Then, at her childhood home in Queens, Majella discovers the diary of her maternal ancestor Ginny—and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny’s past—and discovers surprising truths about her family and ultimately, herself.

    What he got was a virtual cattle prod to the crotch, in the form of an impossible assignment delivered directly from the president's heroin-addict chief of staff. It seems the Constitution of the United States has some skeletons in its closet: the Founding Fathers doubted that the document would be able to stave off human nature indefinitely, so they devised a backup Constitution to deploy at the first sign of crisis. In the government's eyes, that time is now, as America is overgrown with perverts who spend more time surfing the Web for fetish porn than they do reading a newspaper. They want to use this "Secret Constitution" to drive the country back to a time when civility, God, and mom's homemade apple pie were all that mattered.The only problem is, no one can seem to find it . . .So who better to track it down than a private dick who's so down-and-out that he's coming up the other side, a shamus whose only skill is stumbling into every depraved situation imaginable?With no lead to speak of, and no knowledge of the underground world in which the Constitution has traveled, McGill embarks on a cross-country odyssey of America's darkest, dankest underbelly. Along the way, his white-bread sensibilities are treated to a smorgasbord of depravity that runs the gamut of human imagination. The filth mounts; it is clear that this isn't the kind of life, liberty, or happiness that Thomas Jefferson thought Americans would enjoy in the twenty-first century.But what McGill learns as he closes in on the real Constitution is that freedom takes many forms, the most important of which may be the fight against the "good old days." Like Vonnegut, Orwell, and Huxley before him, Warren Ellis deftly exposes the hypocrisy of the "moral majority" by giving us a glimpse at the monstrous outcome that their overzealous policies would achieve.

    At 14, her mother disappeared. Now 28, and just days after the death of her father, Clarissa discovers that he wasn't her father after all, and the only clues to her true heritage are a world away. Abandoning her fiancé, she flies to Helsinki, seeking to uncover the secrets her mother kept for so long. While piecing together the fragments of her mother's mysterious past, Clarissa is led to the Sami, Lapland's native "reindeer people," who dwell in a stark and frozen landscape, under the northern lights. It is there that she must summon the courage to confront an unbearable truth, and the violent act that ties her to this ancient people. Vida's second novel is the riveting story of an unthinkable quest. Her indomitable heroine, Clarissa Iverton, slowly and painfully (but not without a sense of humor) peels away years of old lies in order to embrace a history she could never have imagined. Sharply focused and beautifully told, Let the Northern Lights Erase Your Name is an ambitious and accomplished work of fiction that resonates with the themes of truth and forgiveness. (Spring 2007 Selection)

    Nora Eldridge, a thirty-seven-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs," a reliable friend and tidy neighbor always on the fringe of others' achievements. Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist--have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist," Nora is drawn into the complex world of the Shahid family: she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal. Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions.

    The mysterious blues man’s dark, driving music–broadcast at ever-shifting frequencies by a phantom radio station–is said to make living men insane and dead men rise.Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur’s trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.But as Ingram closes in on Hastur and those who have crossed his path, he’ll learn there are forces much more malevolent than the Devil and reckonings more painful than Hell...In a masterful debut of Lovecraftian horror and Southern gothic menace, John Hornor Jacobs reveals the fragility of free will, the dangerous power of sacrifice, and the insidious strength of blood.

    He escaped from his master's house for a brief romp around town, seeking out easy targets such as bitches in heat, fresh roadkill and unguarded garbage cans. When he returns to his house, the aged basset hound discovers that his master has packed up their belongings and moved to Florida without him. "Smashed, Squashed, Splattered, Chewed, Chunked and Spewed" is the story of Idjit Galoot's ne'er do well owner and his efforts to work his way back to the dog that he loves. Along the way, Idjit's owner encounters Christian terrorists, swamp-dwelling taxidermists, carnies, a b-list poopie-groupie, bluesmen on the run from a trickster deity, and the Florida Skunk Ape.

