After two years in Europe they are finally settling down. He sees a new life before them, a stable outlook, and a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone - he's that kind of man. The flight lands, the glass doors hiss open, and Scully's life begins to go down in flames.

    Uninhabited except for Blake, a young woman of dubious background, secretive and alone, currently acting as housesitter.The house has a panic room. Cunningly concealed, steel lined, impregnable - and apparently closed from within. Even Blake doesn't know it's there. She's too busy being on the run from life, from a story she thinks she's escaped.But her remote existence is going to be invaded when people come looking for the house's owner, missing rogue pharma entrepreneur, Jack Harkness. Suddenly the whole world wants to know where his money has gone. Soon people are going to come knocking on the door, people with motives and secrets of their own, who will be asking Blake the sort of questions she can't - or won't - want to answer.And will the panic room ever give up its secrets?Panic Room is Robert Goddard at his nerve-shredding best. A sliver of a mystery kicks off a juggernaut of a thriller. Layers of secrets, half truths and lies must be peeled back to reveal what really lies within.

    Neither of them has ever felt more in synch - or in love - with anyone in their lives. What happens next will tear them both apart. Into My Arms is a searing love story and a gripping family drama - a shocking, haunting novel in the tradition of Jodi Picoult and Caroline Overington.The kiss ignited something, blew it into being, and afterwards, all Skye could think about was Ben. One day a woman meets a man and falls instantly and irrevocably in love with him. It hits her like a thunderbolt, and she has to have him, has to be with him, regardless of the cost, of the pain of breaking up her existing relationship. She has never felt more in synch-or in love-with anyone in her whole life. So this is how it feels, she thinks to herself, this is what real love feels like.It's like that for him too; he wants her in a way he's never wanted anything or anyone before: obsessively, passionately, all-consumingly.She has found her one true love, her soulmate, and he has found his. What happens next will tear them apart and unleash havoc onto their worlds.This brave, brilliant, electrifying novel from the acclaimed author of After the Fall and Last Summer, will move you deeply and shock you to your core. Love, lust and longing have rarely wielded such power, nor family secrets triggered such devastation.

    The police have no leads. The people of Quala are divided by dread and distrust. But the sugar crush is underway and the cane must be burned.Meanwhile, children dream of a malevolent presence, a schoolteacher yearns to escape, and history keeps returning to remind Quala that the past is always present.As the smoke rises and tensions come to a head, the dark heart of Quala will be revealed, affecting the lives of all those who dwell beyond the cane.The Cane is an evocative and atmospheric thriller, and announces an exciting new voice in Australian crime writing.'A fine, brave, perceptive writer.' - Mark Dapin, journalist and author of Public Enemies'A stunning piece of Australian rural noir.' - Mark Brandi, bestselling author of Wimmera and The Rip

    But Tess senses she's at a hinge moment, poised between the life she thought she wanted and the one she long ago decided against. The demands of her Sydney family seem unrelenting: an uneasy teenage daughter, a father who has just been placed in care, the impending sale of her childhood home. Sent to London for a conference, she's unable to resist the pull of that relinquished life. What, she wonders, would it be like now? And might it have suited her better after all?Deceptively concise, moving, elegant, The Girl with the Dogs was published online in 2014 under the title of Everything Precious.

    A charismatic, well-respected doctor by day, Tim's father became a roaring madman at night.The house was our castle, and Dad was our king. He was an unpredictable king, tyrannous and moody, lethal one day, loving the next.This is an extraordinary memoir of growing up with a parent afflicted by mental illness: a complex elegy, powerfully told, loaded with love, rage and surprising humour. It is about the lengths children will go to protect themselves - and their families - from shame or harm, and how adapting to that adversity becomes and intractable part of who we are as adults.PRAISE FOR TIM ELLIOT"...he has brought us a most extraordinary memoir - bitter-sweet, tragicomic - and in the end redemptive." Sydney Morning Herald"Searing piece on mental illness... Bravo" Jessica Rowe"One of the finest, most moving pieces on mental illness you'll ever read" Professor Simon Chapman

    Drawn by the promise of his heart’s desire, and compelled to distance himself from pain at home, Gabriel begins his quest into Van Diemen’s Land. His guide, a cannibal who is not all he seems, leads him north where Gabriel might free himself of his distracting burden and seek the woman he must find. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory.Authentic, original and playful, A Treacherous Country is a novel of loyalty, wisdom and the freedom to act.

    Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.As disturbing news arrives of a pandemic sweeping the country, Jean realises this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals — first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin.Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen if - for better or worse - we finally understood what animals were saying.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    In a mountain-locked valley, Jessie is on the run.Born wild and brave, by twenty-six she has already lived life as a circus rider, horse and cattle rustler, and convict. But on this fateful night she is just a woman wanting to survive though there is barely any life left in her.Two men crash through the bushland, desperate to claim the reward on her head: one her lover, the other the law.But as it has always been for Jessie, it is death, not a man, who is her closest pursuer and companion. And while all odds are stacked against her, there is one who will never give up on her—her own child, who awaits her.

    Darwin, 1942, and as Japanese bombs rain down, motherless Molly Hook, the gravedigger's daughter, turns once again to the sky for guidance. She carries a stone heart inside a duffel bag next to the map that leads to Longcoat Bob, the deep-country sorcerer who put a curse on her family. By her side are the most unlikely travelling companions: Greta, a razor-tongued actress and Yukio, a fallen Japanese fighter pilot. Run, Molly, run, says the daytime sky. Run to the vine forests. Run to northern Australia's wild and magical monsoon lands. Run to friendship. Run to love. Run. Because the graverobber's coming, Molly, and the night-time sky is coming with him. So run, Molly, run.All Our Shimmering Skies is a story about gifts that fall from the sky, curses we dig from the earth and the secrets we bury inside ourselves. It is an odyssey of true love and grave danger, of darkness and light, of bones and blue skies; a buoyant, beautiful and magical novel abrim with warmth, wit and wonder; and a love letter to Australia and the art of looking up.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    Diana was exquisitely polite, and properly friendly, but Lucy knew that she was not what Diana envisioned. But who could fault Diana? She was a pillar of the community, an advocate for social justice who helped female refugees assimilate to their new country. Diana was happily married to Tom, and lived in wedded bliss for decades. Lucy wanted so much to please her new mother-in-law. That was five years ago.Now, Diana has been found dead, a suicide note near her body. Diana claims that she no longer wanted to live because of a battle with cancer.But the autopsy finds no cancer.The autopsy does find traces of poison and suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her adult children and their spouses?With Lucy's secrets getting deeper and her relationship with her mother-in-law growing more complex as the pages turn, this new novel from Sally Hepworth is sure to add to her growing legion of fans.