Successive popes accorded to Christian warriors willing to participate in the peninsular wars against Islam the same crusading benefits offered to those going to the Holy Land. Joseph F. O'Callaghan clearly demonstrates that any study of the history of the crusades must take a broader view of the Mediterranean to include medieval Spain.Following a chronological overview of crusading in the Iberian peninsula from the late eleventh to the middle of the thirteenth century, O'Callaghan proceeds to the study of warfare, military finance, and the liturgy of reconquest and crusading. He concludes his book with a consideration of the later stages of reconquest and crusade up to and including the fall of Granada in 1492, while noting that the spiritual benefits of crusading bulls were still offered to the Spanish until the Second Vatican Council of 1963.Although the conflict described in this book occurred more than eight hundred years ago, recent events remind the world that the intensity of belief, rhetoric, and action that gave birth to crusade, holy war, and jihad remains a powerful force in the twenty-first century.

    Hiroki Azuma's 'Otaku' offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture.

    This lavish volume, studded with graphics and nuggets of information, is the pleasing result. Science Fiction : The Illustrated Encyclopedia showcases the prophecy and pageantry of science fiction. It weaves together world history with literary history and technical developments with SF trends, providing a cultural context to the Zeitgeist of the genre. Words truly cannot do justice to the visual delights of this colorful tome: time lines, charts, author biographies and bibliographies complete with photos and signatures, illustrated analyses of SF traditions, magazine covers, classic book covers, film and television snapshots, and historical photos. Use it as a reference, read it through, or pick it up and enjoy it in bits. Science Fiction : The Illustrated Encyclopedia will arouse curiosity, joy, and pride in the hearts of SF lovers. --Bonnie Bouman

    The lion was not always king. From antiquity to the Middle Ages, the bear's centrality in cults and mythologies left traces in European languages, literatures, and legends from the Slavic East to Celtic Britain. Historian Michel Pastoureau considers how this once venerated creature was deposed by the advent of Christianity and continued to sink lower in the symbolic bestiary before rising again in Pyrrhic triumph as a popular toy.The early Church was threatened by pagan legends of the bear's power, among them a widespread belief that male bears were sexually attracted to women and would violate them, producing half-bear, half-human beings--invincible warriors who founded royal lines. Marked for death by the clergy, bears were massacred. During the Renaissance, the demonic prestige bears had been assigned in biblical allegory was lost to the goat, ass, bat, and owl, who were the devil's new familiars, while the lion was crowned as the symbol of nobility. Once the undefeated champions of the Roman arena, prized in princely menageries, bears became entertainers in the marketplace, trained to perform humiliating tricks or muzzled and devoured by packs of dogs for the amusement of humans. By the early twentieth century, however, the bear would return from exile, making its way into the hearts of children everywhere as the teddy bear.This compelling history reminds us that men and bears have always been inseparable, united by a kinship that gradually moved from nature to culture--a bond that continues to this day.

    Strange and Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.

    Written during and immediately after the Civil War, this 1990 book has all the vividness of the author's experience. It represents a struggle to see the issues in Spanish politics objectively, whilst bearing witness to the deep involvement which is the only possible source of much of this richly detailed account. As a literary figure on the fringe of the Bloomsbury group, Gerald Brenan lends to this narrative an engaging personal style that has become familiar to many thousands of readers over the decades since it was first published.

    Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne’s annual conference in Paris. Standing up in front of the profession for whom he is a ‘mentally ill person’ suffering from ‘gender dysphoria’, Preciado draws inspiration in his lecture from Kafka’s ‘Report to an Academy’, in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars.Speaking from his own ‘mutant’ cage, Preciado does not so much criticize the homophobia and transphobia of the founding fathers of psychoanalysis as demonstrate the discipline’s complicity with the ideology of sexual differencedating back to the colonial era, an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Further, Preciado calls for a radical transformation of psychological andpsychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing heteropatriarchal and colonial violence.Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with noregard for exactitude. Eighteen months on, Can the Monster Speak? Report to an Academy of Psychoanalysts is published in a definitive translation for the first time.

    Included are descriptions of old forests; forest customs, temples and sacred groves; mythical forest creatures such as witches, fairies, demons, wood spirits, the "wild huntsman," and wood nymphs.The author also recounts facts and fables about individual trees, including famous trees throughout the world, unusual trees, tree worship, people's transformation into trees, and disposal of the dead in trees — as well as folklore about fossil trees, tree bark, leaves, thorns, diving rods, and Yule logs.This long-unavailable treasury of legend and lore will be welcomed by naturalists, anthropologists, students of folklore, and general readers alike. "A work which the curious will love to consult … a book which should be in every upper school library, and at the hand of every one to whom reference to such things is important." — Saturday Review.

