I loved these.” ―Kelly Link, author of Get in Trouble“This inventive, enchanting collection reads like the fairy tales of old, hushed stories passed woman to woman, before the Grimms came and wiped away all the blood.” ―Laura Ruby, author of Thirteen Doorways, Wolves Behind Them All“The writing is as spare and precise as poetry, connected to the darker, edgier elements of fairy-tale conventions. Albert’s rich and tightly focused collection forms the core of the mythology created in her novels, and her fans will be thrilled at this further glimpse into that world.” ―Booklist, starred review “Stories fueled by feminist rage, the frustration of being unnderestimated, and the insatiable longing to experience more mark this collection as timely and universal.” ―SLJ

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    The Best American Mystery Stories 2016 is a feast of both literary crime and hard-boiled detection, featuring a seemingly innocent murderer, a drug dealer in love, a drunken prank gone terribly wrong, and plenty of other surprising twists and turns.The Best American Mystery Stories 2016 includes STEVE ALMOND, MEGAN ABBOTT, MATT BELL, LYDIA FITZPATRICK, TOM FRANKLIN, STEPHEN KING, ELMORE LEONARD, KRISTINE KATHRYN RUSCH and others ELIZABETH GEORGE, guest editor, is the New York Times and internationally best-selling author of twenty British crime novels featuring Detective Inspector Thomas Lynley and his unconventional partner, Detective Sergeant Barbara Havers. Her crime novels have been translated into thirty languages and featured on television by the BBC.  OTTO PENZLER, series editor, is a renowned mystery editor, publisher, columnist, and owner of New York’s The Mysterious Bookshop, the oldest and largest bookstores solely dedicated to mystery fiction. He has edited more than fifty crime-fiction anthologies.

    Tales of shadows and voices in the dark from the likes of H.P. Lovecraft, Edgar Allan Poe, Mary Shelley, Bram Stoker, Nathaniel Hawthorne and William Hope Hodgson are cast with previously unpublished stories by some of the best writers of horror today.A dazzling collection of the most gripping tales of horror, vividly told."Ecdysis", by Rebecca J. Alfred"The Damned Thing", by Ambrose Bierce"Beyond the Wall", by Ambrose Bierce"Mirror's Keeper", by Michael Bondies"The Watcher by the Threshold", by John Buchan"The Dying Art", by Glen Damien Campbell"The Yellow Sign", by Robert W. Chambers"Breach", by Justin Coates"The Dead Smile", by F. Marion Crawford"The Screaming Skull", by F. Marion Crawford"The Child's Story", by Charles Dickens"The Leather Funnel", by Arthur Conan Doyle"In Search of a New Wilhelm", by John H. Dromey"Leonora", by Elise Forier Edie"A Game of Conquest", by David A. Elsensohn"Thing in the Bucket", by Eric Esser"The Murdered Cousin", by Sheridan Le Fanu"The Grey Woman", by Elizabeth Gaskell"Worth the Having", by Michael Paul Gonzalez"Extraneus Invokat", by Ed Grabianowski"The Three Strangers", by Thomas Hardy"Young Goodman Brown", by Nathaniel Hawthorne"The Gateway of the Monster", by William Hope Hodgson"The Challenge From Beyond", by Robert E. Howard, Frank Belknap Long, H. P. Lovecraft, A. Merritt, and C. L. Moore"The Man in the Ambry", by Gwendolyn Kiste"Start With Color", by Bill Kte'pi"The Rocking-Horse Winner", by D. H. Lawrence"The Magnificat of Devils", by James Lecky"The Dunwich Horror", by H. P. Lovecraft"The Call of Cthulu", by H. P. Lovecraft"The Horia", by Guy de Maupassant"The Woman of the Wood", by A. Merritt"The Vampire", Jan Neruda"The Masque of the Red Death", by Edgar Allan Poe"The Premature Burial", by Edgar Allan Poe"Trial and Error", by Frank Roger"The Mortal Immortal", by Mary Shelley"The Body Snatcher", by Robert Louis Stevenson"Dracula's Guest", by Bram Stoker"Blessed Be the Bound", by Lucy Taylor"Dead End", by Kristopher Triana"Justified", by DJ Tyrer"Afterward", by Edith Wharton"Deep-sixed Without a Depth Gauge", by Andrew J. Wilson"The Dew of Heaven, Like Ashes", by William R. D. Wood

