Times Square is a haven for sex and drugs. The city teeters on the verge of bankruptcy, while blackouts can strike at any moment. This is the world of THE KITCHEN. The Irish gangs of Hell's Kitchen rule the neighborhood, bringing terror to the streets and doing the dirty work for the Italian Mafia. Jimmy Brennan and his crew were the hardest bastards in the Kitchen, but after they're all put in prison, their wives—Kath, Raven and Angie—decide to keep running their rackets. And once they get a taste of the fast life and easy money, it won't be easy to stop. THE KITCHEN takes one of the most popular genres in entertainment and, like The Sopranos, reimagines it for a new generation to present a classic gangster story told from a fresh point of view. Written by talented newcomer Ollie Masters with stunning art by Ming Doyle (Mara) and killer covers by Becky Cloonan (GOTHAM ACADEMY, Killjoys, DEMO), THE KITCHEN is not to be missed. Collects THE KITCHEN #1-8.

    A sweet and yet unsettling story about love, loss and friendship, illustrated in the gorgeously detailed and soft-textured signature style that is Renee French's trademark. Definitely Renee's most ambitious and magnificent work to date, packaged beautifully in a deluxe hardcover format. For adults and children alike.

    For Slothilda and Peanut, each with their own unique set of short-comings (literally and figuratively), navigating their way through the world can be a struggle. However, no obstacle is too great when they've got each other.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    To help Deutsch forestall his death and to learn the secrets of life after death, a team of experts must survive a night in Belasco House, a place known amongst the local townsfolk as "Hell House." The notorious Belasco House starts to exert its dark influence on the group of scientists and spiritualists as they unearth the perverse and wretched secrets from within its walls. Hell House has let them in... but will it ever let them leave?

    High-stakes missions. High-octane adventure! For the men and women of S.H.I.E.L.D., it's just another day in the field! Special Agent Phil Coulson brings together the best and the brightest, the gifted and the elite, normal people and superhumans from across the Marvel Universe on an as-needed basis to confront, combat and curtail dangers beyond the scope of any conventional peace-keeping force!Collecting: S.H.I.E.L.D. 1-6

    If you struggle with anxiety, you may feel like it’s you against the world all the time. Sometimes, your anxiety can be too much to handle all at once—wouldn’t it be nice to have someone around that understood exactly what you were going through? Meet Marzi! She struggles with anxiety just like you. In Kind of Coping, join Marzi as she (kind of) copes with her own anxiety from day to day, finding the humor in her condition with this collection of funny, encouraging, and supportive comics that show you the best you can do sometimes is just kind of cope—and that’s totally OK! Whether it’s a panic attack or an awkward social snafu, Marzi knows what you are going through. With over 150 full-color doodles that deliver hope and inspiration, unconditional support, and big laughs, let Marzi share her journey with you.

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    follows each of the six from the hours before Katrina struck to its horrific aftermath. Here is Denise, a sixth-generation New Orleanian who will experience the chaos of the Superdome; the Doctor, whose unscathed French Quarter home becomes a refuge for those not so lucky; Abbas and his friend Mansell, who face the storm from the roof of Abbas's family-run market; Kwame, a pastor's son whose young life will remain wildly unsettled well into the future; and Leo, a comic-book fan, and his girlfriend, Michelle, who will lose everything but each other. We watch as they make the wrenching decision between staying and evacuating. And we see them coping not only with the outcome of their own decisions but also with those made by politicians, police, and others like themselves—decisions that drastically affect their lives, but over which they have no control.Overwhelming demand has propelled A.D. from its widely-read early Internet installments to this complete hardcover edition. Scheduled for publication on the fourth anniversary of the hurricane, it shines an uncanny light on the devastating truths and human triumphs of New Orleans after the deluge.

    Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself piecing together not only the last few months of his father's life but his entire identity. With thin, precise lines and luscious watercolors, Rutu Modan creates a portrait of modern Israel, a place where sudden death mingles with the slow dissolution of family ties. Exit Wounds is the North American graphic-novel debut from one of Israel's best-known cartoonists. Modan has received several awards in Israel and abroad, including the Best Illustrated Children's Book Award from the Israel Museum in Jerusalem four times and Young Artist of the Year by the Israel Ministry of Culture. She is a chosen artist of the Israel Cultural Excellence Foundation.

    When the elder Thaddeus Gropius confronts Wally with the boilerplate plot ultimatum that he must marry "the saddest girl in the world" or be disinherited, a yarn unravels that is part screwball comedy and part unhinged parable on the lucrativeness of changing your identity.Hensley's dialogue is witty, lyrical, sampled, dada, and elliptical--all in the service of a very bizarre mystery. There's sex, violence, rock and roll, intrigue, and betrayal--all brought home in Hensley's truly inimitable style.Created during an era when another well-off "W" was stuffing the coffers of the morbidly solvent, Wally Gropius transforms futile daydreams and nightmares into the absurdity of capital.

    and exactly what kind of people you can buy with it. The Black Monday Murders, Volume 1: All Hail, God Mammon is classic occultism where the various schools of magic are actually clandestine banking cartels who control all of society: a secret world where vampire Russian oligarchs, Black popes, enchanted American aristocrats, and hitmen from the International Monetary Fund work together to keep all of us in our proper place.Collecting: The Black Monday Murders 1-4

    but it couldn't prepare them for what happened when he returned. Skybound's newest original series turns fantasy into reality in this EXTRA-SIZED FIRST ISSUE for just $2.99, by creator/writer JOSH WILLIAMSON (GHOSTED, NAILBITER) and artist ANDREI BRESSAN.

    When a savage creature known only as the Adversary conquered the fabled lands of legends and fairy tales, all of the infamous inhabitants of folklore were forced into exile. Disguised among the normal citizens of modern-day New York, these magical characters have created their own peaceful and secret society within an exclusive luxury apartment building called Fabletown. When Snow White's party-girl sister, Rose Red, is apparently murdered, it's up to Fabletown's sheriff, the reformed and pardoned Big Bad Wolf, to find the killer. Meanwhile, trouble of a different sort brews at the Fables' upstate farm where non-human inhabitants are preaching revolution – and threatening Fabletown's carefully nurtured secrecy.

    Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.