Thomson takes us from D.W. Griffith, Charlie Chaplin, and the first movies of mass appeal to Louis B. Mayer, who understood what movies meant to America–and reaped the profits. From Capra to Kidman and Hitchcock to Nicholson, Thomson examines the passion, vanity, calculation and gossip of Hollywood and the films it has given us. This one-volume history is a brilliant and illuminating overview of “the wonder in the dark”–and the staggering impact Hollywood and its films has had on American culture.

    Haunted by her fahter's legend, Kerouac travels to Oregon, Casablanca, Tangier, London, New York, California, and Mexico as she collects lovers and husbands, indulges in drugs and drink, spends time in odd jobs and jail cells, and keeps the Beat flame alive.

    The role reversal involved is emotionally and intellectually demanding, and many caregivers find themselves unprepared to undertake such a difficult task. In Trading Places: Becoming My Mother’s Mother, author Sandra Bullock Smith shares her personal experiences spending ten years caring for her ailing mother. This heartfelt look at the trials and tribulations of that decade offers powerful insight and encouragement for anyone entering into a similar period of life. Smith’s touching stories share the heartbreaking, and sometimes comical, moments she experienced while providing assistance to her aging parent—and how they mirrored similar events from her own childhood. In a very real sense, the two women traded places. Smith found herself uttering phrases she heard all too often as a child, such as, “Don’t give your food to the dog” and, “You’ve had enough sugar today.” Smith began jotting down the things she said, and thus this charming book was born. Filled with respect, compassion, and love, this uplifting and amusing memoir is for anyone involved in elder care or who may face the role in the future.

    When Dionysus the Renegade faked a Sophocles text in 400 BC (cunningly inserting the acrostic “Heraclides is ignorant of letters”) to humiliate an academic rival, he paved the way for two millennia of increasingly outlandish literary hoaxers. The path from his mischievous stunt to more serious tricksters like the fake Howard Hughes “autobiography” by Clifford Irving, Oprah-duper James Frey, takes in every sort of writer: from the religious zealot to the bored student, via the vengeful academic and the out-and-out joker. But whether hoaxing for fame, money, politics, or simple amusement, each perpetrator represents something unique about why we write. Their stories speak volumes about how reading, writing, and publishing have grown out of the fine and private places of the past into big-business, TV-book-club-led mass-marketplaces which, some would say, are ripe for the ripping. For the first time, the complete history of this fascinating sub-genre of world literature is revealed. Suitable for bookworms of all ages and persuasions, this is true crime for people who don’t like true crime, and literary history for the historically illiterate. A treat to read right through or to dip into, it will make you think twice next time you slip between the covers of an author you don’t know . . . .

    Sebald travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on the six of the figures who shaped him as a person and as a writer, including Jean-Jacques Rousseau, Robert Walser and Jan Peter Tripp.Fusing biography and essay, and finding, as ever, inspiration in place – as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration – Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.A Place in the Country is a window into the mind of this much loved and much missed writer.

    published by Houghton Mifflin, Boston.

    There have been many bad, but a few good, translations of his work available in English, and critics have often tended to put labels on him, to make him out "the Russian Dickens" or a forerunner of our own literary champions of the oppressed.In this brilliantly recreative study, Vladimir Nabokov shows us that Gogol's comedy was not Dickensian, but biting and salty, textured throughout by a use of the irrational not duplicated by any other writer; that, in his play The Government Inspector and his great novel Dead Souls , his depiction of the frauds of bureaucracy and the vagaries of Russian serf-owners were not so much intended to work social change as to serve as a framework for portraying the fantasies of the human spirit.Nabokov, whose own uniqueness is known through his novels Lolita and The Real Life of Sebastian Knight brings the uniqueness of Gogol to life—the strange, unhappy, self-deluding man and his singular literary methods and achievements.Nikolai Gogol was originally published by New Direction some years ago, when Edmund Wilson called it "one of the best volumes so far in the interesting series called 'Makers of the Modern Literature'." And B.G. Guerney said in the New Republic, "The creative reader (and student) who wishes to soar on Gogol's own wingéd-steed troika will choose Nabokov as his exhilarating courier."

    From a first reading of Beckett and Faulkner at the feet of an inspirational high-school English teacher to a meeting of the P. G. Wodehouse Society, from an obsession with Nabokov's Lolita to the discovery of the Japanese epic The Tale of Genji, these essays chronicle a lifetime of literary enjoyment.The crime of his life --The quest for Scrivener --Talismans --Maxims, etc. --Heart of the matter --Bookman's Saturday --Supplementary materials --Listening to my father --Romantic scholarship --Weekend with Wodehouse --An abecedary --Mr. Wright --Heian holiday --Childhood's end --The one and the many --Commencement advice --Four novels and a memoir --The October country --Bookish fantasies --Pages on life's way --A garland for Max --Read at whim! --Comedy tonight --Light of other days --Data daze --Four-leaf clovers --Sez who? --Lament for a maker --Clubland --The learning channels --Guy Davenport --Eros by any other name --Frank confessions --Mememormee --Tomes for tots --Three classics --Vacation reading --One more modest proposal --Shake scenes --After strange books --Awful bits --Turning 50 --Blame it on books --On the road not taken --Excursion --Millennial readings

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    He loves music of all kinds - jazz, classical, folk, rock - and has more than six thousand records at home. And when he writes, his words have a music all their own, much of it learned from jazz. Jay Rubin, a self-confessed fan, has written a book for other fans who want to know more about this reclusive writer. He reveals the autobiographical elements in Murakami's fiction, and explains how he developed a distinctive new style in Japanese writing. In tracing Murakami's career, he uses interviews he conducted with the author between 1993 and 2001, and draws on insights and observations gathered from over ten years of collaborating with Murakami on translations of his works.

    A new collection of essays that celebrates a life spent in books More Alive and Less Lonely collects over a decade of Jonathan Lethem's finest writing on writing, with new and previously unpublished material, including: impassioned appreciations of forgotten writers and overlooked books, razor-sharp critical essays, and personal accounts of his most extraordinary literary encounters and discoveries.

    Major Dudes collects some of the smartest and wittiest interviews Becker and Fagen have ever given, along with intelligent reviews of—and commentary on— their extraordinary songs. Compiled by leading music critic Barney Hoskyns, Major Dudes features contributions from the likes of Sylvie Simmons, Fred Schruers, and the late Robert Palmer; plus rare interviews and reviews of Steely Dan’s early albums from Disc, Melody Maker, and Rolling Stone. With an introduction by Hoskyns and an obituary for Walter Becker by David Cavanagh, Major Dudes will be the centerpiece on every fan’s shelf.

    He paints a portrait of a country already far beyond its own crossroads.

    An assessment of Hemingway's writing tracing the rapidly changing scene: from the happy childhood to the grim reality of World War I and the vulgar unreality of Word War II; from the Paris of the 20s to the Spain of the Civil War, and from the African safari to the sombre last years in Cuba.