Featuring hundreds of photos of his impressive art and behind-the-scenes details about how these creations came to be, The Art of the Brick is an inside look at how Sawaya transformed a toy into an art form.Follow one man's unique obsession and see the amazing places it has taken him.

    The book features 2,000 images and documents, many previously unpublished. Note: PBS-TV's American Masters will broadcast a 2 hour Warhol documentary by Ric Burns to air in May 2006.

    She takes the reader through every step of her signature looks - from her perfectly coiffed hair to her flawless skin and makeup - and turns to experts and friends for advice.

    He wakes up from surgery repeating a name no one in his civilian life has ever heard—that of a Native American soldier whom he was once ordered to discipline. David decides to return something precious he long ago stole from the man he now calls Clayton Fire Bear. It might be the only way to find closure in a world increasingly at odds with the one he served to protect. It might also help him finally recover from his wife’s untimely demise.As David confronts his past to salvage his present, a poignant portrait emerges: that of an opinionated and goodhearted American patriot fighting like hell to stay true to his red, white, and blue heart, even as the country he loves rapidly changes in ways he doesn’t always like or understand. Hanging in the balance are Granger’s distant art-dealing son, Hank; his adoring seven-year-old granddaughter, Ella; and his best friend, Sue, a Vietnamese-American who respects David’s fearless sincerity.Through the controversial, wrenching, and wildly honest David Granger, Matthew Quick offers a no-nonsense but ultimately hopeful view of America’s polarized psyche. By turns irascible and hilarious, insightful and inconvenient, David is a complex, wounded, honorable, and loving man. The Reason You’re Alive examines how the secrets and debts we carry from our past define us; it also challenges us to look beyond our own prejudices and search for the good in us all.

    When it goes missing, they go nuts: he plots revenge against art patriarch The Platypus while she obsesses over their anti-love affair. Meanwhile, the other art school scenesters experiment with bad drugs, bad sex, and bad ideas. When a punk named Punk shows up with a potent sex drug, the whole wild crowd gets caught up in the gravitational pull of The Platypus’ sinister White Ball, where a confused art terrorism cell threatens a ludicrous and hilarious implosion. With an unerring, unflinching eye for satire, Zach Plague’s brilliant hybrid of image and text lampoons the art world and those boring enough to fall into its traps. Featuring dynamic graphic text on every page, boring boring boring boring boring boring boring is an intrigue of mundane proportion.

    We can understand innovations like electricity, agriculture and democracy. The twentieth century, in contrast, gave us relativity, cubism, quantum mechanics, the id, existentialism, Stalin, psychedelics, chaos mathematics, climate change and postmodernism. In order to understand such a disorienting barrage of unfamiliar and knotty ideas, Higgs shows us, we need to shift the framework of our interpretation and view these concepts within the context of a new kind of historical narrative. Instead of looking at it as another step forward in a stable path, we need to look at the twentieth century as a chaotic seismic shift, upending all linear narratives.Higgs invites us along as he journeys across a century “about which we know too much” in order to grant us a new perspective on it. He brings a refreshingly non-academic, eclectic and infectiously energetic approach to his subjects as well as a unique ability to explain how complex ideas connect and intersect—whether he’s discussing Einstein’s theories of relativity, the Beat poets' interest in Eastern thought or the bright spots and pitfalls of the American Dream.

    With no provocation from the still-distant Nazis, the farmers of tiny Jedenew unite to launch a murderous rampage against the local Jews who have long been their friends and neighbors, even their benefactors.In the hands of young German sensation Kevin Vennemann, Close to Jedenew is a lyrical, stylish, and penetrating plunge into fatal mysteries. How can we explain such madness? Venneman’s deft and innovative prose, even his gripping and mysterious narrator, speaks timelessly to, and of, us all.

    At issue is a mysterious painting depicting scenes of Irish lore and Viking legends, and her family's connection to the work. But when the nun who contacted her is murdered, it seems legend is becoming deadly reality.Colin Donovan is one of the FBI's most valuable assets -- a deep-cover agent who prefers to go it alone. He's back home in Maine after wrapping up his latest mission, but his friend Father Bracken presents him with an intrigue of murder, international art heists and a convent's long-held secrets that is too tempting to resist. As the danger spirals ever closer, Colin is certain of only one thing: the very intriguing Emma Sharp is at the center of it all.A ruthless killer has Emma and Colin in the crosshairs, plunging them into a race against time and drawing them deeper into a twisted legacy of betrayal and deceit.

