Sixty years later, after further violent rebellions and the city’s final destruction, Hadrian built the new city of Aelia Capitolina where Jerusalem had once stood. Jews were barred from entering its territory. They were taxed simply for being Jewish. They were forbidden to worship their god. They were wholly reviled.What brought about this conflict between the Romans and the subjects they had previously treated with tolerance? Martin Goodman—equally renowned in Jewish and in Roman studies—examines this conflict, its causes, and its consequences with unprecedented authority and thoroughness. He delineates the incompatibility between the cultural, political, and religious beliefs and practices of the two peoples. He explains how Rome’s interests were served by a policy of brutality against the Jews. He makes clear how the original Christians first distanced themselves from their origins, and then became increasingly hostile toward Jews as Christian influence spread within the empire. The book thus also offers an exceptional account of the origins of anti-Semitism, the history of which reverberates still.An indispensable book.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    From this irresistible beginning, The Piano Tuner launches its protagonist into a world of seductive loveliness and nightmarish intrigue. And as he follows Drake’s journey, Mason dazzles readers with his erudition, moves them with his vibrantly rendered characters, and enmeshes them in the unbreakable spell of his storytelling.

    Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner--that she will be the cause of a bitter war--and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Virgil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers.

    So great was her beauty that men stopped in battle to look at her. Boaz was the dynamic general of the Israelite army. Theirs was a love so great that it overcame bitter hatred, war and exile.In a country of strangers, accused of being a spy and pursued by the lust of her enemies, Ruth became, through devotion and courage, the heroine of the Bible's most memorable love story.

    Schliemann was certainly the most single-minded of these when in middle age, rich & retired from business, he decided to uncover the city of Troy destroyed some 3000 years ago. At this time he also married the young (only 17) Sophia who stayed by his side in situ during the years of endless excavations, even after little Andromache & Agamemnon were born. For Schliemann it was to be "A life sentence... Sometimes I don't know which is the prisoner in this mount. Troy or myself." But then there were the 1st coins & medals & vertebrae, & later Priam's gold & silver (which the Turkish government would contest). Schliemann was an arbitrary man, stingy with Sophia & her family tho no price was too great to pay for his lifework which he subsidized, while he drove himself unremittingly toward his own sepulcher. Certainly he's not the most lovable subject to read about at this predictable great length; & in all the bedrock scholarship & mounds of magma, it's hard to find the "bosom lifting feeling" of discovery however manifest the destiny of any book Stone has ever written.--Kirkus

     Set amidst the Cromwellian Invasions, "Seek the Fair Wind" begins in 1641. Dominick McMahon, a merchant by trade, has little appetite for fighting, yet is forced to defend his town against Cromwell's army. From dark city streets to wild mountains, from vicious slaughter to triumphant faith, from selfish obedience to heroic opposition - this novel paints a vivid portrait of the struggles of the Irish people against the English. Along with "The Silent People" and "The Scorching Wind," " Seek the Fair Land" is a fascinating examination of the history and events that fueled the fight for freedom in Ireland.

    Her family moved in Berlin’s highest social circles, admired by friends and neighbors. Eleven-year-old Hannah was often taken by her mother for an afternoon treat at the tea room of the beautiful Adlon Hotel, both dressed in their finest clothes. She spent her afternoons at the park with her best friend Leo Martin. But, in an instant, that sunlit world vanished. Now the streets of Berlin are draped with red, white, and black flags; their fine possessions are hauled away, and they are no longer welcome in the places that once felt like home. The two friends make a pact: come what may, they promise to have a future together.As Hannah and Leo’s families desperately begin to search for a means of escape, a glimmer of hope appears when they discover the Saint Louis, a transatlantic liner that can give Jews safe passage to Cuba. After a frantic search to obtain visas, the Rosenthals and the Martins depart from Hamburg on the luxurious passenger liner bound for Havana. Life aboard the ship is a welcome respite from the gloom of Berlin—filled with masquerade balls, dancing, and exquisite meals every night.As the passengers gain renewed hope for a bright future ahead, love between Hannah and Leo blossoms. But soon reports from the outside world began to filter in, and dark news overshadows the celebratory atmosphere on the ship; the governments of Cuba, the United States, and Canada are denying the passengers of the St. Louis admittance to their countries, forcing them to return to Europe as it descends into the Second World War. The ship that had seemed their salvation seems likely to become their death sentence.After four days anchored at bay, only a handful of passengers are allowed to disembark onto Cuban soil, and Hannah and Leo must face the grim reality that they could be torn apart. Their future is unknown, and their only choice will have an impact in generations to come.Decades later in New York City on her eleventh birthday, Anna Rosen receives a mysterious envelope from Hannah, a great-aunt she has never met but who raised her deceased father. In an attempt to piece together her father’s mysterious past, Anna and her mother travel to Havana to meet Hannah, who is turning eighty-seven years old. Hannah reveals old family ties, recounts her journey aboard the Saint Louis and, for the first time, reveals what happened to her father and Leo. Bringing together the pain of the past with the mysteries of the present, Hannah gives young Anna a sense of their shared histories, forever intertwining their lives, honoring those they loved and cruelly lost.

    Readers and critics were enchanted; as NPR commented, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.Brimming with humour, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates the count’s endeavour to gain a deeper understanding of what it means to be a man of purpose.

    No set of novels so richly recreates the last days of India under British rule--"two nations locked in an imperial embrace"--as Paul Scott's historical tour de force, " The Raj Quartet." "The Jewel in the Crown" opens in 1942 as the British fear both Japanese invasion and Indian demands for independence.

    The illegitimate, orphaned daughter of a cabaret performer, she finds early refuge at a Berlin Catholic orphanage. From there follows a lifetime of reinventions, from orphan to maid, war bride, tingle-tangle nightclub girl, and script typist. Her eventual transformation into one of Germany's leading silent-film stars, and a partner in a remarkable romance that crosses decades and continents, could ultimately cost her everything she has worked for.Gripping and seductive like few other literary novels, The Glimmer Palace showcases the glamour, spectacle, and theatrical energy of the brief heyday of the Weimar Republic, while at the same time telling the story of that other great twentieth-century illusion--cinema.

    But the emperor hides an ugly secret: his bastard son, Don Julius, is afflicted with a madness that pushes the young prince to unspeakable depravity. Desperate to stem his son’s growing number of scandals, the emperor exiles Don Julius to a remote corner of Bohemia where the young man is placed in the care of a bloodletter named Pichler. The bloodletter’s task: cure Don Julius of his madness by purging the vicious humors coursing through his veins.When Pichler brings his daughter Marketa to assist him, she becomes the object of Don Julius’s frenzied --and dangerous-- obsession. To him, she is the embodiment of the women pictured in the Coded Book of Wonder, a priceless manuscript from the imperial library that was the mad prince’s only link to sanity. As the prince descends further into the darkness of his mind, his acts become ever more desperate, as Marketa, both frightened and fascinated, can’t stay away.Inspired by a real-life murder that threatened to topple the powerful Hapsburg dynasty, The Bloodletter’s Daughter is a dark and richly detailed saga of passion and revenge.

    He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men.A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon upon himself a curse that will destroy his entire dynasty ...

    Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants displacement, as well as her own constraints in helping them. Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing a humanitarian crisis.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.