Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era.

    It is an unforgettable story of survival and a disarming look at the legacy of trauma.

    Drawing on research he and other historians have done in recent years, he offers fresh opinions on such basic issues as how to define and explain the Holocaust; whether it can be compared with other genocides; how Jews reacted to the murder campaign against them; and what the relationship is between the Holocaust and the establishment of Israel.The Holocaust says something terribly important about humanity, says Bauer. He analyzes explanations of the Holocaust by Zygmunt Bauman, Jeffrey Herf, Goetz Aly, Daniel Goldhagen, John Weiss, and Saul Friedländer and then offers his own interpretation of how the Holocaust could occur. Providing fascinating narratives as examples, he deals with reactions of Jewish men and women during the Holocaust and tells of several attempts at rescue operations. He also explores Jewish theology of the Holocaust, arguing that our view of the Holocaust should not be clouded by mysticism: it was an action by humans against other humans and is therefore an explicable event that we can prevent from recurring.

    Written in the tradition of Tolstoy's War and Peace, Grossman's Life and Fate, and Solzhenitsyn's The Gulag Archipelago, Yuri Slezkine's gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin's purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children's loss of faith and the fall of the Soviet Union.Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 550 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building's residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths.Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

    The whole is moving, and strange beyond belief." --The Times (London)International acclaim for Solomon Perel's Europa Europa"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth."It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." --Glasgow Herald"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." --Book Report"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." --London Jewish News"A most remarkable story . . . extraordinary." --The Australian"This book will move human hearts." --Berliner Morgenpost

    Purported to be the actual blueprints by Jewish leaders to take over the world, the Protocols, first published in 1902, have become gospel truth to international millions. Presenting a pageant of historical figures from nineteenth-century Russia to today's ideologues, including Tsar Nicholas II, Henry Ford, and Adolf Hitler, Will Eisner unravels and dispels one of the most devastating hoaxes of the twentieth century.

    Drawing on unexplored archives and personal testimonies gathered from across Russia and Georgia, this is the first full-scale biography of the Soviet dictator in twenty years.Service describes in unprecedented detail the first half of Stalin's life--his childhood in Georgia as the son of a violent, drunkard father and a devoted mother; his education and religious training; and his political activity as a young revolutionary. No mere messenger for Lenin, Stalin was a prominent activist long before the Russian Revolution. Equally compelling is the depiction of Stalin as Soviet leader. Service recasts the image of Stalin as unimpeded despot; his control was not limitless. And his conviction that enemies surrounded him was not entirely unfounded.Stalin was not just a vengeful dictator but also a man fascinated by ideas and a voracious reader of Marxist doctrine and Russian and Georgian literature as well as an internationalist committed to seeing Russia assume a powerful role on the world stage. In examining the multidimensional legacy of Stalin, Service helps explain why later would-be reformers--such as Khrushchev and Gorbachev--found the Stalinist legacy surprisingly hard to dislodge.Rather than diminishing the horrors of Stalinism, this is an account all the more disturbing for presenting a believable human portrait. Service's lifetime engagement with Soviet Russia has resulted in the most comprehensive and compelling portrayal of Stalin to date.

    The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaele—but rather in the fifteen vertiginous years preceding World War I.In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people fled the countryside and their traditional identities; science created new possibilities as well as nightmares; education changed the outlook of millions of people; mass-produced items transformed daily life; industrial laborers demanded a share of political power; and women sought to change their place in society—as well as the very fabric of sexual relations.From the tremendous hope for a new century embodied in the 1900 World’s Fair in Paris to the shattering assassination of a Habsburg archduke in Sarajevo in 1914, historian Philipp Blom chronicles this extraordinary epoch year by year. Prime Ministers and peasants, anarchists and actresses, scientists and psychopaths intermingle on the stage of a new century in this portrait of an opulent, unstable age on the brink of disaster.Beautifully written and replete with deftly told anecdotes, The Vertigo Years brings the wonders, horrors, and fears of the early twentieth century vividly to life.

     Davies asks readers to reconsider what they know about World War II, and how the received wisdom might be biased or incorrect. He poses simple questions that have complicated and unexpected answers. For instance, Can you name the five biggest battles of the war in Europe? Or, What were the main political ideologies that were contending for supremacy? The answers to these and other questions?and the implications of those answers?will surprise even those who feel that they are experts on the subject. Norman Davies has established himself as one of the preeminent scholars of World War II history, in the tradition of John Keegan and Antony Beevor. "No Simple Victory" is an invaluable contribution to twentieth century history and an illuminating portrait of a conflict which continues to raise questions and provoke debate today.

