This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.

    Quirky and humorous, with a subtext of social commentary, Aptowicz's writing is for people who think they hate poetry -- and for those who love it. This expanded version includes over two dozen previously unpublished works along side her old standards, including "Mother" and the Pushcart Prize-nominated "Hard Bargain."

    Bringing the Shovel Down is a re-imagination of the violent mythologies of state and power.

    Two best friends. Both fighting for their country. Against each other.Sebastian Brigandshaw arrives at the Cape of Good Hope and upon arrival is welcomed by a Boer hunter, Tinus Oosthuizen. The pair forms an unlikely friendship, spending many days in the vast wilderness, carving out a future from a savage land.For Sebastian - resourceful and well-adjusted - he falls in love with Africa and decides to live a simple life. But his days of peace are numbered. War is looming. What was so peaceful now becomes volatile and unsettled. Read this unforgettable, accurate account of the Boer War and how their families were dragged through some of Africa’s most aggressive and remarkable days. Ready for a journey back into the past? Then buckle up…Thousands of copies sold WORLDWIDE. Discover what all the fuss is about.“Very balanced view on the Boer War. I could feel real emotions.”“As my grandkids would say, it got betterer and betterer. Worth all five stars.”“One of the most amazing reads I have had for a long time, it takes one back to the day, you can smell the African bush.”“What a wonderful book! Full of history and philosophy. A book that I will read again after a while.”“Superb! All Rimmer’s books are such great reading!”“Excellent African history. Wilbur Smith fans will be pleased.”

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.

     Garrison Keillor, the editor of "Good Poems" and "Good Poems for Hard Times," host of "The Writer's Almanac," and all-around arbiter of fine American poetry, introduces another inspiring collection by a range of poets, some beloved favorites and others brash unknowns, organized by regions of America. From Nantucket to Knoxville, Manhattan to Minnesota, the heart can be exalted anywhere. Think of these poems as postcards-from Billy Collins, Nikki Giovanni, William Carlos Williams, Naomi Shihab Nye, Gary Snyder, Mary Oliver, and many more. Like the previous "Good Poems" collections, this volume celebrates the high-spirited, the witty and antic and jazzy voice that in many ways defines the land of the free. Choosing poems full of humor, sharp insight, and warmth, Garrison Keillor once again makes good poetry accessible and immensely enjoyable.

    How it works: Ten poets choose a poem of their own and a poem by another poet, who then does the same, and so on unto the fifth generation. Thus D. C. Berman leads to Charles Simic by way of James Tate, and other chains run through Mary Karr, Denis Johnson, C. D. Wright, Michael Ondaatje, John Ashbery, Mark Doty, C. K. Wright, Dean Young, Yusef Komunyakaa, and dozens more.

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father's eyes and through their own.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    Gibran's mysticism, evident here as in all his works, reveals an intense preoccupation with the spiritual and visionary.

    What he witnessed there, with 10,000 participants, is shocking.In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence—newspaper articles, census data, legal history, postcards, photographs, and Collins's speculationsabout her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    Gathered into a 95 page compilation with accompanying images, "Poems from the Attic" is at once playful and pensive. It is a love letter to the reader, singed at the edges and creased many times over. It is a walk through the creative process and an ode to the shadowy, quiet places we all carry inside of us.

    Finney’s poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother’s wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president’s final State of the Union address.Artful and intense, Finney’s poems ask us to be mindful of what we fraction, fragment, cut off, dice, dishonor, or throw away, powerfully evoking both the lawless and the sublime.