At last she will be free from him, even though she and Nuala, the sister who depends on her for everything, must now leave his miners cottage. Then Kate discovers they have an aunt in the Midlands whom their father had kept secret, and who now offers them a home. Despite leaving her heart in Durham with Matthew, a young artist, Kate feels loved and safe with Aunt Beth. But her peace is shattered by an astonishing revelation from Nuala, and a series of brutal attacks on the women of Nuneaton. Kate turns to a handsome widower, Martin Denby, but is his kindness too good to be true?

    The news of this devastating loss caused a public uproar, and those in positions of power promptly began to point fingers in order to avoid responsibility. Custer, who was conveniently dead, took the brunt of the blame.The truth, however, was far more complex. A TERRIBLE GLORY is the first book to relate the entire story of this endlessly fascinating battle, and the first to call upon all the significant research and findings of the past twenty-five years--which have changed significantly how this controversial event is perceived. Furthermore, it is the first book to bring to light the details of the U.S. Army cover-up--and unravel one of the greatest mysteries in U.S. military history. Scrupulously researched, A TERRIBLE GLORY will stand as ta landmark work. Brimming with authentic detail and an unforgettable cast of characters--from Sitting Bull and Crazy Horse to Ulysses Grant and Custer himself--this is history with the sweep of a great novel.

     The American Indian Wars, a series of conflicts between white settlers and Native Americans which took place in the seventeenth, eighteenth and nineteenth centuries, were complex, brutal and many. An official United States Census report published in 1898 noted at least 40 wars which had taken place in the previous 100 years. The total number of individual wars probably numbers well over 100, though many were localized and on a very small scale. Inside you will read about... ✓ The Colonial Period ✓ Washington Takes on the Northwest Territory ✓ Andrew Jackson and the Seminole Wars ✓ Wars in the Wild West ✓ Sheridan’s Wars ✓ The Road to the Wounded Knee Massacre And much more! The American Indian Wars were often bafflingly different, each with its own specific causes and precipitating factors. Yet each was also essentially similar: These wars was fought for possession of land. As white settlers gradually spread over what is now the United States of America, they encountered Native American tribes. The white settlers wanted to create farms and ranches. The tribes wanted the land for hunting. There could be no compromise—these were wars to the death for the right to establish or retain a way of life. The conflicts which resulted were numerous, violent, and localized. Although both sides suffered setbacks, this series of wars gradually pushed Native Americans out of their homelands to make way for the expansion of white settlement. This is a concise telling of the American Indian Wars, from the earliest Beaver Wars in the seventeenth century between French, Dutch, and British settlers and their Native American allies to the tragic confrontation at Wounded Knee Creek at the end of the nineteenth century.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    Ambrose, a dual biography of two great nineteenth century warriors, General Custer and Crazy Horse, culminating in the Battle of Little Bighorn.

    Life, as the daughter of a Victorian millhand, had never been easy, but now she was mother and housekeeper both to the little family left behind. As one tribulation after another beset her life, so a longing, a determination grew - to venture out into a new world of independence and adventure, and when the chance came she seized it. America, even on the brink of civil war, was to offer a challenge that Ruth was ready to accept, and a love, not easy, but glorious and triumphant. A giant of a book - about a woman who gave herself unstintingly - in love, in war, in the embracing of a new life in a vibrant land.