    Trigger Warning includes previously published pieces of short fiction--stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013--as well "Black Dog," a new tale that revisits the world of American Gods, exclusive to this collection.Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In "Adventure Story"--a thematic companion to The Ocean at the End of the Lane--Gaiman ponders death and the way people take their stories with them when they die. His social media experience "A Calendar of Tales" are short takes inspired by replies to fan tweets about the months of the year--stories of pirates and the March winds, an igloo made of books, and a Mother's Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale "The Case of Death and Honey". And "Click-Clack the Rattlebag" explains the creaks and clatter we hear when we're all alone in the darkness.A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.

    A stocking stuffed with 26 entertaining stories, this anthology samples the delicious wares of such noted masters of mystery as Arthur Conan Doyle, Agatha Christie, Rex Stout, Ngaio Marsh, Ellery Queen, and John Dickson Carr. It also includes some unexpected tidbits from authors outside the crime canon: Thomas Hardy, Damon Runyon, Baroness Emmuska Orczy, Charles Dickens, Robert Louis Stevenson, even Woody Allen!Celebrate the holidays with tales of murder, deceit, shoplifting, kidnapping, and murder 'round the wassail bowl! Illustrated with wonderfully malevolent black and white line drawings and cartoons by the ghoulish Gahan Wilson, this collection of holiday mysteries will chill the cockles of a crime lover's heart.

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.

    This reprint anthology showcases the best Holmes short fiction from the last 25 years, featuring stories by such visionaries as Stephen King, Neil Gaimen, Laura King, and many others.

     Eerie, suspenseful, poignant, the stories in The Long Way Home run the gamut from horror to suspense, crime to dark fantasy, mainstream to mystery. This brand new collection features more than 100,000 words of short fiction, as well as more than 5,000 words of autobiographical Story Notes. Chizmar's previous short story collection, A Long December, was published in 2016 to starred reviews from Library Journal and Kirkus, and was included on numerous "Best Books of the Year" lists. Entertainment Weekly gave the book high praise: "Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that's Chizmar's secret power. His storytelling always beats with a huge, passionate heart." Stephen King says he writes "terrific stories served with a very large slice of Disquiet Pie," and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

    Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    Compiled by the best-selling mystery novelist Ed McBain, this year's edition boasts nineteen outstanding tales by such masters as John Updike, Lawrence Block, Jeffery Deaver, and Joyce Carol Oates as well as stories by rising stars such as Edgar Award winners Tom Franklin and Thomas H. Cook. The 1999 volume is a spectacular showcase for the high quality and broad diversity of the year’s finest suspense, crime, and mystery writing. "Keller's Last Refuge" by Lawrence Block, "Safe" by Gary A. Braunbeck, "Fatherhood" by Thomas H. Cook, "Wrong Time, Wrong Place" by Jeffery Deaver, "Netmail" by Brendan DuBois, "Redneck" by Loren D. Estleman, "And Maybe the Horse Will Learn to Sing" by Gregory Fallis, "Poachers" by Tom Franklin, "Hitting Rufus" by Victor Gischler, "Out There in the Darkness" by Ed Gorman, "Survival" by Joseph Hansen, "A Death on the Ho Chi Minh Trail" by David K. Harford, "An Innocent Bystander" by Gary Krist, "The Jailhouse Lawyer" by Phillip M. Margolin, "Secret, Silent" by Joyce Carol Oates, "In Flanders Fields" by Peter Robinson, "Dry Whiskey" by David B. Silva, "Sacrifice" by L. L. Thrasher, "Bech Noir" by John Updike

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernise a genre. James harnesses the power of suggestion to move from a recognisable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a dolls house, a lonely beach, a branch tapping on a window ordinary things take on more than a tinge of dread in the hands of the original master of suspense.