Left alone with her children, she’s going to need a hand taking care of her young son if she’s ever going to finish her memoir. In response to a Craigslist ad, S arrives, a magnetic young artist who will live in the secluded guest house out back, care for Lady’s toddler, Devin, and keep a watchful eye on her older, teenage son, Seth. S performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady. But in the heat of the summer, S’s connection to Lady’s older son takes a disturbing, and possibly destructive, turn. And as Lady and S move closer to one another, the glossy veneer of Lady’s privileged life begins to crack, threatening to expose old secrets that she has been keeping from her family. Meanwhile, S is protecting secrets of her own, about her real motivation for taking the job. S and Lady are both playing a careful game, and every move they make endangers the things they hold most dear. Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.

    Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is a mid-western American private who might be an insufferable ignoramus, or might be a genuine lunatic with a death wish--it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she?

    Spy fever fills the newspapers, and the political establishment knows how and where to bury its secrets.When a highly sensitive file goes missing, Simon Callington is accused of passing information to the Soviets, and arrested.His wife, Lily, suspects that his imprisonment is part of a cover-up, and that more powerful men than Simon will do anything to prevent their own downfall.She knows that she too is in danger, and must fight to protect her children. But what she does not realise is that Simon has hidden vital truths about his past, and may be found guilty of another crime that carries with it an even greater penalty.

    It’s an era of breadlines, bank runs, and impossible choices. For struggling reporter Ellis Reed, the gut-wrenching scene evokes memories of his family’s dark past. He snaps a photograph of the children, not meant for publication. But when the image leads to his big break, the consequences are devastating in ways he never imagined.Haunted by secrets of her own, secretary Lillian Palmer sees more in the picture than a good story and is soon drawn into the fray. Together, the two set out to right a wrongdoing and mend a fractured family, at the risk of everything they value. Inspired by an actual newspaper photo that stunned readers across the nation, this touching novel explores the tale within the frame and behind the lens—a journey of ambition, love, and the far-reaching effects of our actions.

    When she arrives, however, she finds that Amy's funeral has just ended. Luckily, the townspeople are happy to look after their bewildered tourist—even if they don't understand her peculiar need for books. Marooned in a farm town that's almost beyond repair, Sara starts a bookstore in honor of her friend's memory. All she wants is to share the books she loves with the citizens of Broken Wheel and to convince them that reading is one of the great joys of life. But she makes some unconventional choices that could force a lot of secrets into the open and change things for everyone in town. Reminiscent of The Guernsey Literary and Potato Peel Pie Society, this is a warm, witty book about friendship, stories, and love.

    I think movies are the way I do that,” says Sophie Stark, a visionary and unapologetic filmmaker. She uses stories from the lives of those around her—her obsession, her girlfriend, and her husband—to create movies that bring her critical recognition and acclaim. But as her career explodes, Sophie’s unwavering dedication to her art leads to the shattering betrayal of the people she loves most.Told in a chorus of voices belonging to those who knew her best, The Life and Death of Sophie Stark is an intimate portrait of an elusive woman whose monumental talent and relentless pursuit of truth reveal the cost of producing great art, both for the artist and for the people around her.

    Her husband is the best car salesman in rural south eastern Australia. Together with Willie, their lanky navigator, they embark upon the Redex Trial, a brutal race around the continent, over roads no car will ever quite survive.A Long Way from Home is Peter Carey's late style masterpiece; a thrilling high speed story that starts in one way, then takes you to another place altogether. Set in the 1950s in the embers of the British Empire, painting a picture of Queen and subject, black, white and those in-between, this brilliantly vivid novel illustrates how the possession of an ancient culture spirals through history - and the love made and hurt caused along the way.

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    With a surprising twist at the end, this book is gripping and hugely satisfying.It can be read on many levels - as a story of people grappling with love and fidelity; as a story about the importance of books in everyday life; as a commentary on living in complex modern-day Europe; and as a page-turning mystery.Peopled mainly by lecturers and students of the Sorbonne The Necessary Angel touches on the machinations of various players as they position for power. Written against the wider backdrop of the political turmoil of 2014 - ISIS, Syria and the threat of Brexit - these themes become global. One of the characters quotes Flaubert: 'There is no truth, there is only perception', and this thread runs throughout.This is a sophisticated novel that shows CK Stead writing at the height of his powers.

    At nineteen, he’s proud of the fact his relationship flies in the face of social convention.As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.Tender and profound, The Only Story is an achingly beautiful novel by one of fiction’s greatest mappers of the human heart.

    But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years, she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience—but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks... And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.

    The friction inside herself as she tries to navigate two worlds since their divorce.But life has not always been like this.When Rosie and Rex first met, theirs was an attraction of opposites. Rosie lived life for those heightened moments when love reveals its true secrets. Rex lived life safely, by the rules. Common sense would say theirs was a union not meant to last, but it was genuine love.Now Willow just wants to be with Rosie, to bask in her mother’s outsize glow and, she thinks, protection. Because Rosie is the only person who can make Willow feel totally alive and completely loved.But as Willow and Rosie and Rex try harder and harder to stay connected as a family, Rosie’s manic tornado of love continues to sweep up everyone in sight, ultimately to heartbreaking results.

    They leave their Kansas home and drive through the night to Albuquerque, eager to begin again, united by the thrilling possibility of carving out a new life together. The boys go to school, join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. But soon the little missteps—the dead-eyed absentmindedness, the late night noises, the comings and goings of increasingly odd characters—become worrisome, and the boys find themselves watching their father change, grow erratic, then dangerous.Set in the sublimely stark landscape of suburban New Mexico and a cramped apartment shut tight to the world, One of the Boys conveys with propulsive prose and extraordinary compassion a young boy’s struggle to hold onto the pieces of his shattered family. Tender, moving and beautiful, Daniel Magariel’s masterful debut is a story of resilience and survival: two foxhole-weary brothers banding together to protect each other from the father they once trusted, but no longer recognize. With the emotional core of A Little Life and the speed of We the Animals, One of the Boys is among the most remarkable debut novels you’ll ever read.