Set against the rugged beauty of the New Zealand back country, this is the tale of a young man's introduction to the art of deer culling and follows the exploits of a good keen man as he learns the skills necessary to become a good bushman.

    There, the local swimming pool became her first body of water. Through her life there have been others that have meant different things, but have still been, in their own way, home: from the wild coastline of New Zealand to a pond in northwest London.This lyrical collection of interconnected essays explores the bodies of water that separate and connect us, as well as everything from migration, food, family, earthquakes and the ancient lunisolar calendar to butterflies. In powerful prose, Small Bodies of Water weaves together personal memories, dreams and nature writing. It reflects on a girlhood spent growing up between two cultures, and explores what it means to belong.

    Alice’s imaginary friend, Simp, has shown up, with a running commentary on her failings. ‘I mean, can you even calculate the square root of 762 anymore?’ The last time Simp was here was when Alice was seven, on the night a fire burned down the family home. Now Simp seems to be plotting something.When Alice meets a wealthugee named Pablo, she thinks she’s found a way out of her dull existence. But then she meets Pablo’s teenage daughter, Erika – an actual genius full of terrifying ambition.She’s a Killer is the story of a brilliant and stubborn slacker who is drawn into a radical action. It’s about what happens when we refuse to face our most demanding problems, told by a woman who is a strange and calculating force of chaos.‘A claustrophobic eco-thriller with a gloriously unreliable narrator, She’s a Killer is tense and sharp, and feels unnervingly prescient.’ –Brannavan Gnanalingam‘Equipped with an exhilaratingly badly-behaved protagonist, She’s a Killer builds from a slice of very strange life into a thriller by way of a succession of stunning comic set pieces. You’ll laugh—a lot. And then you’ll cry and be really surprised about it since you were laughing so much.’ –Elizabeth Knox

    They're impatient, they're tired, they get cross easily. And they think that only children, like Perry, should be kept busy. On Saturday mornings Perry and her father visit her gran, Honora Lee, at the Santa Lucia rest home, but Gran never remembers them. ‘Who is that man?’ Honora Lee asks when Perry’s father leaves the room. After movement class is abruptly cancelled, Perry is allowed to go to Santa Lucia on Thursday afternoons. She discovers her Gran has an unconventional interest in the alphabet, so Perry decides to make an alphabet book with the help of Honora and the others. Soon everyone is interested in Perry's book project.

    I am a pink human, caught in a net of ambition and years of hard work. In a few minutes I will dive into artificially turquoise water waiting at my feet. A minute later I'll either be ecstatic or a failure.'Fifteen-year-old swimming champ Alex Archer has her mind set on one goal-competing in the Olympic Games in Rome. Alex has been training hard for six years--but so has her archrival, Maggie Benton.Maggie isn't the only obstacle Alex must overcome. She's spread herself too thin at school, and at home she's worried about her grandmother's failing health. She needs complete concentration for the competition, but it's becoming harder to give her all. Then, her handsome boyfriend, Andy is in a terrible accident. Even if Alex can deal with all these unforeseen problems, can she beat Maggie to make it to the Olympic Games?"Well-developed, realistic, three-dimensional characters flesh out this novel about competitive swimming and adolescence... Duder's fresh writing style hooks readers from the outset."-- "School Library Journal."

    Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, 'In a German Pension', appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.

    Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.'Unquestionably one of our most important living poets'i-D magazine 'Not only rich music, an easy lyricism, but also grit, and earthy honesty, a willingness to be vulnerable and clean' Gwendolyn Brooks 'Beneath the folk rhythms and the lyrical simplicities, Nichols's poems preach disquiet'Observer 'Grace Nichols has wit, acidity, tenderness, any number of gifts at her disposal' Jeanette Winterson

    From calving cows to constipated dogs, weddings to weaning lambs, daffodils to ducklings to droughts, each season brings new challenges and delights. Sometimes it's exhausting but it's almost always a lot of fun - anyway, it's all part and parcel of the life of a Kiwi mother, farmer's wife and vet.

    En route she discards section after section of her manuscript in the spirit of editing The Ice Shelf into a stronger, sleeker work of literature.The Ice Shelf is an electrifying allegory for the dangers of wasting love and other non-renewable resources.

    Ada, together with her nine-year-old illegitimate daughter Flora, and her piano, leave Scotland to arrive in the remote bush of 19th-century New Zealand for a marriage arranged by her father.

    Grant and Murray Ball, his travels to the ends of the earth with his close friend Ed Hillary, and more...

    One lay dead from a single bullet to the head. The other was the only survivor: David Bain. Since then, the country has asked: Who killed the Bain family? David, or his father Robin? And why?Award-winning journalist Martin van Beynen has covered the Bain story closely for decades. His 2017 Stuff podcast, Black Hands - based on the manuscript for this book - topped the charts in New Zealand and around the world and has been downloaded more than 5 million times. Now, his book brings the story completely up to date: exploring the case from start to finish, picking through evidence old and new, plumbing the mysteries and motives, interviewing never-before-spoken-to witnesses andguiding readers through the complex police investigation and court cases, seeking to finally answer the question: Who was the killer?Black Hands is a riveting read from the first word to the last, by a skilled writer who knows his subject inside out.“If anyone can pass judgement it can only be those who sat through the whole trial.” - David Bain in New Idea

    They illuminate the gritty idiosyncrasies of immigrant life in urban barrios spanning Los Angeles to Chicago to Harlem. Rodríguez lends powerful voices to those struggling to keep the gas on, to find work, and to keep love.  Populated by a vibrant cast of characters, ranging from the drugged, to the eccentric, to the heartbroken, Rodríguez’s poems protest capitalism, violence, and exploitation while reveling in the potential of compassion.

    Only a few of the teenagers survive; they find their phones don’t work, there’s no food, and they’ve only got their wits to keep them alive. There’s also something strange happening here. Why are the teenagers having nosebleeds and behaving erratically, and why is the rescue effort slow to arrive? To make it out, they have to discover what’s really going on and who or what is behind it all.

    Until now.Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s.From her single mother's love life to her Smurf collection, from the mean girls at school to the mermaid movie Splash, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance.Chapters include (but are not limited to): The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist.