But its world is threatened when no heir is born. Anna could restore their fortunes, but it would mean the ultimate betrayal. Then the Great Famine grips the country. 1910s – Clara finds life as lady of the manor is not what she expected when she married Pierce Armstrong. As the First World War rages, she finds solace in artist Johnny Seymour’s decadent circle. Then the War of Independence erupts and Clara is caught between two men, deceit and revenge. Present Day – When Kate Fallon sees the house it is love at first sight. She and her tycoon husband Tony buy it and hire the last Armstrong owner, architect Nico, to oversee its restoration. As Kate’s fascination with the house grows, she and Nico begin to uncover its history and the fates of its occupants in centuries past. But then, as her husband's business empire faces ruin, Kate realises that they are in danger of losing everything. Betrayal, deceit, revenge, obsession – one house, one family, three generations Editorial Reviews “Skillful and original plotting kept me enthralled until the final page of the story” Rosemary McLoughlin author of Tyringham Park “Downton’ fans, you’ll love this big house, Engrossing and imaginative” - Irish Independent “An irresistible mix of history, drama and intrigue that entertained and enthralled me in equal measure!” - Bord Gáis Energy Book Club

     Getting a life isn't always easy. And hanging on to it is even harder... Known as “The Nothing Girl” because of her severe stutter and chronically low self-confidence, Jenny Dove is only just prevented from ending it all by the sudden appearance of Thomas, a mystical golden horse only she can see. Under his guidance, Jenny unexpectedly acquires a husband – the charming and chaotic Russell Checkland – and for her, nothing will ever be the same again. With over-protective relatives on one hand and the world's most erratic spouse on the other, Jenny needs to become Someone. And fast! Fans of Jodi Taylor's best-selling Chronicles of St Mary's series will adore the quirky humour in this new, contemporary novel.

    But can the mismatched pair, who seem to be constantly at each other’s throats, put their differences aside and work their way into each other’s hearts?Nick Spalding, bestselling author of Fat Chance and Bricking It, will make you cry with laughter at this story of marital warfare—complete with sinking boats, badly aimed flatulence, well aimed tennis balls and some very suggestive pastry.

    Advertising for an assistant, he unwittingly embarks upon the most dangerous adventure of his privileged life.Alma Busch, a sensuous, physically attractive young woman with bizarre tattoos covering much of her body, stirs in Seigl a complex of emotions: pity? desire? responsibility? guilt? Unaware of her painful past and her troubled personality, Seigl hires her as his assistant. As the novel alternates between Seigl's and Alma's points of view, the naïve altruism of the one and the virulent anti-Semitism of the other clash in a tragedy of thwarted erotic desire.With her masterful balance of dark suspense and surprising tenderness, Joyce Carol Oates probes the contemporary tragedy of ethnic hatred and challenges our accepted limits of desire. The Tattooed Girl may be her most controversial novel.

    Claire dropped out of school and started her own crime scene cleaning business. Now, when a routine cleaning job leads her to a murder weapon the police overlooked, she realizes that the wrong man is in jail. With the help of her new and attractively single neighbor, Riley Thomas, Gabby plays the detective to make sure the right man is put behind bars.

    He would have never believed he would be dragging himself like a wounded animal, breathless and clueless through the alleys and across the canals of the city, desperately trying to extricate a murder he did not commit, to find the key of the mysterious labyrinth of events he had entered without even noticing.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    In this disturbing, yet darkly funny novel, Iain’s near death experience is not a vision of exquisite godliness with light at the end of a tunnel. Instead he experiences a place of darkness and heat, inhabited by foul creatures, the sounds of suffering and a beast. During a long recovery Iain becomes plagued by nightmares and premonitions, shadowy apparitions, a magpie, and a vile old man. They all have a message, that something wants Iain and it won't give up easily. Iain’s friends do their best to cheer him up in ways they know how, until the unexpected events of one sunny afternoon mean that he is on his own, caught up in the age old battle of good versus evil.

