Brad is a good guy, but his abusive father is making his life hell. Greg is full of money, but he's as aimless as he is rich. Each one thinks that challenging Mother Nature is somehow going to fix whatever issues they're dealing with. That is if they ever get their Jeep out of the increasingly bizarre swamp that they are trapped in.

    Will he ever succeed? Find out in Tantri the Mantri. In a South Indian folk tale, a foolish king is determined to stop the flow of a river in The King who Stopped the River. Chamataka is again upto no good, this time at a farm! But Kalia the Crow has his sharp eyes on him and a clever trick up his sleeve.Suppandi receives a postcard with a super secret message in Family Matters.

    John Difool, a low class detective in a degenerate world, finds his life turned upside down when he discovers an ancient artifact called "The Incal."--Difool's adventures will bring him into conflict with the galaxy's greatest warrior, The Metabaron, and will pit him against the awesome powers of the Technopriests. Can an ordinary man survive such an epic battle? Suggested For Mature Readers.

    As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.

    Ben Snakepit has been chronicling his life in three-panel comic strips for the past three and a half years. The material is funny at first, but becomes transcendently more than funny, showcasing repetitive patterns of behavior, common mistakes, the redeeming beauty of small moments and all the life that's in between.

    Hiroaki Samura's massive manga series spawned two anime adaptations, a spinoff novel, an art book, and a live-action film! Samura's storytelling tour-de-force also won Japan's Media Arts Award, several British Eagle Awards, and an Eisner Award, among other international accolades. Intense and audacious, Blade takes period samurai action and deftly combines it with a modernist street idiom to create a style and mood like no other work of graphic fiction.Collects Blade of the Immortal volumes 1 to 3 in the original 7x10 serialized format, in a faux-leather hardcover treatment, and with a bookmark ribbon.

    In seven separate sketches, he presents his picture of a man whose life is the key to his creation.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    met his inept and geeky roommate, Mike Doonesbury. Over the months that followed, they were joined by campus radical “Megaphone Mark,” Boopsie, Zonker, and on and on. Fourteen thousand strips later, the world of Doonesbury has become a unique and remarkable creation, sustained by a vast and intricately woven web of relationships among 40 major characters, spanning three generations. While chronicling his characters’ entanglements and intimacies, G. B. Trudeau developed a keen satirical commentary that has ambitiously and relentlessly carved out an indelible record of four decades of American social and political history. The comic strip, like jazz and rock and roll, is an American form, and Trudeau has expanded it boldly and fearlessly, taking it into new realms. An epic unfolding, the Doonesbury saga constantly entices readers to keep up with its ever-evolving cast and endlessly inventive story lines. Trudeau remains fully engaged in the creation of his far-from-complete magnum opus. This massive yet elegant anniversary volume marks the strip’s fourth decade by examining in depth the characters and relationships that have given Doonesbury such vitality and resilience, and allowed it to constantly reinvigorate itself. The book opens with an in-depth introductory essay by G. B. Trudeau in which he surveys his sprawling creation as only he could, followed by brief word-and-picture portraits of all the principle players. The collection’s core consists of more than 1,800 beautifully displayed strips—dailies and Sundays—that chart key adventures and cast connections over the last four decades. Dropped in throughout this rolling narrative are 20 detailed essays in which Trudeau contemplates individual characters or bonded groups of characters, including portraits of ur-folk such as Duke and Honey, Zonker, Joanie, and Rev. Sloan, as well as those who have joined the cast more recently, such as Zipper, Alex, and Toggle. The centerpiece of the volume is a four-page foldout diagram that maps in great and annotated colorful detail the mind-boggling matrix of character relationships. A feast of storytelling and a clarifying overview, this celebratory tome offers a unique way to experience one of the greatest comic strips ever.Created by the team that brought you The Complete Far Side and The Complete Calvin and Hobbes, this massive-yet-elegant celebratory anthology marks Doonesbury's 40th anniversary by examining in depth the characters that have given the strip such vitality. On October 26, 1970, college jock B.D. met his inept and geeky roommate, Mike. Fourteen thousand strips later, the world of Doonesbury has grown uniquely vast, sustained by an intricately woven web of relationships--over 40 major characters spanning three generations. This book opens with an in-depth essay in which G. B. Trudeau surveys his sprawling creation as only he could. The volume's 1,800 beautifully displayed strips chronicle the key adventures and path crossings of the ever-evolving cast, from ur-characters such as Zonker, Joanie, Duke, and Honey, to relative newcomers such as Zipper, Alex, and Toggle. Dropped in throughout are 18 detailed essays in which Trudeau contemplates individual characters and groups of characters.The book's literal centerpiece is a four-page foldout that maps in annotated detail the mind-boggling matrix of relationships. A feast of storytelling and a clarifying overview, 40: A Doonesbury Retrospective offers a unique way to experience one of the greatest comic strips ever.

