Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

    Don’t ask what or why...just start” My sister Jeannie, deceased 7 years earlier, wrapped her angel arms around me that September day on the Camino Santiago de Compostela and guided me to my purpose. What is it that magically draws us to step outside our normal realm of existence? That unexplainable energy that sings a calling to our soul? A knowing which came in the late summer of 2011, my pilgrimage was the culmination of several years in which I began learning to listen to the energies of the Universe. Listen to the knowledge my soul cradles deep within. Listen to the love and guidance of my guardian angels. Believe that all I need to know, all I need to understand, is available to me if I simply remain open to the forces of the Universe ...and listen. In September 2014 I followed my soul knowledge and embarked on the Camino Santiago de Compostela, an ancient pilgrimage path some 500 miles crossing the French Pyrenees and west across the north of Spain. A Camino of the Soul - Learning to Listen When the Universe Whispers shares my Camino story and, more importantly, a lesson of growth and transformation.

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    At Henry's House on Isadora Island, Celia has created a faux-family homestead, a testament to tradition. Personally, however, Celia's unconventional love life has kept Isadora Island entertained for a generation.Married only once and widowed at twenty-two, Celia has spent a lifetime preaching (and practicing) Unfettered Love, preferring unions free of matrimony, free of the ties that bind -- and can just as easily strangle. Despite all the domestic upheaval, she has acquired a large extended family of children, stepchildren, partners, and ex-partners. Generous and spirited, but notoriously stubborn, Celia nonetheless draws people into her arms and her home.When, much to Celia's dismay, her daughter Bethie announces her engagement, Celia reluctantly agrees to throw a lavish celebration. To this party she must invite everyone in her whole overextended family: her steps and exes, their current partners and starchy in-laws, as well as a host of island eccentrics. As the big day approaches, Celia senses impending disaster. But nothing prepares her for the fallout when the nuclear family explodes and she must reconstruct the past in order to transform the future.

    Descended from pioneers and the daughter of a rancher, Pamela lives according to her own script, and nothing seems to happen as expected. The world beats on—World War I, the influenza epidemic of 1917, the Great Depression—and local fortune rise and fall with the price of beef. For Pamela the fight that counts is defined by a sense of independence and pervasive loneliness, by the twists and turns of love and friendship.

    Winner of the Chalmers Play Award. A rhapsodic blues tragedy. Harlem Duet could be the prelude to Shakepeare's Othello, and recounts the tale of Othello and his first wife Billie (yes, before Desdemona). Set in contemporary Harlem at the corner of Martin Luther King and Malcolm X boulevards, the play explores the space where race and sex intersect. Harlem Duet is Billie's story.

    Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary "Lorraine Hansberry: Sighted Eyes/Feeling Heart" and Imani Perry's multi-dimensional, illuminating biography, Looking for Lorraine.After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways: challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation's first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry's extraordinary life—a life that was tragically cut far too short.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    The drama revolves around the consequences of this secret and each women's opinion on it.The stage set is minimilistic and the drama incorporates deliberately unrealistic situations to explore deeply internal issues, such as the wasteland scenes where all the characters revert back to themselves as children. The play has been translated into twenty-two languages and in 2000 it was chosen by the Royal National Theatre as one of the "Hundred Significant Plays of the Twentieth Century".Commentary and notes by Charlotte Keatley.

    At thirteen she finds herself skeptic and suspicious, with no family, no friends, and forced to participate in horse therapy. Horse therapy “will teach trust, perseverance, respect and the value of teamwork,” or so says the program’s instructor. Tara is unconvinced. Trust only got her heart broken, perseverance only gets her put down, and no one respects or wants to team up with the misfit foster kid. At the stable, Tara meets Trouble, an angry horse bent on destroying everything and everyone around him. When Tara realizes he’s just as misunderstood and untrusting as she is, she pushes aside her fear and a special relationship is formed. Trouble trusts Tara, and Tara in turn finds hope and acceptance as well as the will to love and trust again herself. But Tara’s confidence is shaken as a great challenge looms ahead. Trouble’s manipulative owner is determined to have him destroyed because of his ‘dangerous’ nature. Tara must overcome her own limitations and fight to save the horse that has freed her heart and given her life value and meaning.

    All that mattered to the 70-year-old widower was love. He forgave her when she stole his late wife's jewelry. He stood by her when she entered a psychiatric hospital for depression. What he didn't know about was Celeste's intimate involvement with fellow patient, Tracey Tarlton, a lesbian friend who would do anything Celeste asked. Anything.He Found A Nightmare Out Of Control.Then, in the morning hours of October, 2003, Tracey leveled a shotgun point blank at Steven Beard. The blast tore into his stomach while he slept. When Celeste tried to put a hit on Tracy as well, all hell broke loose. Even Celeste's own daughters turned on their mother with righteous vengeance. The sensational trial would finally expose the sordid motives behind a murderous marriage-and bring two deadly women to justice.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    The minister of silly walks, the dead parrot, banter in a cheese shop - here is every silly, satirical skit, every snide insult, every saucy aside.

    First performed in 1671, Dryden’s Marriage à la Mode portrays the motives high and low that make marriage the pivotal institution of a nation. Like Dryden’s best tragicomedies, Marriage à la Mode has a double plot. The hopes that marriage excites and the regrets it suffers, the possibilities it opens and the opportunities it denies, its potential nobility and its vulnerability to decay provided Dryden with plentiful dramatic material. Comedy and pathos intersect in plots that entangle and surprise like marriage itself.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.