You've never noticed it before. It's small, unassuming, and yet there's something about it that draws your eye. And the aroma drifting out, rich and dark, so enticing. How could you have overlooked it? It must be new. So why does it look like it's been there for ages? And the chocolatier behind the counter...certainly you'd remember him. #1: Hue, Tint and Shade by Jordan Castillo Price Yellow is as yellow does. #2: Slings and Arrows by Josh Lanyon It's a fine line between "secret admirer" and "stalker." #3: Moolah and Moonshine by Jordan Castillo Price If you ever go to France, watch out for those ticklers. #4: Other People's Weddings by Josh Lanyon Pulling off the perfect wedding can be murder. #5: Spanish Fly Guy by Jordan Castillo Price I held my nose I closed my eyes...I took a drink.

    All things are possible within the dark corners of our mind where fantasies take shape just for our own entertainment. Eleven different stories will take your mind on an erotic journey and arouse your deepest desires. Your body and mind will tingle with delight and your toes will curl as you find that you lose yourself in every story. The authors hope you enjoy their stories and visit their websites where you can learn about the rest of their books.

    He is a master of the historical novel, the novel of ideas, theatre, satire and science fiction, and is an essayist of deserved distinction. He is at once a contrarian, a wise man and a romantic, wickedly funny, and often outrageous. The Essential Gore Vidal is both a place to start reading Vidal and a place to return for refreshment. It contains two complete long works - the novel Myra Breckinridge and the play The Best Man, selections from his other fiction and twenty-five essays on subjects from philosophy to politics to sex. About The Author: Gore Vidal is the author of twenty-two novels, five plays, many screenplays and short stories, more than two hundred essays, and a memoir. Two of his American chronicle novels, Lincoln and 1876, were the subject of cover stories in Time and Newsweek, respectively. In 1993, a collection of his criticism, United States: Essays 1952-1992, won the National Book Award. He divides his time between Ravello, Italy, and Los Angeles. Fred Kaplan teaches at Queens College and the Graduate Center of CUNY. He is the editor of The Essential Gore Vidal and the author of the biographies Henry James, Dickens, and Thomas Carlyle, which was nominated for a National Book Critics Circle Award and the Pulitzer Prize. Kaplan lives in Brooklyn, New York.

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death

    Most major works, from Homer's Odyssey to Chinua Achebe's Things Fall Apart, are offered complete or in substantial, readable excerpts. New authors and works abound, including pieces by Plautus, Lucian, Ariosto, de Vega, Shakespeare, Joyce, O'Connor, Munro, and Silko, and new sections of Medieval lyrics and tales, Romantic poetry in translation, and Dada-Surrealist poetry. Informative period introductions and author headnotes guide readers through the cultural and historical contexts surrounding the literature.

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    Thomas. But when her secret double life follows her home to Philadelphia, things swing wildly out of control as she tries to walk the line between sexy woman and sex object. Worlds collide when a street-smart beauty scores with a multimillionaire during a summer that climaxes with the New York City blackout. Crystal Lacey Winslow captures the edgy thrills—and the dark side—of carnal pleasures in Sex, Sin & Brooklyn. In Rochelle Alers' Summer Madness, a sexy brother with a mysterious past turns a pretty librarian's play-it-safe Hamptons vacation into a torrent of sensual delights. But can she trust him without knowing his whole story? A jilted bride is on the Rebound in ReShonda Tate Billingsley's tale of passion in unexpected places. A Houston attorney goes solo on the Belize honeymoon she was supposed to share with her husband—and makes a sizzling connection with a handsome stranger in paradise.