    What happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.In 1944, a band of Jewish guerrillas emerged from the Baltic forest to join the Russian army in its attack on Vilna, the capital of Lithuania. The band, called the Avengers, was led by Abba Kovner, a charismatic young poet. In the ghetto, Abba had built bombs, sneaking out through the city's sewer tunnels to sabotage German outposts. Abba's chief lieutenants were two teenage girls, Vitka Kempner and Ruzka Korczak. At seventeen, Vitka and Ruzka were perhaps the most daring partisans in the East, the first to blow up a Nazi train in occupied Europe. Each night, the girls shared a bed with Abba, raising gossip in the ghetto. But what they found was more than temporary solace. It was a great love affair. After the liquidation of the ghetto, the Avengers escaped through the city's sewage tunnels to the forest, where they lived for more than a year in a dugout beside a swamp, fighting alongside other partisan groups, and ultimately bombing the city they loved, destroying Vilna's waterworks and its powerplant in order to pave the way for its liberation.Leaving a devastated Poland behind them, they set off for the cities of Europe: Vitka and Abba to the West, where they would be instrumental in orchestrating the massive Jewish exodus to the biblical homeland, and Ruzka to Palestine, where she would be literally the first person to bring a first hand account of the Holocaust to Jewish leaders. It was in these last terrifying days--with travel in Europe still unsafe for Jews and the extent of the Holocaust still not widely known--that the Avengers hatched their plan for revenge. Before it was over, the group would have smuggled enough poison into Nuremberg to kill ten thousand Nazis. The Avengers is the story of what happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.From Rich Cohen, one of the preeminent journalists of his generation and author of the highly praised Tough Jews, a powerful exploration of vindication and revenge, of dignity and rebellion, painstakingly recreated through his exclusive access to the Avengers themselves. Written with insight, sensitivity, and the moral force of one of the last great struggles of the Second World War, here is an unforgettable story for our time.

    When a Nazi death squad raided his village at the outset of World War II, Jewish five-year-old Alex Kurzem escaped. After surviving the Russian winter by foraging for food and stealing clothes off dead soldiers, he was discovered by a Nazi-led Latvian police brigade that later became an SS unit. Not knowing he was Jewish, they made him their mascot, dressing the little ?corporal? in uniform and toting him from massacre to massacre. Terrified, the resourceful Alex charmed the highest echelons of the Latvian Third Reich, eventually starring in a Nazi propaganda film. When the war ended he was sent to Australia with a family of Latvian refugees. Fearful of being discovered?as either a Jew or a Nazi?Alex kept the secret of his childhood, even from his loving wife and children. But he grew increasingly tormented and became determined to uncover his Jewish roots and the story of his past. Shunned by a local Holocaust organization, he reached out to his son Mark for help in reclaiming his identity. A survival story, a grim fairy-tale, and a psychological drama, this remarkable memoir asks provocative questions about identity, complicity, and forgiveness.

    So, too, did General Charles de Gaulle, the self- appointed representative of free France. As the only European democracy still holding out against Hitler, Britain became known to occupied countries as ‘Last Hope Island’. In this epic, character-driven narrative, acclaimed historian and New York Times–bestselling author Lynne Olson takes us back to those perilous days when the British and their European guests joined forces to combat the mightiest military force in history and restore order to a broken continent.

    The esteemed historian Robert O. Paxton answers this question for the first time by focusing on the concrete: what the fascists did, rather than what they said. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”

    The Third Reich did not surrender until Germany had been left in ruins and almost completely occupied. Even in the near-apocalyptic final months, when the war was plainly lost, the Nazis refused to sue for peace. Historically, this is extremely rare. Drawing on original testimony from ordinary Germans and arch-Nazis alike, award-winning historian Ian Kershaw explores this fascinating question in a gripping and focused narrative that begins with the failed bomb plot in July 1944 and ends with the German capitulation in May 1945. Hitler, desperate to avoid a repeat of the "disgraceful" German surrender in 1918, was of course critical to the Third Reich's fanatical determination, but his power was sustained only because those below him were unable, or unwilling, to challenge it. Even as the military situation grew increasingly hopeless, Wehrmacht generals fought on, their orders largely obeyed, and the regime continued its ruthless persecution of Jews, prisoners, and foreign workers. Based on prodigious new research, Kershaw's The End is a harrowing yet enthralling portrait of the Third Reich in its last desperate gasps.