Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    Shrek, a horrid little ogre, goes out into the world to find adventure and along the way encounters a witch, a knight in armor, a dragon, and, finally, a hideous princess, who's even uglier than he is!

    This edition presents the unabridged version of the Grimms' tale, with an original interpretation by renowned artist Camille Rose Garcia that artfully combines wit and dark romance

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    In this book the entire manuscript has been photographed in colour and reproduced with precise fidelity to the original.

    And it was not happy. What it finds on its search for the missing piece is simply and touchingly told. This inventive and heartwarming book can be read on many levels, and Silverstein’s iconic drawings and humor are sure to delight fans of all ages.So it set off in searchof its missing piece.And as it rolledit sang this song— Oh I'm lookin' for my missin' pieceI'm lookin' for my missin' pieceHi-dee-ho, here I go,Lookin' for my missin' piece.And don't miss Runny Babbit Returns, the new book from Shel Silverstein!

    Young Pierre, whose favorite line is I don't care! changes his mind after meeting a hungry lion. Three-color illustrations.

    Illuminated by Star’s rays, Fox forages for food, runs with the rabbits, and dances in the rain—until Star suddenly goes out and life changes, leaving Fox huddling for warmth in the unfamiliar dark. To find his missing Star, Fox must embark on a wondrous journey beyond the world he knows—a journey lit by courage, newfound friends, and just maybe, a star-filled new sky. Inspired by the Arts and Crafts movement and the art of William Blake, The Fox and the Star is a heartwarming, hopeful tale which comes alive through Bickford-Smith’s beloved illustrations, guiding readers both young and grown to “look up beyond your ears.”

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    This collection brings together all six of the Madeline books in one volume. Every well-loved word and picture is here, plus an introduction by Pulitzer Prize-winning journalist Anna Quindlen, an essay by Ludwig Bemelmans on how he created Madeline, and working sketches of Madeline, as well as photos of the Bemelmans family. This landmark volume will be treasured by the entire family.

    This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.

    The dark is not afraid of Laszlo. Laszlo lives in a house. The dark lives in the basement. One night, the dark comes upstairs to Laszlo's room, and Laszlo goes down to the basement.This is the story of how Laszlo stops being afraid of the dark.

    Collected here and illustrated to wonderful haunting effect by Edward Gorey, these short, funny pieces offer moral instruction for all types of mischief makers—from a certain young Jim, "who ran away from his nurse and was eaten by a lion," to the tale of Matilda, "who told lies and was burned to death”—and add up to a delightful read for any fan of Roald Dahl or Shel Silverstein.

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.