A wave of sinkholes appears on the anniversary of a rural tragedy, and local residents begin to hear the voices of the dead. A woman encounters a predator from her youth—and a chance to turn the tables. A child’s inner beast takes on a sinister life of its own. An undetectable serial killer raises tensions on a college campus. Experimental physics reveals another world, and it might mean the end of ours. Shrouded in darkness, lurking in the shadows, NIGHT TERRORS III awaits you. The third installment of the chilling Night Terrors anthology series includes stories from Jack Ketchum, Steve Rasnic Tem, Dennis Etchison, Taylor Grant, Eric J. Guignard, Aric Sundquist, Jennifer Brozek, John McNee, Simon McCaffery, Patty Templeton, and many more!

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    In THE MOST DANGEROUS GAME a professional hunter finds out what it feels like to be hunted as a wild animal- for he is the prey? In TO BUILD A FIRE a trapper fights desperately against stark fear in the cruel Arctic night... In LEININGEN VERSUS THE ANTS a settler battles for his very life against a teeming horde of millions of deadly ants...These are only a few of the thrilling stories you'll read in this fascinating book.

    The Machineries of Joy • (1962)The One Who Waits • (1949) Tyrannosaurus Rex • (1962) The Vacation • (1963)The Drummer Boy of Shiloh • (1960)Boys! Raise Giant Mushrooms in Your Cellar! • (1962)Almost the End of the World • (1957)Perhaps We Are Going Away • (1962) And the Sailor, Home from the Sea • (1960) El Dia de Muerte • (1947)The Illustrated Woman • (1961)Some Live Like Lazarus • (1960) A Miracle of Rare Device • (1961)And So Died Riabouchinska • (1953)The Beggar on O'Connell Bridge • (1961) Death and the Maiden • (1960)A Flight of Ravens • (1952)The Best of All Possible Worlds • (1960) The Lifework of Juan Diaz • (1963)To the Chicago Abyss • (1963)The Anthem Sprinters • (1963)

    He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all his plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”

    Within these pages lie the creepy and twisted tales of 21 downtrodden ghouls and boils, who struggle to beat the odds of their cruel worlds. Each tale abounds with transformations and magic, shedding light on the dark lives of our tragic heroes. Little folks and frivolous adults alike are drawn to the innocent consequences that befall these wacky, careless and ill-fated characters.They point out good morals in an absurd, yet humorous fashion, while pointing a finger at society’s own warped injustices.

    though I did leave out some of the original "diary" entries that appeared on an earlier version of the Morganville website, simply because they were just scenes and not stories, and were generally really short snippets. This is all short fiction, and it's been carefully organized into the timeline, so you can read from the earliest adventures (some of which belong to vampires) all the way through some post-Daylighters goodies.MIDNIGHT BITES includes a total of more than 50,000 words of brand new content, which makes me very happy indeed (and I hope will also make you happy, too). From stories featuring our favorite bunny-slipper-wearing mad scientist to a mystery solved by police chief Hannah Moses, I think you'll find this is a diverse group of stories that will shine a little more light in the murkiest corners of Morganville.

    Young Vincent Malloy's vivid imagination takes him on a macabre journey into a fantastical and weird world in which his home is filled with spiders and bats, his aunt becomes an exhibit in his wax museum, and his beautiful wife is buried in his mother's flower bed.

    Unspeakable horrors haunt those who’ve walked on its terrifying path. And it all started with one family—the Fears.Go back to how it all began and discover the dark family secrets buried underneath years of terror, from who sentenced an innocent woman to burn at the stake, to why the Fear mansion caught on fire, and how forbidden love, a bloody feud, and dark magic unleashed the curse that has lasted for far too long.And how Fear Street became the evil place it is today.

    Clair [writing as Idris Seabright ]• Henry Martindale, Great Dane (1954) • shortstory by Miriam Allen deFord• The Microscopic Giants (1936) • shortstory by Paul Ernst• The Young One (1954) • novelette by Jerome Bixby• Doomsday Deferred (1949) • shortstory by Murray Leinster [as by Will F. Jenkins ]• "Shadow, Shadow, on the Wall ..." (1951) • shortstory by Theodore Sturgeon• The Desrick on Yandro (1952) • shortstory by Manly Wade Wellman• The Wheelbarrow Boy (1950) • shortstory by Richard Parker• Homecoming (1946) • shortstory by Ray Bradbury (variant of The Homecoming)

    The phenomenally versatile, award-winning author, Candace Fleming, gives teen and older tween readers ten ghost stories sure to send chills up their spines. Set in White Cemetery, an actual graveyard outside Chicago, each story takes place during a different time period from the 1860's to the present, and ends with the narrator's death. Some teens die heroically, others ironically, but all due to supernatural causes. Readers will meet walking corpses and witness demonic posession, all against the backdrop of Chicago's rich history—the Great Depression, the World's Fair, Al Capone and his fellow gangsters.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    It is not an easy task, for many dangers threaten the bridge builders, from nomad raiders to Free Magic sorcerers. Despite the danger, Morghan wants nothing more than to join the Bridge Company as a cadet. But the company takes only the best, the most skillful Charter mages, and trains them hard, for the night might come when only a single young cadet must hold the bridge against many foes. Will Morghan be that cadet?Also included in this collection are eighteen short stories that showcase Nix’s versatility as he adds a fantastical twist on an array of genres including science fiction, paranormal, realistic fiction, mystery, and adventure.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster