If you don’t give in to it, you wind up a cold, unfeeling bastard. If you do, you spend the rest of your life picking up the pieces. . . . At the start of senior year at William & Mary, the six-foot-tall, raven-haired beauty Victoria “Vic” Savedge finds her future mapped out in detail. She will marry Charly Harrison, the son of one of Virginia’s most prominent families. Though branded by a fiery streak of independence, Vic hasn’t really considered any other options. Until she meets a woman named Chris. A transfer from Vermont, Chris is new to Southern mores and attitudes. Though instantly captivated by Vic, she is also drawn to the entire quirky but charming Savedge family. But the young women’s friendship is not your basic college-girl variety. For neither can resist their mutual attraction–an attraction that erupts into a passion that will forever change the course of both their lives.

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.

    Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

    That, at least, was the official version. Now let Christopher Marlowe tell you the truth: that his 'death' was an elaborate ruse to avoid his being hanged for heresy; that he was spirited across the channel to live on in lonely exile, longing for his true love and pining for the damp streets of London; that he continued to write plays and poetry, hiding behind the name of a colourless man from Stratford — one William Shakespeare. With the grip of a thriller and the emotional force of a sonnet, this extraordinary novel in verse gives voice to a man who was brilliant, passionate, mercurial and not altogether trustworthy. The son of a cobbler who rose so far in Elizabethan society that he counted nobles among his friends and patrons, a spy in the Queen's service, a fickle lover and a declared religious sceptic, he was always courting trouble. When it caught up with him, he was lucky to have connections powerful enough to help him escape. Memoir, love letter, settling of accounts and a cry for recognition as the creator of some of the most sublime works in the English language, this is Christopher Marlowe's testament — and a tour de force by an award-winning poet: provocative, persuasive and enthralling.

    Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.An exhilarating page turner and perceptive coming-of-age story, WHO IS VERA KELLY? introduces an original, wry and whip-smart female spy for the twenty-first century.

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    An amazing first novel, a beautifully written work of historical fiction ( Lambda Book Review), American Studies tells the story of 62-year-old Reeve who, as he recovers from a brutal beating, recalls the troubled and closeted world of his former mentor, a once-famous professor who was driven to suicide during the McCarthy era.

    An author is lucky to bring one character so vividly to life: the gifted McIntyre has done it for all of his.” —New York Times Book Review“I felt as if I were reading a modern-day Middlemarch.” — Kate Christensen, PEN/Faulkner Award-winning author of The Great ManA finalist for the Lambda Literary Award and the Publishing Triangle’s Ferro-Grumley Award, Lake Overturn is the stirring debut novel of small-town America from critically acclaimed author Vestal McIntyre (You Are Not the One). With intricate plots involving an array of fully realized characters, and dealing with themes such as autism, homosexuality, religion, and addiction, Lake Overturn is sure to appeal to fans of the literary work of Russell Banks (The Sweet Hereafter, Affliction), Rick Moody (The Ice Storm), Augusten Burroughs (Running with Scissors), and Alice Munro (The Moons of Jupiter, The Love of a Good Woman).

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    Published or forthcoming in forty territories, it has sold more than one million copies worldwide. Now Stuart returns with Young Mungo, his extraordinary second novel. Both a page-turner and literary tour de force, it is a vivid portrayal of working-class life and a deeply moving and highly suspenseful story of the dangerous first love of two young men.Growing up in a housing estate in Glasgow, Mungo and James are born under different stars--Mungo a Protestant and James a Catholic--and they should be sworn enemies if they're to be seen as men at all. Yet against all odds, they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. And when several months later Mungo's mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in the literary world, Young Mungo is a gripping and revealing story about the bounds of masculinity, the divisions of sectarianism, the violence faced by many queer people, and the dangers of loving someone too much.

    Hovered over by the presence of alluring, sassy Satan who taunts Jacob to remember his painful past and dour, frigid Death who urges him to forget and give up on life, Jacob is also attended to by 14 saints. Set in Cairo and Beirut; Sana'a, Stockholm, and San Francisco; Alameddine gives us a charged philosophical portrait of a brilliant mind in crisis. This is a profound, philosophical and hilariously winning story of the war between memory and oblivion we wrestle with every day of our lives.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    Frank Baum and the strangely resonant 1939 film. WAS traverses the American landscape to reveal how the human imagination transcends the bleakest circumstance.

    Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term. And in these answers lies a hope: that by uncloseting ourselves--as immigrants, smart women, gay people--we find power in empathy.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.