These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Published in 1954 in Tabriz, it is about Shahriyar's childhood and his memories of his village Khoshgenab near Tabriz. Heydar Baba is the name of a mountain overlooking the village.In Heydar Babaya Salam Shahriar narrates a nostalgia from his childhood in a village in Iranian Azerbaijan.

    Narrated by Jon's former home, the lone caravan, Squashed Possums reveals what it's like to live in the wild through four seasons, including New Zealand's coldest winter in decades. Dr Jock Phillips, NZ historian and author “I thoroughly enjoyed it! What an interesting story” Giles Milton, author of White Gold and Nathaniels Nutmeg “The caravan narrator – yes, a first. May it sell in the millions” Discover how Jon finds himself reversing off the edge of a cliff, meet the Maori chef who survived 9/11, the pioneers who paved the way, and catch sight of the elusive kiwi bird. Encounter hedgehogs that fly, possums that scream, and perhaps most importantly, the lone caravan with a story to tell...

    Whether the focus of the individual poems is musical, digital, or historical, the otherness implicit in being of more than one racial background guides Matejka's work to the inevitable conclusion that all things-no matter how disparate-are parts of the whole.

    When Hannah discovers that Shadrach has been sold to a dog food factory, she decides to mount a heroic rescue and enlist the help of her two younger brothers.From the beginning, their plans go seriously wrong. By the time they've argued with the repulsive Wuff Stuff man, hidden Shadrach in a church and in a caravan, and floated him on a mussel barge, they're in desperate need of rescuing themselves.

    A family torn apart. A decision that could change everything.Berlin, 1939. Fourteen year old Simon Horowitz is awash in a world of music. His family owns a superb collection of instruments and at its heart is his father's 1742 Guarneri de Gesu violin. But all is lost when the Nazis march across Europe and Simon and his father and brother are sent to Dachau. Amid unimaginable cruelty and death, Simon finds kindness from an unexpected corner, and a chance to pick up a violin again and a chance to live.In the present day, orchestra conductor Rafael Gomez has seen much in his time on the world's stage, but he finds himself oddly inspired by the playing of an aspiring violin virtuoso, a fantastic talent who is only just fourteen. Then the boy, Daniel Horowitz, suddenly refuses to play another note, and Rafael knows he'll do anything he can to change that. When he learns the boy's family once owned a precious violin, believed to have been lost forever, Rafael thinks he might know exactly how to get Daniel playing again. In taking on the task he discovers a family story like no other that winds from World War II and Communist Russia all the way to Rafael's very own stage.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    They have never met:I couldn’t speak, but I was trying so hard to communicate and then . . . then . . .I pushed. And something, someone, pushed back.Her name is Violet. Violet, but she is sunshine-yellow, and I need to find her because I think she might be just like me.But there is a far more serious reason for Ethan to find Violet: the sinister Foundation is trying to hunt them down.

    A sleepy bohemian neighbourhood.An ancient legend from the ancient past.A brilliant but troubled young writer.A voluptuous healer.A shadowy cult and its sinister leader.A trail of riddles; a hidden artefact.An explicit sex scene, then a struggle for ultimate power.And a final, unspeakable secret.Unspeakable Secrets of the Aro Valley is a dark and hilarious odyssey through Wellington’s underbelly.

    Militant Tūhoe separatists are active in the area, and with its cloying mist and steep ravines, the forest is a treacherous place in winter. Yet nothing has prepared Taine for the true danger that awaits them. Death incarnate. They backtrack toward civilisation, stalked by a prehistoric creature intent on picking them off one by one. With their weapons ineffective, the babysitting job has become a race for survival. Desperate to bring his charges out alive, Taine draws on ancient tribal wisdom. Will it be enough to stop the nightmare? And when the mist clears, will anyone be left?

    She swallowed hard and looked out of her cabin window. The plane had just broken through a clump of clouds and below was an undulating patchwork of reds and greens. It was what she’d been expecting. The ruralness. Yet also different from the image she’d held in her head. The vastness. The intense terracotta colour. The relentless blue of the sky.’Greta Jellings blushes and bumbles her way through her carefully ordered existence, forever constrained by what her mother would have said and done. No expectation, no disappointment was one of her mother’s mantras. It serves Greta well too. It is the death of her dear friend Walter, and his unusual bequest, that finally forces Greta to escape the shackles of her safe life. Revealed in a series of letters, Walter has set Greta a challenge that leads her across the world, and so far outside her comfort zone, that she has no choice but to confront who she really is. It is in the foreignness of strangers that she finds the familiar, and in the expanse of the vista that she gains perspective.'Addressed to Greta' is a captivating novel about a woman learning to express her true self. A story about finding the courage to be seen, and a testament to the transformative power of friendship.

    A collection of Native American poetry.

    The first comprehensive selection of Kavanagh's poetry to be published, this volume offers a timely reassessment of a poet unfairly neglected outside Ireland.

    It is in her poetry, however, where she achieves the full extent of her revelation as artist and human. The poems in this first selection from her whole work were written over a period of forty years. They convey a wonderfully energetic alternation of mood, idea, and experience that are part of her unique creative process.

    A new myth, maybe, was formingthere, but the sun was so brightI couldn't see it. --from "June 2nd, 1989 (for Xiaobo)"Empty Chairs presents the poetry of Liu Xia for the first time freely in both English translation and in the Chinese original. Selected from thirty years of her work, and including some of her haunting photography, this book creates a portrait of a life lived under duress, a voice in danger of being silenced, and a spirit that is shaken but so far indomitable. Liu Xia's poems are potent, acute moments of inquiry that peel back to expose the fraught complexity of an interior world. They are felt and insightful, colored through with political constraints even as they seep beyond those constraints and toward love.