     Romance writer Julia Martin is fine with her life, just the way it is. Her simple apartment, successful career and Thursday night pizza dates with her too-hot-for-words editor Ross are more than enough for her. At least that’s what she thinks until her cat dies. Ross Philips has spent years lusting after his shy best friend, but fears his rather strong sexual desires will be too much for Julia. When she falls into a depression and stops writing, Ross decides she needs a change. His suggestion? A new genre—erotica. And, of course, being such a good friend and editor, he plans to help her do some research. Includes a bonus free story, In the Running. What happens when the man of your dreams is also the chief of state? Noelle falls head over heels for Tom after they meet online. When they decide to meet in person for the first time over Christmas, Noelle gets a hell of a lot more than she bargained for from Santa! This book was previously published.

    

    Fight Monsters. Gain Power. Become King. When Kit Jones inherits a house from a long-lost relative, he thinks he’s hit the jackpot – until a mysterious orb in the attic transports him to a far-away land of islands, tropical forests, dangerous creatures, and harpies. But these aren’t your typical harpies – they’re smoking hot, white-winged and know how to defend themselves. Thrown head first into battle, Kit must learn how to fight, command his new abilities, and tame the desires of the beautiful harpies if he wants to have any hope of not only surviving, but leading his girls to victory against a vicious enemy seeking to wipe the harpies from existence. Warning: Harpy Core features explicit sexuality, hot harpies, savage creatures, giant monsters, melee combat, winged flight, fallen kingdoms, assassination attempts, deadly jungles, a sun-splashed archipelago, magical orbs, hidden temples, and a whole lot of bad guys getting speared in the face. If that doesn’t sound like your kind of thing, steer clear.

    Hanna, Teresa Lamai, Michelle De Leon, Naleighna Kai, William Fredrick Cooper, Pat Tucker, James W. Lewis, and Nikki Sinclair. Zane always selects stories that turn her on, and she guarantees they will turn you on, also. These storytellers take risks. The stories are unique and creative. The contributors to this book are great at what they do: making readers hot.

    Get EIGHT STORIES/NOVELLAS ― ALL seven naughty modern retellings of fairy tale classics in Selena Kitt's Modern Wicked Fairy Tales: Complete Collection― A Modern Wicked Fairy Tale: Beauty A Modern Wicked Fairy Tale: Briar Rose A Modern Wicked Fairy Tale: Goldilocks A Modern Wicked Fairy Tale: Rapunzel A Modern Wicked Fairy Tale: Red A Modern Wicked Fairy Tale: Alice A Modern Wicked Fairy Tale: Gretel For one GREAT low price! PLUS a BONUS STORY previously unreleased: A Modern Wicked Fairy Tale: Wendy, a modern take on Peter Pan!Total of approx 143,900 words!

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Losing It: A Collection of VCards 22 Bestselling YA authors reveal what went on behind the curtain in your favorite YA novels! From paranormal to contemporary, this collection features over 200 pages of ALL NEW CONTENT full of deleted scenes, extended endings, and more from the young adult series’ you love. In this YA/NA crossover collection all of your favorite heroines are cashing in their VCards! YA just got steamy, sexy, and not afraid to go all the way! Due to the graphic nature of some content, this collection is recommended strictly for mature readers. Stories include excerpts and extended material--ALL NEW CONTENT featuring the following YA novels & authors: The Grimoire Saga by SM Boyce The Death Series by Tamara Rose Blodgett Penny Black Trilogy by Stacey Wallace Benefiel Dirty Blood series by Heather Hildenbrand The Mythology Series by Helen Boswell Stories About Melissa Series by Bethany Lopez Keegan’s Chronicles by Julia Crane The Tate Chronicles by K.A. Last Fragile Creatures by Kristina Circelli The Spellbound Trilogy by Nikki Jefford Judgement of the Six Series by Melissa Haag A Dark Faerie Tale Series by Alexia Purdy The Double Threat Series by Julie Prestsater The Elsker Saga by S.T. Bende Ovialell Series by Tish Thawer The Runes Series by Ednah Walters The Cornerstone Series by Misty Provencher The Waiting Series by Ginger Scott Forged Series by A.O. Peart The Arotas Series by Amy Miles Funeral Crashing Mysteries by Milda Harris The Wolf Trilogy by M.R. Polish