The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

    Ordered to destroy the comet, he instead discovers that it is actually the shell of a derelict space probe - a wreck with just enough power to emit a single electronic signal...2034: Then a reply is heard. Searching for the source of this signal that comes from outside the solar system, Nigel discovers the existence of a sentient ship. When the new vessel begins to communicate directly with him, the astronaut learns of the horrors that await humanity. For the ship was created by an alien race that has spent billions and billions of years searching for intelligent life...to annihilate it.In the Ocean of Night is a 1977 hard science fiction novel by Gregory Benford. It is the first novel in his Galactic Center Saga. It was nominated for the Nebula Award for Best Novel in 1977. It was first published as a novelette in the May/June 1972 edition of Worlds of If Science Fiction.

    In the twenty-third century pioneers have escaped the crowded earth for life in self-sustaining orbital colonies.  One of the colonies, Rotor, has broken away from the solar system to create its own renegade utopia around an unknown red star two light-years from Earth:  a star named Nemesis.  Now a fifteen-year-old Rotorian girl has learned of the dire threat that nemesis poses to Earth's people--but she is prevented from warning them.  Soon she will realize that Nemesis endangers Rotor as well.  And so it will be up to her alone to save both Earth and Rotor as--drawn inexorably by Nemesis, the death star--they hurtle toward certain disaster.

    As scientists frantically work to prevent the ultimate disaster, they discover that the entire planet could be destroyed within a year. But while they look for an answer, some claim that the only way to save Earth is to let its human inhabitants become extinct: to reset the evolutionary clock and start over.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    The World Government calls upon him for aid in protecting an alien diplomat from a powerful and hostile member of his own species. Knowing both the importance of the task and his inability to handle it on his own, Singer goes to confront his greatest conquest with a strange bargain. A shape-shifting alien, the last of his species, sits in a special cage at an institute dedicated to the study of extraterrestrial beings. Most frequently he projects the aspect of a one-eyed catlike creature, but he can appear as almost anything.One of Singer’s secrets, and his greatest guilt, is his suspicion that the creature is intelligent. He confronts him and offers his own life for Cat’s cooperation in saving the alien. Cat accepts, and later, their mission fulfilled, demands a refinement on the original bargain. Rather than a simple death he wants a return bout—a chase with Singer as the hunted rather than the hunter.The gods, powers and monsters of Navajo legend provide the backdrop for the working out of Singer’s fate—for the chase is as much for his soul as for his body. As he uses matter transmitters to flit from Paris to London to the Middle East to the American Southwest, he must search back into his own early life as well as the root beliefs of his vanished people and come to terms with a world that has adopted him, made use of his skills, and left him feeling that he has no place to call his own.

    Now the only hope resides in a mountain redoubt where six men work in secret on a plan to rock the planet. . . .

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    It amounts to the sudden and complete abolition of human privacy--forever. Then, as society reels, the same technology proves able to look backwards in time as well. What happens next is a story only Arthur C. Clarke and Stephen Baxter could tell. The Light of Other Days is a novel that will change your view of what it is to be human.

    The only problem is that the Confederacion needs him as one of its twelve Prime Operators for its secret service, the TBII. The TBII wants him as a spy, thief & assassin. It's not, of course, a problem for the Confederacion, which simply uses immersion therapy & hypnotic personality overlay for Otto's training, then sends him out in deep cover, encased in plastiflesh, on a variety of dangerous missions on a number of bizarre worlds. But for him, it's a different matter: what he has to witness & what he's forced to do take a terrible toll. Always he returns to his original self--his conscience stabbed by the memory of all those he'd killed in the service of interstellar harmony.

    It is also a novel about equality and what happens when the hierarchical structures by which we arrange our daily lives disappear.

    Hellstrom's Project 40 was a cover for a secret laboratory, a special team of agents was immediately dispatched to discover its true purpose and its weaknesses—it could not be allowed to continue. What they discovered was a nightmare more horrific and hideous than even their paranoid government minds could devise.First published in Galaxy magazine in 1973 as "Project 40," Frank Herbert's vivid imagination and brilliant view of nature and ecology have never been more evident than in this classic of science fiction.

    Not hiding, not turned black, but gone. On September 28th, Edward Shaw, a geologist working in Death valley, finds a mysterious new cinder cone in very well-mapped area As more unexplained phenomena spring up around the globeL: a granite mountain appearing in Australia, sounds emanating from the Earth's core, flashes of light among the asteroids, it becomes clear to some that the end is approaching, and there is nothing that can be done. In The Forge of God, award-winning author Greg Bear describes the final days of the world on both a massive, scientific scale and in the everyday, emotional context of individual human lives. Facing the destruction of all they know, some people turn to God, others to their families, and a few turn to saviors promising escape from a planet tearing itself apart. Will they make it in time? And who gets left behind to experience the last moments of beauty and chaos on Earth?

    It is the era of the posthuman. Artificial intelligences have surpassed the limits of human intellect. Biotechnological beings have rendered people all but extinct. Molecular nanotechnology runs rampant, replicating and reprogramming at will. Contact with extraterrestrial life grows more imminent with each new day.Struggling to survive and thrive in this accelerated world are three generations of the Macx clan: Manfred, an entrepreneur dealing in intelligence amplification technology whose mind is divided between his physical environment and the Internet; his daughter, Amber, on the run from her domineering mother, seeking her fortune in the outer system as an indentured astronaut; and Sirhan, Amber's son, who finds his destiny linked to the fate of all of humanity.For something is systemically dismantling the nine planets of the solar system. Something beyond human comprehension. Something that has no use for biological life in any form.