    But what he finds is a working-class community devastated by the economic downturn--a town without anything to hold onto but the past.Staying with his grandmother, Roy discovers a family history of good intentions and bad choices, of making do without much chance of doing better. Around him, families lose their sons to war, hunting accidents, drugs. And Roy, along with the town, falls into old patterns established generations ago.A novel-in-stories in the tradition of Bonnie Jo Campbell, Donald Ray Pollock, Denis Johnson, and Alan Heathcock, Country Hardball is a powerfully observed and devastatingly understated portrait of the American working class

    April, a stripper, has brought her daughter to work at the Puma Club for Men. There she encounters Bassam, a foreign client both remote and too personal and free with his money. Meanwhile, another man, AJ, has been thrown out of the club, and he’s drunk, angry, and lonely. From these explosive elements comes a relentless, raw, and page-turning narrative that seizes the reader by the throat with psychological tension, depth, and realism.

    She's content, mostly, with the life she's built: a semi-successful career as a ceramics artist, a close collection of women friends (if you ignore the terrible falling out she had with Cheryl all those years ago), a comfortable marriage with a kind if otherwise unextraordinary man. And then Jean sees her mother go through the final devastating months of cancer, and realizes that her fondest wish is to protect her dearest friends from the indignities of aging and illness. That's when she decides to kill them... This eagerly awaited new novel from Trevor Cole combines the humour and sharp observations of contemporary life that he is known for with an irresistibly twisted premise, for fans of the quirkily macabre Six Feet Under and Dexter, and readers of Paul Quarrington, Miriam Toews, Jonathan Franzen, and, of course, Trevor Cole.In his first two, GG-shortlisted novels, Trevor Cole proved himself a master of drawing us into the shadowy side of human nature with sharp observation and warm wit.

    A spare and chilling account of the day-to-day experience of Sloper, a janitor in a big-city office building, WASTE explores the import of the discarded--for those who generate it, those who dispose of it, and those who are themselves discarded. From the humble prospect of his station, Sloper uncovers ominous possibility in lives he barely brushes. Brian Evenson says, "Only Eugene Marten can keep a reader enthralled with the minutiae of a janitorial existence.... Precisely and exquisitely detailed, WASTE is a stark little masterpiece." And Dawn Raffel writes, "[P]itch-perfect. WASTE wastes nothing--not a syllable, a beat, a ragged breath." And Sam Lipsyte writes, "There is nothing quite like the controlled burn of Eugene Marten's prose."

    So busy that she leaves little time for memories of her lost twin, Moira; her fractured family in Castine, Maine; and the music she left behind in the wake of tragedy nine years ago.Until a childhood relic and a series of anonymous notes resurrects her dreams, a lost language, and her most painful recollections; and prompts her to cross an ocean in search of ancient history. There, Maeve will learn new truths about her past, and come face to face with the one thing she truly fears. Only then can she choose between the safe life she's built for herself and one of risk, with bonds she knows can be both wrenchingly delicate and more enduring than time.

    Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city's great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown's punk scene; an obsessive magazine reporter, Richard, and his idealistic neighbor, Jenny, - and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year's Eve.The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives with be changed forever.City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock 'n' roll, about what people need from each other in order to live... and about what makes the living worth doing in the first place.

    In one, a 19th-century minister follows ghostly instructions to build a mechanical messiah. In another, a tyrannical army commander watches his apocalyptic command slip away as the memories of his men begin to fade and fail. Elsewhere, murders are indexed, new worlds are mapped, fairy tales are fractured and retold and then fractured again.Throughout these thirteen stories, Bell's careful prose burrows at the foundations of his characters' lives until they topple over, then painstakingly pores over the wreckage for what rubbled humanity might yet remain to be found.

    Vikar Jerome steps into the vortex of a cultural transformation: rock ’n’ roll, sex, drugs, and — far more important to him — the decline of the movie studios and the rise of the independent director. Jerome will become a film editor of astonishing vision. Then through encounters with former starlets, burglars, political guerillas, punk musicians, and veteran filmmakers, he discovers the astonishing secret that lies in every movie ever made.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.