Wheeler’s mistress, Julie Rutledge, who is also a suspect, believes that Creighton is the killer, despite his rock-solid alibi, and she’ll do almost anything in her quest to prove his guilt—even ruin Derek’s career. But the more Derek learns of Creighton’s darker side, especially his bizarre fascination with movie murders, the more he comes to believe Julie is right. The clock ticks down to a shocking ending as Derek and Julie join forces to find the truth. Has Creighton begun reenacting cinema’s goriest scenes? And who will be his unwilling costars? They won’t know until the final SMASH CUT.

    It turns out the two women are identical twins, separated at birth, and raised in dramatically different circumstances. Lucy's mother quickly resolves to give her less fortunate sister the kind of life she has never known. And the transformation in Aunt Helen is indeed remarkable. But when Helen begins to imitate her sister in every way, even Lucy isn't sure at times which twin is which. Can Helen really be trusted, or does her sweet face mask a chilling agenda?Filled with shocking twists and turns, THE TWIN'S DAUGHTER is an engrossing gothic novel of betrayal, jealousy, and treacherous secrets that will keep you guessing to the very end.

    Paul's and makes a mystifying mention of murder and an oddly familiar comment about her grandmother, Kate Murray is intrigued. But she never gets to hear the rest of Andrew Deacon's tale. Shocked by his unexpected death, she wonders who this strange, old man is, and what the odd reference to her grandmother could mean. Interest piqued by the story never told, Kate becomes drawn into an investigation, uncovering secrets about the grandmother she thought she knew and a man she never did. Soon she is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious wartime past and across the Atlantic as she tries to retrace Deacon's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, and facing death every step of the way, Kate must use her tough journalistic instinct to find the answers from the past in order to have a future.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    She would be a "friend" who would try to protect her from another scandalous involvement--like the one back in France.Alain was a generous and thoughtful employer. Victorine a bright and amusing companion. But Tamaris could not help wondering about the significance of the gold and enamel snake Victorine wore around her neck. Nor could she stop thinking about the fact that someone had been going through her belongings and leaving strange objects among them.Then one day Alain was forced to reveal the true story of Victorine's past. A past, Tamaris suspected, that would soon gain on the future and place everyone at Rancho del Sol under a shadow of constant fear..

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    When Avery Chauvin returns to her Louisiana hometown after her father's suicide, she discovers clippings of a fifteen-year-old murder and learns about recent disappearances and murders that lead her to start an investigation.

     Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    A complete shut-in, she spends her days spying on her neighbors, subtly meddling in their lives. But she can’t keep her demons out forever. Someone from her past has returned, and is desperate to get inside.Sarah can’t go home. Her husband has kicked her out, forcibly denying her access to their toddler. Sarah will do anything to get her daughter back, but she’s unraveling under the mounting pressure of concealing the dark secrets of her past. And her lies are catching up to her.The novel takes readers back in time to witness the complex family dynamics that formed Robin and Sarah into the emotionally damaged, estranged young women they’ve become. As the gripping and intricate layers of their shared past are slowly peeled away, the shocks and twists will keep readers breathless long after the final page.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    When Celia Sands arrives at a remote Italian villa to star in the first performance of a deceased playwright's masterpiece, she is instantly drawn to the mysteries surrounding the play -- and to her compelling, compassionate employer.

    Scarclaw Fell. The body of teenager Tom Jeffries is found at an Outward Bound center. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who embarked on that fateful trip, and the flimsy testimony of those living nearby. 2017. Enter elusive investigative journalist Scott King, whose podcast examinations of complicated cases have rivaled the success of Serial, with his concealed identity making him a cult internet figure. In a series of six interviews, King attempts to work out how the dynamics of a group of idle teenagers conspired with the sinister legends surrounding the fell to result in Jeffries’ mysterious death. As every interview unveils a new revelation, you’ll be forced to work out for yourself how Tom Jeffries died, and who is telling the truth.

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.