Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    For fans of Hanif Kureshi, Mira Jacob, and Mohammed Hanif.It is 1995, and Anvar Faris is a restless, rebellious, and sharp-tongued boy doing his best to grow up in Karachi, Pakistan. As fundamentalists in the government become increasingly strident and the zealots next door start roaming the streets in gangs to help make Islam great again, his family decides, not quite unanimously, to start life over in California. The irony is not lost on Anvar that in America, his deeply devout mother and his model-Muslim brother are the ones who fit right in with the tightly knit and gossipy Desi community. Anvar wants more.At the same time, thousands of miles away, Safwa, a young girl suffocating in war-torn Baghdad with her grief-stricken, conservative father will find a very different and far more dangerous path to America. These two narratives are intrinsically linked, and when their worlds come together, the fates of two remarkably different people intertwine and set off a series of events that rock their whole community to its core.The Bad Muslim Discount is an irreverent, dramatic, and often hysterically funny debut novel by an amazing new voice. With deep insight, warmth, and an irreverent sense of humor, Syed Masood examines quirky and intense familial relationships, arranged marriage, Islamic identity, and how to live together in modern America.

    Jugnu and Chanda have disappeared. Like thousands of people all over England, they were lovers and living together out of wedlock. To Chanda’s family, however, the disgrace was unforgivable. Perhaps enough so as to warrant murder.As he explores the disappearance and its aftermath through the eyes of Jugnu’s worldly older brother, Shamas, and his devout wife, Kaukab, Nadeem Aslam creates a closely observed and affecting portrait of people whose traditions threaten to bury them alive. The result is a tour de force, intimate, affecting, tragic and suspenseful.

    With an unflinching yet generous eye, RENDANG is a collection that engages equally with the pain and promise of self-perception. Drawing on his Anglo-Indonesian heritage, Harris shows us new ways to think about the contradictions of identity and cultural memory. He creates companions that speak to us in multiple languages; they sit next to us on the bus, walk with us through the crowd and talk to us while we're chopping shallots. They deftly ask us to consider how and what we look at, as well as what we don't look at and why.Playing eruditely with and querying structures of narrative, with his use of the long poem, images, ekphrasis, and ruptured forms, RENDANG is a startling new take on the self, and how an identity is constructed. It is intellectual and accessible, moving and experimental, and combines a linguistic innovation with a deep emotional rooting.

    Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    When her feisty best friend, Farah, starts wearing the headscarf without even consulting her, it begins to unravel their friendship. After telling a huge lie about a tragedy that happened to her family during the Partition of India in 1947, Shabnam is ready for high school to end. She faces a summer of boredom and regret, but she has a plan: Get through the summer. Get to college. Don’t look back. Begin anew. Everything changes when she meets Jamie, who scores her a job at his aunt’s pie shack, and meets her there every afternoon. Shabnam begins to see Jamie and herself like the rose and the nightingale of classic Urdu poetry, which, according to her father, is the ultimate language of desire. Jamie finds Shabnam fascinating—her curls, her culture, her awkwardness. Shabnam finds herself falling in love, but Farah finds Jamie worrying. With Farah’s help, Shabnam uncovers the truth about Jamie, about herself, and what really happened during Partition. As she rebuilds her friendship with Farah and grows closer to her parents, Shabnam learns powerful lessons about the importance of love, in all of its forms. Featuring complex, Muslim-American characters who defy conventional stereotypes and set against a backdrop of Radiohead’s music and the evocative metaphors of Urdu poetry, THAT THING WE CALL A HEART is a honest, moving story of a young woman's explorations of first love, sexuality, desire, self-worth, her relationship with her parents, the value of friendship, and what it means to be true.

