Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions' founder James Laughlin who initially presented some of Williams' verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams's poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977). In this definitive edition, all of the playwright's collected and uncollected published poems (along with substantial variants), including poems from the plays, have been assembled, accompanied by explanatory notes and an Introduction by Tennessee Williams scholars David Roessel and Nicholas Moschovakis.The CD included with this edition features Tennessee Williams reading, in his delightful and mesmerizing Mississippi voice, several of the whimsical folk poems he called his "Blue Mountain Ballads,"poems dedicated to Carson McCullers and to his longtime companion Frank Merlo, as well as his long early poem, "The Summer Belvedere."

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    Hejinian's important collection of poetry from 1978, available again.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    5 Books. No Cliffhangers. Enjoy! Not your average knight in shining armor. The muscled, rugged, rule-breaking Shifters of Anubis are secret for a reason... Book One No one would ever guess that Kai Weslark, a surfer boy living in paradise, could have a dark secret. Yet behind those crooked smiles, Kai has been trying to forget everything he left behind in California, especially his family and the Shifters of Anubis. Until he has no choice but to face it when a pretty brunette named Isla DeLuca needs his protection from the same organization that sent him into hiding. Isla awakes on a tropical island, baffled as to how she got there and even more baffled by her apparent kidnapper, who seems far too cavalier and full of jokes about it. And indifferent. Shouldn’t a kidnapper be a little more vested in the girl he brought across the ocean? But as Isla learns more about Kai and tries to find out what he’s keeping form her, she realizes she’s in danger from more than one quarter. And that there’s more to this surfer boy than meets the eye. Book Two Baltsaros Kazan was shipped away as a child from Greece to America. All of the lost hopes of his family were laid on him – to escape their cursed line, restore the family’s honor, and become a Shifter of Anubis. While Balt has proven his worth as a Lion Shifter, time is running out. The curse is not broken. A dark fate awaits him and he must leave. However, he keeps putting it off for Piper Weslark. As he pulls away, she fights to fix everything, but Balt knows there is no going back. Piper knows Balt has been keeping dark secrets from her. Yet she never thought anything could tear them apart. Book Three Roy Zima-Weslark cannot win. He’s been recruited to his cousin Piper Weslark’s team to lead an investigation into a warehouse in Sierra Mountains of Northern California. Oh yeah, and pull double-duty as a bodyguard and fake boyfriend for KesariIyer. The pretty, bubbly Doctor who hates his guts. Roy has long resigned himself to keeping up the dual legacy of his rival families. Not doing or getting what he wants. Ever. But now he has to live with the pretty, bubble doctor who hates his guts? To work with her as co-lead? All while keeping up appearances under cover? Book Four Desmond Devoy can’t quite place his finger on why the co-ed with the long braids and sparkling gray eyes intrigues him. She’s beautiful, yes, but there’s more. Something is shattered and wanting underneath her poise. Something that beckons at him. Something he can never indulge in yet is starting to crave. But he has secrets of his own, dangerous ones he has to keep under lock and key. Something happened when he helped the Shifters of Anubis in the Sierra Mountains. And he’s come too far and sacrificed too much to stop now. Book Five She’s not supposed to be alive. Andrei Zima is a perfect soldier in the ranks of the Shifters of Anubis. Takes orders without question. Always gets the job done. And he’s supposed to kill Faye Knight. He didn’t question it. Didn’t hesitate. Not until he laid eyes on her. Not until his gut told him she was innocent. She was the woman he’d once tried to save and believed until now that he’d failed her.

    You paint with words and that is beautiful." "Your words capture a truth some may feel but be unable to word." "Definitely a skilled tongue." Join over 10,000 people who follow and enjoy Andrea Michelle's poetry. Download now for free!

    G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then’s" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves’ Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

    And from the beginning, her practice placed her at the vanguard of American writing. Guest's poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest's remarkable visionary work. This Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing seemingly simple, but truly and beautifully dislocating.

    Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show—booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through.

    It's designed to give you a solid idea of what Wicca is about & an excellent base from which to practice spells, meditation, chakra balancing and much more.