    With his manic mind and motor mouth in high gear, he rants against anyone who tells him to "have a nice day" and skewers the euphemism epidemic ("To be honest, some of this language makes me want to vomit. Well, perhaps 'vomit' is too strong a word. It makes me want to engage in a involuntary personal protein spill"). When Carlin's in a more reflective mood, he reveals, "I couldn't commit suicide if my life depended on it," and ponders the really big questions, like "Is a vegetarian permitted to eat animal crackers?" and "Griddle cakes, pancakes, hotcakes, flapjacks: why are there four names for grilled batter and only one word for love? "What his candid take on "life's little moments" lacks in political correctness, it more than makes up for in gut-busting laughs. He's the guy who dares say what the rest of us hesitate even to think. And he does so in ways that are often raunchy and always riotous.

    Step-by-step projects, including a cake-stand centerpiece, special-occasion bouquets, a vertical garden, and a succulent topiary sphere, will inspire you to express your individual style.

    --ART SPIEGELMAN, PULITZER PRIZE-WINNING AUTHOR OF MAUS ON DR. SEUSS GOES TO WAR Hailed by Entertainment Weekly as "a provocative history of wartime politics," Dr. Seuss Goes to War, published nearly a decade ago, sold over one hundred thousand copies and introduced readers to the World War II-era political cartoons of Theodore Seuss Geisel, better known to the world as Dr. Seuss. Published to great acclaim, the collection included over two hundred cartoons from Geisel's years working for the New York daily newspaper PM. Now Dr. Seuss & Co. Go to War presents a new trove of close to four hundred discoveries from the PM World War II archives, including over one hundred cartoons by Seuss, fifty cartoons by the New Yorker's Saul Steinberg, and works by the leading cartoonists of the time, such as Al Hirschfeld, caricaturist for the New York Times; Polish-born American artist Arthur Szyk; and future New Yorker cartoonists Carl Rose and Mischa Richter. The cartoons and commentary in this handsome volume (to be published in the same format as the original Dr. Seuss Goes to War) cover the five years of the war, illustrating changing attitudes and providing a complex picture of the issues that concerned Americans.

    As war erupts, he must flee to the white walled city of Emmanuel in order to fulfill the long held prophecy of Shaddai's Deliverer or die in the attempt. At Every turn, enemies, both seen and unseen, conspire to kill Ethan before he realizes and unleashes the awesome power of the Realm Shift. "The Realm Shift's intrigue is second only to its action!" -- Wayne Thomas Batson, author, The Berinfell Prophecies and The Door Within Trilogy. "The Realm Shift doesn't just draw you in, it sucks you in! The story is full of mystery, adventure, danger and inspiration. I highly recommend it!" -- Brian Tubbs, Pastor, Sligo Baptist Church. "The Realm Shift is written in a grand mythic type of storytelling reminiscent of Tolkien's Lord of the Ring Trilogy. It grabs the reader from the get-go and takes you on an intense ride through its thrilling, unstoppable trajectory!" -- Rai Aren, author, The Secret Sands. "The Realm Shift is spiritual warfare as you've never read it before. An awesome book!" -- Betty Dravis, author, Toonies Invade Silicon Valley and 1106 Grand Boulevard. “James Somers is one of my favorite authors. His pacing, creativity and the unique spiritual perspective he brings to his stories never disappoints.” – Jeremy Robinson, author of PULSE and INSTINCT.

    When the U.S. Marines landed on Iwo Jima, they expected to secure it within a few days. No one had anticipated Japan's determination to defend the island to the last man. Morison describes the Japanese defense system of camouflaged rifle pits and fortified gunning positions that held the Allies at bay and the heavy and continuous cover of naval gunfire that prevented even greater losses. As it was, the securing of Iwo Jima cost the United States more casualties than had been incurred in taking any other island in the Pacific. On Okinawa, the conflict stretched over six long, bloody months. As land forces struggled for every inch they took on the islands, the U.S. Navy faced the desperate fury of the kamimaze corps and its harvest of flaming terror: explosions, burning and flooded ships, searing injuries and death. Fierce weather, logistical complexities, Japanese submarines, and the unexpected death of President Roosevelt also took their toll. Morison concludes his epic account with the final skirmishes of the war, the fateful decision to drop the atomic bomb, and the delicate negotiations leading to Japanese surrender.

    Trapped in a life of poverty, hated and abused by his father, Isak dreams of escape, but when his chance comes, it isn't to a place in the army as he'd expected. Instead, the Gods have marked him out as heir-elect to the brooding Lord Bahl, the Lord of the Fahlan. Lord Bahl is also a white-eye, a genetic rarity that produces men stronger, more savage and more charismatic than their normal counterparts. Their magnetic charm and brute strength both inspires and oppresses others. Now is the time for revenge, and the forging of empires. With mounting envy and malice the men who would themselves be kings watch Isak, chosen by Gods as flawed as the humans who serve them, as he is shaped and moulded to fulfil the prophecies that are encircling him like scavenger birds. The various factions jostle for the upper hand, and that means violence, but the Gods have been silent too long and that violence is about to spill over and paint the world the colour of spilled blood and guts and pain and anguish . . .

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.