    It is here, on this momentous day, that Amar, the youngest of the siblings, reunites with his family for the first time in three years. Rafiq and Layla must now contend with the choices and betrayals that lead to their son's estrangement - the reckoning of parents who strove to pass on their cultures and traditions to their children; and of children who in turn struggle to balance authenticity in themselves with loyalty to the home they came from.In a narrative that spans decades and sees family life through the eyes of each member, A Place For Us charts the crucial moments in the family's past, from the bonds that bring them together to the differences that pull them apart. And as siblings Hadia, Huda, and Amar attempt to carve out a life for themselves, they must reconcile their present culture with their parent's faith, to tread a path between the old world and the new, and learn how the smallest decisions can lead to the deepest of betrayals.A deeply affecting and resonant story, A Place for Us is truly a book for our times: a moving portrait of what it means to be an American family today, a novel of love, identity and belonging that eloquently examines what it means to be both American and Muslim -- and announces Fatima Farheen Mirza as a major new literary talent.

    Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century.When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.

    Has Naila’s fate been written in the stars? Or can she still make her own destiny?Naila’s conservative immigrant parents have always said the same thing: She may choose what to study, how to wear her hair, and what to be when she grows up—but they will choose her husband. Following their cultural tradition, they will plan an arranged marriage for her. And until then, dating—even friendship with a boy—is forbidden. When Naila breaks their rule by falling in love with Saif, her parents are livid. Convinced she has forgotten who she truly is, they travel to Pakistan to visit relatives and explore their roots. But Naila’s vacation turns into a nightmare when she learns that plans have changed—her parents have found her a husband and they want her to marry him, now! Despite her greatest efforts, Naila is aghast to find herself cut off from everything and everyone she once knew. Her only hope of escape is Saif . . . if he can find her before it’s too late.

    A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.

    None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.

    These 15 original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth.Wild Tongues Can’t Be Tamed features bestselling and award-winning authors as well as new, up-and-coming voices, including:Elizabeth AcevedoCristina ArreolaIngrid Rojas ContrerasNaima CosterNatasha DiazKahlil HaywoodZakiya JamalJanel MartinezJasminne MendezMeg MedinaMark OshiroJulian RandallLilliam RiveraIbi ZoboiFull of both sorrow and joy, Wild Tongues Can’t Be Tamed is an essential celebration of this rich and diverse community.

    Her gratitude for her immigrant parents’ sacrifices creates intense pressure to perform and embody the role of the “perfect daughter.” Yet, the demand for such perfection can stifle desire, curb curiosity, and make it fraught for a Good Girl to construct her own identity in the face of stern parental opinion.Of course, this is not always the case. Certain stories in this collection uncover relationships between parents and daughters that are open and supportive while also being exacting. Many of the essays, however, dig into difficult truths about what it is to be a young woman in a world of overbearing cultural expectation.Good Girls Marry Doctors is filled with honest stories, difficult and joyous, heartbreaking and hilarious, from a diverse array of powerful women. These narratives combine to expose struggles that are too often hidden from the public eye, while reminding those going through similar experiences that they are heard, and they are not alone. Contributors include: Ankita Rao, Ayesha Mattu, Fawzia Mirza, Hema Sarang-Sieminski, Jabeen Akhtar, Jyothi Natarajan, Leila Khan, Madiha Bhatti, Mathangi Subramanian, Meghna Chandra, Natasha Singh, Nayomi Munaweera, Neelanjana Banerjee, Phiroozeh Romer, Piyali Bhattacharya, Rachna Khatau, Rajpreet Heir, Roksana Badruddoja, Sayantani DasGupta, SJ Sindu, Sona Charaipotra, Surya Kundu, Swati Khurana, Tanzila Ahmed, Tara Dorabji, Tarfia Faizullah, and Triveni Gandhi.

    Translated by renowned Rumi expert Nader Khalili, over 120 poems about love from the Persian mystic poet and Sufi master have been carefully collected and curated in this beautifully illustrated edition. For more than eight centuries, Jalaluddin Muhammad Balkhi Rumi—commonly referred to simply as Rumi—has enchanted and enthralled readers from every faith and background with his universal themes of love, friendship, and spirituality, which he seamlessly wove into resplendent poetry.The verses herein perfectly express and are centered on the theme of love, along with the quest, desire, and deeper meanings of love for not only ourselves, but also of our fellow humankind.With intricately designed and richly colored covers that mirror the beauty of the words within, the Timeless Rumi series presents themed collections of poems from the great Sufi mystic Jalaluddin Muhammad Balkhi Rumi that serve as cherished tools for self-reflection.