P. Miller's graphic, colorful farm animals seem to jump right off the page--but they aren't jumping to help the Little Red Hen plant her wheat! Young children will learn a valuable lesson about teamwork from this funny, favorite folktale.

    In his room, he imagines sailing far away to a land of Wild Things. Instead of eating him, the Wild Things make Max their king.

    That the story ends with success and a reward is, of course, as every child would wish.Like so many other classic stories for children, this one grew from being told and retold to a child for many years. That is why Mr. Heyward gives credit on the title-page to his eight-year-old daughter, Jenifer.

    Then along came an even BIGGER monster who changed their minds. And all it took was two little words.In this playful tale from bestselling picture book author Patrick McDonnell, a very BIG monster shows three very BAD little monsters the power of boundless gratitude.

    Pumpkin is heartbroken to find out he's too little to go, and when Penguin tries to say good-bye, his brother is nowhere to be found! At the farm, all the pumpkins Penguin sees remind him of his own special Pumpkin.So Penguin and Bootsy bring a special surprise home to share a little touch of Autumn with Pumpkin. Prolific author/illustrator Salina Yoon's spare text and bright, energetic illustrations bring to life this endearing story celebrating Autumn and family in many forms!

    Although his customers are mostly regulars, they are anything but normal-after all, even monsters need haircuts. Business is steady all night, and this barber is prepared for anything with his scissors, rotting tonic, horn polish, and stink wax. It's a tough job, but someone's got to help these creatures maintain their ghoulish good looks.Perfect for Halloween, this is a hilarious story about a boy who follows in his father's footsteps . . . in his own monstrously unique way.

    But trouble lies ahead as, one by one, they fall off and hurt themselves.

    Claire has a special ability to see ghosts when other humans cannot and she and Kaz quickly form a friendship. The two join forces to solve the mystery of the ghost that’s haunting the library. Could it be one of Kaz’s lost family members?

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    And he’s looking everywhere! He’s worked out at the gym (if only his arm wouldn’t keep falling off). He’s tried ballroom dancing lessons (but the ladies found him to be a bit stiff). He’s even been on stalemate.com. How’s a guy supposed to find a ghoul? When it seems all hope has died, could the girl of Mortimer’s dreams be just one horrifying shriek away?

    Beginning at the Seahorse Cafe, social hub of the Old Reef, this novel takes the reader on a journey, from the doomed coral gardens of Reeftown, to a wreck and an underwater junkyard, across the expanse of the Withered Plain.

       As he did with his Caldecott-winning The Lion and the Mouse, Jerry Pinkney has masterfully adapted this story of the hardworking hen and her lazy neighbors. Its Golden Rule message and sassy finale are just as relevant and satisfying as ever. Read it in tandem with Pinkney’s Puss in Boots and The Tortoise and the Hare or David Wiesner’s The Three Pigs.     "Perfect [for] sharing with one listener, or a crowd." —Kirkus Reviews (starred review)   “Cheerful [and] luminous. Kids will gleefully chime in.”—Publishers Weekly (starred review)   “A lush light-filled rendition of a folktale staple.”—School Library Journal (starred review)

    And then there are tigers and giants and ominous cracks in the ceiling to keep her up. Will Frances ever go to sleep?

    Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    . .Business returns to a once-prosperous restaurant when a mysterious stranger pays for his meal with a magical paper crane that comes alive and dances. The Paper Crane is illustrated with cut-paper collages and paintings. It is a wonderful book to use with children learning about patterns in storytelling. "A delight to the eye and imagination."—The Horn Book. "An enchanting book."—School Library JournalSupports the Common Core State Standards