Directly after the ceremony her handsome spouse promptly fled to the continent, leaving the marriage unconsummated and Gina quite indignant.A LADY IN THE MIDDLENow, she is one of the most well-known ladies in London ... living on the edge of scandal --- desired by many men, but resisting giving herself to any one.A DUCHESS IN LOVEFinally, Camden, the Duke of Girton, has returned home, to discover that his naive bride has blossomed into the toast of the ton. Which leaves Cam in the most uncomfortable position of discovering that he has the bad manners to be falling in love --- with his own wife!

    . .For fiercely independent Grier Hadley, being the illegitimate daughter of one of London's most unsavory characters has only one advantage: an enormous, ill-gotten dowry.Prince Sevastian Maksimi knows where his duty lies: he must find a well-bred young lady—one with a considerable fortune to her name—wed her promptly, and get to the business of producing an heir.The last thing Grier needs is some unattainable prince curling her toes with his smoldering glances and wicked suggestions. As far as Sev is concerned, she lacks the breeding to become a princess. And yet one kiss from this arresting female is all it takes for him to realize that anyone else in his arms would be unthinkable . . .

    Harriett doesn’t want proper. She wants passion. And the prospect of a passionate marriage is becoming increasingly unlikely, judging by the men she meets. When she and her family visit a dying relative at his country mansion in Kent, Pendleton Manor, everything appears normal on the surface, until Harriet is suddenly embroiled in murder, intrigue, and lust. A man determined to live life on his own terms Gentleman farmer, Gerard Everard, Earl of Foxworth, has inherited an estate deep in debt. While he toils to save Foxworth from creditors, he becomes embroiled in a dangerous mission. Together, Harriett and Gerard work to uncover a murderer, while Harriett, expecting Gerard to succumb to the charms of her younger, beautiful sister, Leonora, tries unsuccessfully to guard her heart. Originally titled Murder at Pendleton Manor

    Anna Lawrence, nineteen and inspired by Lord Byron’s poems, is determined to seek a life of travel and adventure. Both decide to flee society. They meet when Giles rescues Anna from her first escapade. Anna is resolute in demonstrating her independence but, somehow, she always ends up in trouble. His own pleasures forgotten, Giles rescues her from one potential disaster after another. He knows he cannot live without her, but he meets an unexpected obstacle, for Anna has a secret that means she can never be more than a friend to the man she has come to love with all her heart... Is there any way for their love to prevail? Beth Elliott was born in Lancashire, but fell in love with books during many childhood visits to her Welsh grandparents, whose bookshelves were always well stocked. Her greatest discovery was the novels of Jane Austen, which have fascinated her ever since. Having first taught languages in various countries across the globe, Beth eventually decided to write her own novels. Her previous books The Wild Card, In All Honour and April and May were also published by Robert Hale and you can learn more about her on her website: www.bethelliott.webs.com.

    There, she finds herself caught up in the drama of that ancient house and the unusual members of the Stacy family. When Caroline Verlaine's sister, the archaeologist Roma, disappears, Caroline is forced down to Lovat Stacy in an attempt to discover what has happened. She finds herself caught up in the drama of the ancient house and with the unusual members of the Stacy family. But it is Napier Stacy, recently returned from years of banishment for apparently killing his brother, who she is especially drawn to. Napier is haunted by the tragedy, and Caroline becomes determined that he should put his past behind him and not allow, what she insists was an accident, to cloud his life for ever. At the same time, she becomes equally determined to solve the mystery of her own sister's disappearance. Why has Roma vanished? Was it an accident or has she been murdered? As the tension mounts Caroline soon realizes that this quest to uncover the truth is a dangerous one and is marking her out as the next victim. /////// 2) The Secret Woman (1970) - To all appearances, Anna Brett was a quiet, capable young woman whose only ambition was to carry on the profitable antiques business bequeathed her by a spinster aunt. And so she was - until the memory of a cherished moment with a blue-eyed stranger suddenly returned to haunt her with savage intensity. It was then Anna discovered the secret woman who waited within her - impetuous, daring . . . and dangerous.

    Peter, Elliott’s eldest nephew, thinks the entire idea is ridiculous. A widower with two young daughters, he simply needs a governess, not a wife. Julia Hollingsworth certainly has the credentials and the experience, but is altogether too young and pretty for such a job. So why can’t he stop thinking about her? Julia loves working as a governess, despite the objections of her mother, Amelia. And as it turns out, Amelia has a lot to say about the Mayfield men—none of it good. But Julia dismisses the rumors of ruined reputations and instead concentrates on helping Peter with his children and his fledgling business in canine husbandry. His kindness and gentleness is endearing—and increasingly attractive. But Amelia, whose heart was broken thirty years ago by none other than Elliott Mayfield, is determined to prevent any relationship from blooming either between Peter and Julia—or between herself and Elliott. Hearts and history collide as both couples must face their pasts and decide if risking it all is worth the promise of new love and a new future.