installments.Please follow the sequence of the Balducci Family Saga listed below:BOOK ONE - Dipping Into SinBOOK TWO- Dipping Deeper Into SinBOOK THREE- Loving Her In The Shadows - Sovereignty