It is an invitation to my thoughts

    Containing a collection of poems by the author that, not only investigates the lighter side of love, but also dares to delve deeper, taking the reader on a journey into the darker aspects of love, such as indecision, rejection, fear, betrayal, loss and finally death. Inspired by his own love story, and subsequent bereavement, the author writes emotionally, and from the heart, often resulting in poems that bring a tear to the eye. For information on more chapbooks in Dark Love Poetry series, please visit the authors website located at www.darrenheart.com

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    Divided into seven chapters, from love to the family. It's all about falling in love madly, getting hurt deeply, bearing all the pain in darkness. Still finding hope and waiting for a miracle to heal the broken heart, waiting for the love, makes me feel like home. It is all about love and trusting the universe

     Knots is a collection of poetry and prose about love and heartbreak, tragedy and grief, survival and loss. It's a journey through the numerous knots that we tie in life, and the ones we tangle and untangle with. It explores the realities of mental illness & suicide, social taboos & violence against women, pain & darkness, self love & healing in all its naked glory. The rhythm of Knots resonates directly with the poet's heart, conveying to the readers that there is a way to untangle every knot in life, but sometimes, some of these knots are what we are made of. Foreword by Dr. Santosh Bakaya

    The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss.A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.

    The greatest Americans Have not been born yet They are waiting quietly For their past to die please give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...

    The author discusses, regret, anxiousness, racial issues, craving for love, and much more. Tavon gets deeply personal and introspective, in hopes of helping those who are in need of self-healing too. "Entrapped inside your Heart-shaped box For lonely years You’ve left me here To survive off hope and tears I know your return is unlikely Unlike me, You have a gift Of hurting others with a smile Luring your victims Into the traps of your eyes I enjoy this place Although it’s often cold It has pockets of warmth In your Heart-Shaped Box I’ll forever be stored Waiting for you Love me more Than August loves to storm."

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities--to their portrayal in the media--and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http: //sarahblake.site.wesleyan.edu.

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    fin-na /ˈfinə/ contraction: (1) going to; intending to. rooted in African American Vernacular English. (2) eye dialect spelling of "fixing to." (3) Black possibility; Black futurity; Blackness as tomorrow.A lyrical and sharp celebration, these poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy. In three key parts, Finna explores the mythos and erasure of names in the American narrative; asks how gendered language can provoke violence; and finally, through the celebration and examination of the Black vernacular, expands the notions of possibility, giving us a new language of hope.

    Descended from a long line of an elite Baltimore family awash with "high-colored" skin just right for "passing", family lore told Lila that not one of them would have thought to deny their true selves and rich history in such a way. It is this sense of pride that bonds the Giles family together -- a bond strongly enforced by Lila's controlling stepmother Eulelie. But the delicate balance of this branch of the family Eulelie has so carefully engineered is threatened when Lila's brother decides to marry a woman from an oh-so-very-wrong family.A proud though severe matriarch, Eulelie Giles has ruled her four grown stepchildren with a heavy self-righteousness that could break the spirit of the most sound opponent, let alone the nearly thirty-year-old Lila. Relentlessly loyal to her privileged world, Eulelie has ingrained upon Lila and her three other stepchildren the importance of distinguishing between acceptable and unacceptable blacks. Despite her strident belief in an unyielding class line, Eulelie has kept a secret about her own past that manages to affect, in more ways than a few, anyone who enters her life. As the wedding day draws closer, Lila begins to look at her reality versus Eulelie's, and what Lila finds leads to a confrontation between stepmother and stepdaughter that could finally shatter Eulelie's reign over Lila and the family, but ultimately, one that will lead Eulelie back to the truth.Filled with multi-dimensional characters and rich with atmosphere, Passing is a story of tangled family relationships; the secrets, misunderstanding, and deceptions that hold them together.

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    Harryette Mullen is the mixer. Street, jive, down-home post-mod speech meet at the meat market. Food may be the subject of these short prose-poems, but look at us, teasing ourselves with endless adverts to buy, consume more and better - so long as its packaged right, full color box and shrink-wrapped.