    Robbie's sexual energy captivates the attention of men and women alike; his literal and figurative brightness is a startling foil to the dreariness of his childhood friend, Francis. With a hand as sensitive as it is exuberant, Brecht Evens's first graphic novel in English captures the strange chemistry of social interaction as easily as he portrays the fragmented nature of identity. The Wrong Place contrasts life as it is, angst-ridden and awkward, with life as it can be: spontaneous, uninhibited, and free.

    In the first English translation of his work, Blanchet seamlessly blends fact and fiction as he weaves together the official history of the town and snapshots of the quotidian life of its residents. Founded in 1928 in an isolated region of Quebec forest, the town was conceived and constructed by the Shawinigan Water & Power Company to function as a fully equipped, self-contained living community for workers at the nearby dam and their families. Intended as an incentive to lure workers to the remote and inaccessible region, White Rapids provided its residents with all the luxuries of middle-class modern life in a pastoral setting-until the town was abruptly shut down in 1971, when the company changed hands.Blanchet's unique, streamlined, retro-inspired aesthetic draws on art deco and fifties modernist design to vividly conjure up idyllic scenes of lazy summer days and crisp winter nights in White Rapids, transporting the reader back to a more innocent time.

    At the same time, Kirby also created a series of stories that drew on his own experiences in World War II. Starring DC war heroes including Captain Storm, Johnny Cloud, Gunner and Sarge, this volume features inventive stories in which The Losers stop a German attack using a strategy found in a comic book, German and American athletes who faced each other at the 1936 Berlin Olympics meet again on the field of combat, and much more.

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    This compilation of the first six issues of The Journey to the Hidden Sea tells the story of Rocketo's idyllic childhood and his early training as an explorer and Mapper. After returning from the deadly Solarium War a broken man, Rocketo Garrison is swept away on a journey to the Hidden Sea, a fabled, dangerous land that may hold the key to undreamed of treasure as well as the truth about an ancient mystery.

    “Eggman” Robotnik and the rest of the cast of the comics and SEGA games in this first-of-its-kind Best of Sonic the Hedgehog graphic novel collection! After nearly twenty years of comics, specials and mini-series, Sonic the Hedgehog has hundreds of great stories to his name. Through the laughs and thrills, the action and adventure, the highs and lows, some stories stand out among the rest. Join us as the Archie Comics Sonic Team picks their favorite stories from the history of the series and presents them in this thematic must-have collection! Included in this collection are "Mecha Madness" (featured in Sonic Archives 10 and Sonic Select 2), chosen by writer Ian Flynn; the finale to "Endgame" (featured in Sonic Archives 13), chosen by artist Patrick Spaziante; "Order from Chaos" (from Sonic the Hedgehog issues 168-169) chosen by artist Tracy Yardley!; and "Future Tense" (from Sonic the Hedgehog issue 215), chosen by artist Jamal Peppers. Don't miss out on this collection of the best Sonic stories to date, chosen by the most popular Sonic creators!