We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will get out, even if it kills them.

    Dan Chambeaux. Taking on the creepiest of cases in the Unnatural Quarter with a human lawyer for a partner and a ghost for a girlfriend, Chambeaux redefines "dead on arrival." But just because he was murdered doesn't mean he'd leave his clients in the lurch. Besides, zombies are so good at lurching. Now he's back from the dead and back in business--with a caseload that's downright unnatural. A resurrected mummy is suing the museum that put him on display. Two witches, victims of a curse gone terribly wrong, seek restitution from a publisher for not using "spell check" on its magical tomes. And he's got to figure out a very personal question--Who killed him? For Dan Chambeaux, it's all in a day's work. (Still, does everybody have to call him "Shamble"?) Funny, fresh, and irresistible, this cadaverous caper puts the P.I. in R.I.P. . ..with a vengeance. "Wickedly funny, deviously twisted and enormously satisfying. This is a big juicy bite of zombie goodness. Two decaying thumbs up!"--Jonathan Maberry"Anderson has become the literary equivalent of Quentin Tarantino in the fantasy adventure genre."--The Daily Rotation"An unpredictable walk on the weird side. Prepare to be entertained." --Charlaine Harris

    He isn't one of them. Meet Bill Ryder: programmer, gamer geek, and hopeless dweeb when it comes to women. All he ever asked for out of life was to collect his paycheck, hang out with his buds, and eventually (someday) ask out the girl of his dreams.However, then Bill met Sally. She was mysterious, aggressive, and best of all...smoking hot. Bill never stood a chance. Before he knew what was happening Sally had lead him to his death, and that was only the beginning of his troubles. Now Bill awakes to find himself an undead predator of the night. The only problem is he’s still at the bottom of the food chain. He’s in way over his head, surrounded by creatures more dangerous, better looking, and a whole lot cooler than he is. Worst of all is the dreaded Night Razor, a master vampire who just can’t stand him. He gives Bill a 90-day deadline to either prove himself or meet a more permanent kind of death, and the deck is definitely stacked against him.But Bill isn’t exactly average. A vampire like him hasn’t been seen in over five centuries. He's got a few tricks up his sleeve, unlikely allies to help him out, and an attitude problem that makes him just too damn obnoxious to quit. He may just pull it off... if he doesn't get his teeth kicked in first.Bill the Vampire is an 80,000 word horror comedy adventure by Rick Gualtieri.

    Now on probation for a felony, it seems that Angel will never pull herself out of the downward spiral her life has taken.That is, until the day she wakes up in the ER after overdosing on painkillers. Angel remembers being in a horrible car crash, but she doesn't have a mark on her. To add to the weirdness, she receives an anonymous letter telling her there's a job waiting for her at the parish morgue—and that it's an offer she doesn't dare refuse.Before she knows it she's dealing with a huge crush on a certain hunky deputy and a brand new addiction: an overpowering craving for brains. Plus, her morgue is filling up with the victims of a serial killer who decapitates his prey—just when she's hungriest!Angel's going to have to grow up fast if she wants to keep this job and stay in one piece. Because if she doesn't, she's dead meat.Literally.

    In her consulting rooms, Dr. Helsing treats the undead for a host of ills - vocal strain in banshees, arthritis in barrow-wights, and entropy in mummies. Although barely making ends meet, this is just the quiet, supernatural-adjacent life Greta's been groomed for since childhood. Until a sect of murderous monks emerges, killing human and undead Londoners alike. As terror takes hold of the city, Greta must use her unusual skills to stop the cult if she hopes to save her practice, and her life.

    Hiding amid the crowds in Los Angeles—the capital of the Kingdom of Southern California—Daniel is trying to go straight. But his crime-boss uncle has a heist he wants Daniel to perform: break into the Hierarch's storehouse of magical artifacts and retrieve Sebastian's sword, an object of untold power.For this dangerous mission, Daniel will need a team he can rely on, so he brings in his closest friends from his years in the criminal world. There's Moth, who can take a bullet and heal in mere minutes. Jo Alverado, illusionist. The multitalented Cassandra, Daniel's ex. And, new to them all, the enigmatic, knowledgeable Emma, with her British accent and her own grudge against the powers-that-be. The stakes are high, and the stage is set for a showdown that might just break the magic that protects a long-corrupt regime.Extravagant and yet moving, Greg van Eekhout's California Bones is an epic adventure set in a city of canals and secrets and casual brutality--different from the world we know, yet familiar and true.

    What she discovers is shattering: an artifact that will seal her destiny; a brotherhood of monks willing to murder to protect their secret; and a powerful black-market occultist desperate to put his own claim to centuries-old blood money. Annja embarks on a high-tension race across Europe and history itself, intent on linking the unholy treachery of the ages with the staggering revelations of the present. But she must survive the shadow figures determined to silence her threat to their existence.

    Pity no one warned the family about the house. Now it's too late. Because the darkness at the bottom of the basement stairs is rising.

    We know where you are. And we are coming.”The man on the screen says this in Russian.“Who are you?”The man smiles, but it’s not a pleasant smile.The image freezes.The celluloid burns exactly where his mouth is, burns in the nearly flat U of his smile. His eyes burn, too.The man fades, leaving the burning smiley face smoldering on the screen.“Oh Christ,” Andrew says.The television catches fire.Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic was a brutal game requiring blood sacrifice and a willingness to confront death, but his many years of peace and comfort have left him soft, more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.

    Lovecraft mythos into the twenty-first century, optioned by Warner Bros TV.Daniel Carter used to be a homicide detective, but his last case-the hunt for a serial killer-went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss. She's Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn't want to be involved, he's beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft's tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

    He’s turned it into a lucrative career putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course.When he left L.A. fifteen years ago he thought he’d never go back. Too many bad memories. Too many people trying to kill him.But now his sister’s been brutally murdered and Carter wants to find out why.Was it the gangster looking to settle a score? The ghost of a mage he killed the night he left town? Maybe it’s the patron saint of violent death herself, Santa Muerte, who’s taken an unusually keen interest in him.Carter’s going to find out who did it and he’s going to make them pay.As long as they don’t kill him first.

    “I have a gift that allows me to see truth where others see the illusion--and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police--with the exception of a handsome young detective named Charlie Cane--deny.Doctor Who meets Sherlock in William Ritter’s debut novel, which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assistant in a tale brimming with cheeky humor and a dose of the macabre.

    I am a vampire. How I became one is the reason for this story. I tell it all the way it happened. It may not be what you expect.She's a bounty hunter--tough, beautiful, and trained for the unexpected. Until the night she's attacked and left closer to death than she can imagine. She awakens to an indoctrination into a dark new world where vampires walk among us. But this time, a tight grip on a .38 won't stop what she's hunting for.Existing between the worlds of the living and the dead, Anna is torn by her love for two very different men. Max, a DEA agent, all too human, and vulnerable. And Avery, a Night Watcher who's joined Anna in pursuit of the rogue vampire who changed her life that terrifying night. Now, as her two worlds collide, fate plunges Anna into the ultimate battle between good and evil where survival is not just for the living...

    Everything changes when she discovers a shocking secret from her heavy metal past: Turns out that Terry's meteoric rise to success may have come at the price of Kris's very soul.This revelation prompts Kris to hit the road, reunite with the rest of her bandmates, and confront the man who ruined her life. It's a journey that will take her from the Pennsylvania rust belt to a Satanic rehab center and finally to a Las Vegas music festival that's darker than any Mordor Tolkien could imagine. A furious power ballad about never giving up, even in the face of overwhelming odds, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, paranoid country that seems to have lost its very soul...where only a girl with a guitar can save us all.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.