    At this sight a thrill of icy coldness passed over me; I thought I had been struck; my thoughts began to reel and became irregular and confused; I fainted and sank to the earth, and for a while, I know not how long, I was insensible.” – Olive Oatman On the North American continent, Native American tribes carried out abductions against the new European settlers from the time they first set foot on eastern shores. Some of the women taken in the colonial to early American period went on to become respected figures in their new environments, while others lived out their lives as slaves. Various tribes perceived the historical value of women’s social personalities through different prisms, and even those groups living in the same region often exhibited dissimilar behavior toward them. For some of the more aggressive tribal societies, to commit atrocities against women and their children engaged the same mindset as that adopted for male-to-male warfare. What European sensibilities failed to grasp, despite the home continent’s own lurid history, was that the numerous indigenous cultures of North America were already in the habit of perpetrating such abductions against each other and had for thousands of years. Whether the enemy was European or domestic, old or young, male or female, the deeply embedded cultural habit was the same. To steal women from an enemy often brought the same adulation from the collective as the stealing of horses, and abduction initiated by even a single individual brought honor to that person and his family. In the American wilderness, instances occurred wherein the abduction of either horses or human beings was considered essential to survival, if not to pride and manhood. Abductees were generally adopted into the tribe through a specific ritual. Some were based on “violent hazing,” while for others, entry into the community was a “mere formality.” Children and adolescents were, more often than not, the preferred choice for abduction. In the capturing of slaves, both the strength and docility of the individual taken was of utmost importance. However, in the absence of viable wives, the concept of exogamy, an effort to bring new blood into the tribe, was encouraged. Such a rejuvenation of the community was widely accepted as a convention of war. In the history of abductions among the North American continent’s tribes, a low rate of escape attempts by captured settlers has been the norm from the beginning. This may be largely due to geographical obstacles, with help being so far away as to discourage hope of success. By the same token, relatively few rescue attempts were made by white kinsman to rescue a family member from an indigenous tribe. With no contact available to them, families of lost members taken from the colonial period through the 19th century usually fell into a long-term state of grief, but resigned themselves to never seeing their loved ones again. The Captivity of the Oatman Girls: The History of the Young Sisters Who Were Abducted by Native Americans in the 1850s examines the history of one of the most famous abduction stories of the Old West, the kidnapping of the young Oatman sisters and their subsequent experiences with the Mojave.

    Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. This authoritative, exciting history is among the most powerful and important accounts of the culture of the South American Indians and the Spanish Conquest.

    effort, sending messages back and forth in an unbreakable code that used their native language. They braved some of the heaviest fighting of the war, and with their code, they saved countless American lives. Yet their story remained classified for more than twenty years.Joseph Bruchac brings their stories to life for young adults through the riveting fictional tale of Ned Begay, a sixteen-year-old Navajo boy who becomes a code talker. His grueling journey is eye-opening and inspiring. This deeply affecting novel honors all of those young men, like Ned, who dared to serve, and it honors the culture and language of the Navajo Indians.

    Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois—including the massacre, her captivity, and her return to white society—to her later years as a wealthy banker’s wife in Texas.Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.

    Recent unexpected gunplay has whittled his detective agency down to a single operative: a man named John Henry Cole. Cole is the only man left when a new assignment comes in from a former lover of Kelly’s, a woman operating an escort service in the new mining camp of Deadwood in Dakota Territory. Three of the young women working for her have been murdered, and someone is trying to cover up their deaths.It’s a dangerous job, and Cole is advised that he must take every precaution—as if he needed such advice. The legendary Wild Bill Hickok was recently murdered at Deadwood, and Calamity Jane Canary and Doc Holliday are among Cole’s potential suspects. Add that to a corrupt constable and a bounty hunter who just happens to be an old enemy of Cole’s, and it’s clear there are many who will not welcome his arrival in Deadwood. Cole is a lonely man in a lonely profession, and finding a murderer in the wild mining camp could be less of a challenge than simply staying alive.Using real-life characters and settings from one of the most notorious times in the history of the Wild West, veteran author Bill Brooks spins another edge-of-your-seat thriller.Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    Now he’s returning to the Comstock looking to get his badge back and stumbles into a conspiracy that might put the sheriff, district attorney, and others in jail for a long time. A lovely working girl is brutally murdered, a Hungarian duke wants a Wells Fargo gold shipment, and the sheriff rehires him after first kicking him in a most tender spot. Corcoran was born on the ship bringing his family to this country, ran away to the frontier at an early age and brings his ideas of the old country and knowledge learned of the west to whatever mess he finds himself in. He’s carried a badge, found himself in jail, and stands four-square for right, honor, and truth. You gotta love the guy.

    In this story of the Texas frontier, Capps dramatizes the capture by a Comanche band of a ten-year-old white girl and her five-year-old sister from the upper reaches of the Brazos River a decade before the Civil War. As the narrative progresses, Helen Morrison slowly—and almost unbeknownst to herself—goes from being a frightened, rebellious white girl to becoming “a woman of the people.” Like many of the people who figure in true-life Indian captivity narratives, Helen adopts the ways of the Comanches, marries a member of her small band, and becomes a major figure in tribal life.A Woman of the People parallels in some ways the real story of Cynthia Ann Parker, who was taken by Comanches, married Peta Nocona, and became the mother of the celebrated Quanah Parker, the last great chief of the Comanches. But unlike the real-life Cynthia Ann Parker story, where many mysteries abound, the novel takes the reader inside the mind of the main character, and we are allowed to grow with her as she forgets her white heritage and Helen and becomes Tehanita (Little Girl Texan).