    This omnibus contains all the stories from Dunsany's earlier collections: Time and the Gods, The Sword of Welleran and Other Stories, A Dreamer's Tales, The Book of Wonder, The Last Book of Wonder, and The Gods of Pegāna.

    But six weeks soon turned into nine years, and helping out transformed into running the company. During his stint, Tim discovered a booming city in hedonistic reaction to years of fascism, where the evenings lasted until dawn, sleep was something you only did at work, and five hour lunches invariably involved a plate of bull's testicles. Frothing with a language designed to make foreigners dribble, hospitalized by tapa-induced flatulence, and constantly frustrated by the unapproachable beauty of the women parading through the Vogue offices, he nevertheless fell in love with a city, a country, and its people—despite the fact he rarely has a clue what they’re talking about. Tim Parfitt's rise from unwanted guest to paparazzi-pursued mover in Spain's glamorous social scene is a hilarious comedy of errors.

    Slowly, but surely, the conviction had been gaining upon me that, let the mystery of River Hall be what it would, no ordinary explanation could account for the phenomena which it had presented to tenant after tenant; and my own experiences in the house, slight though they were, tended to satisfy me there was something beyond malice or interest at work about the place.

    It is expected that she will conclude the season with a brilliant titled marriage---but it is not to be so. Both idolized and dominated by her flamboyant father, Maud finds her search for love and happiness thwarted at every turn.How this vibrant, headstrong beauty is liberated and comes to learn what love is all about make Melbury Square an unforgettable reading experience.

    Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher.The Neutral (le neutre), as Barthes describes it, escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. These binaries are found in all aspects of human society ranging from language to sexuality to politics. For Barthes, the attempt to deconstruct or escape from these binaries has profound ethical, philosophical, and linguistic implications.The Neutral is comprised of the prewritten texts from which Barthes lectured and centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral (sleep, silence, tact, etc.) or of the anti-Neutral (anger, arrogance, conflict, etc.). His lectures draw on a diverse set of authors and intellectual traditions, including Lao-tzu, Tolstoy, German mysticism, classical philosophy, Rousseau, Baudelaire, Walter Benjamin, and John Cage. Barthes's idiosyncratic approach to his subjects gives the lectures a playful, personal, and even joyous quality that enhances his rich insights.In addition to his reflections on a variety of literary and scholarly works, Barthes's personal convictions and the events of his life shaped the course and content of the lectures. Most prominently, as Barthes admits, the recent death of his mother and the idea of mourning shape several of his lectures.

    But, as Kelly shows, this portrayal is not biblical but a scenario invented by the early Fathers of the Church which became the 'New Biography of Satan'. The 'Original Biography' must be reconstructed from the New Testament where Satan is the same sort of celestial functionary we see in the Book of Job - appointed to govern the world, specifically to monitor and test human beings. But he is brutal and deceitful in his methods, and Jesus predicts that his rule will soon come to an end. Kelly traces the further developments of the 'New Biography': humankind's inherited guilt, captivity by Satan, and punishment in Hell at his hands. This profile of Satan remains dominant, but Kelly urges a return to the 'Original Biography of Satan'.

    This helps desensitize us to its implications. In the post-truth era we don't just have truth and lies but a third category of ambiguous statements that are not exactly the truth but fall just short of a lie. Enhanced truth it might be called. Neo-truth. Soft truth. Faux truth. Truth lite." Deception has become the modern way of life. Where once the boundary line between truth and lies was clear and distinct, it is no longer so. In the post-truth era, deceiving others has become a challenge, a game, a habit. High-profile dissemblers compete for news coverage, from journalists like Jayson Blair and professors like Joseph Ellis to politicians (of all stripes), executives, and "creative" accountants. Research suggests that the average American tells multiple lies on a daily basis, often for no good reason. Not a finger-wagging scolding, The Post-Truth Era is a combination of Ralph Keyes's investigative journalism and solid science. The result is a spirited exploration of why we lie about practically everything and the consequences such casual dishonesty has on society.American society has become permeated from top to bottom by deception. Its consequences for the nature of public discourse, media, business, literature, academia, and politics are profound. With dry humor, passionate fervor, and deep understanding, Ralph Keyes takes us on a tour of a world where truth and honesty are no longer absolutes but mutable, fluid concepts.