    Spurred on by an ultimatum from her awesomely high-achieving mother, and with a little help from her theatrical friends, Derry embarks on a part-time career as Madam Tulip, fortune-teller to the rich and famous. But at her first fortune-telling gig - a celebrity charity weekend in a castle - a famous rap artist will die.As Derry is drawn deeper into a seedy world of celebrities, supermodels and millionaires, she finds herself playing the most dangerous role of her acting life. Trapped in a maze of intrigue, money and drugs, Derry's attempts at amateur detective could soon destroy her friends, her ex-lover, her father and herself.Madam Tulip is the first in a series of Tulip adventures in which Derry O’Donnell, celebrity fortune-teller and reluctant detective, plays the most exciting and perilous roles of her acting life.

    Elsewhere, an aerobics instructor—the daughter of a Holocaust survivor—makes the most shocking leap imaginable to save her soul. These are just a few of the characters you'll encounter in Sam Lipsyte's richly imagined world.Featuring a grizzled and possibly deranged male doula, a doomsday hustler who must face the multi-universal truth of "the real-ass jumbo," and a tawdry glimpse of a high school shot-putting circuit in northern New Jersey, circa 1986, Lipsyte's short stories combine the tragicomic brilliance of his beloved novels with the compressed vitality of Venus Drive. The Fun Parts is Lipsyte at his very best—a far-ranging exploration of new voices and vistas from "the most consistently funny fiction writer working today" (Time).

     Two unlikely companions meet in midair: 13-year-old Jeremy, sent against his will by his career-absorbed father to spend the summer with his bipolar mother, and Harry, one-legged and afflicted with mid-stage Alzheimer’s, who escapes the confinement of home for what may be his last adventure. Their journey begins, trailed by Harry’s wife and Jeremy’s parents, who threaten to cut it short. It’s a race against time and circumstance. "In Adrian Magnuson's Taking Flight a curmudgeon losing his memory and a snarky teen fleeing his parents find a common passion in bird watching. Endearing characters, delightful story and a poignant final scene give this book wings along with the beautifully depicted birds.” —Frances Wood, author of Brushed by Feathers: A Year of Birdwatching in the West "Taking Flight is an evocative and moving contemporary novel. It is, at every level, a story about love. For one character it is a coming of age tale, for the other the end of an age. Both are runaways, yet each ultimately is searching for home. I highly recommend this heart-touching, beautifully written book." —Andrea Hurst, president of Andrea Hurst Literary Management “Filled with well-developed, real-life characters, Taking Flight’s heart-breaking but satisfying story hits on all cylinders: action, comedy, and emotion.” —Terry Persun, award winning author of Sweet Song

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    Stranded in Georgia with only her backpack and a few dwindling dollars, she already has too much baggage. Like her twin sister, Hana, who has broken Cara’s heart one too many times. After a lifetime of family troubles, and bouncing from one foster home to another, Cara decides to leave it all behind and strike out alone—on foot.Cara sets off to Florida to see the home of her literary hero, Ernest Hemingway, accompanied only by Hemi, the stray dog who proves to be the perfect travel companion. But the harrowing trip takes unexpected turns as strangers become friends who make her question everything, and Cara finds that as the journey unfolds, so does her life—in ways she could never imagine.

    Once a spirited, independent woman with a rebellious streak, her life has been forever changed by a tragic event twelve years ago. Unable to let go of her grief, she finds solace in the silent company of the souls of her local Victorian cemetery and at the town's lido, where she seeks refuge underwater - safe from the noise and the pain. But a chance encounter with two extraordinary women - the fabulous and wise Kitty Muriel, a convent girl-turned-magician's wife-turned-seventy-something-roller-disco-fanatic, and the mysterious Sally Red Shoes, a bag lady with a prodigious voice - opens up a new world of possibilities, and the chance to start living again.Until the fateful day when the past comes roaring back...

    But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.